38,681 stories from The New York Times
Tanowitz and the composer David Lang talk about how their new work is informed by biblical poetry, Israeli folk dance and their Jewish heritage.
The British actor shares what helped him transform into the doomed Danish prince: French poetry, "Pandemonium," and postcard art (with breaks for lemon cake).
A young boarder's plan to make a new life in Australia unsettles a staid British family in Elizabeth Baker's 1909 play, revived by the Mint Theater Company.
As Roe falls, new works including a documentary, a feature film and a comedy show disrupt the taboos and clichés around abortion.
The production of "Straight Line Crazy," by David Hare, will begin preview performances Oct. 18 and have a nine-week run.
Angela Hanks's new comedy is set in Santa Fe, N.M., where five women of color have traveled for some fancy R&R laced with New Age spirituality.
"American Buffalo," at Circle in the Square, is sticking with masking till it closes, July 10, citing the "proximity of the audience to the actors" and "the staging in the round."
On Thursday's mixed bill, Ulysses Dove's "Dancing on the Front Porch of Heaven" was the most arresting and emotionally resonant work.
Our writer checked out two very different experiences in New York. In Netflix's TV re-creation, you fight Demogorgons. In "Cascando," you walk off your existential angst.
The Crucible Theater in Sheffield, England, is celebrating its 50th anniversary with a mind-boggling logistical challenge that also honors a declining industry in the city.
The Royal Shakespeare Company has cast a disabled actor to play the "deformed, unfinish'd" king for the first time. The choice has been hailed as a landmark moment.
In this heady Lincoln Center Theater production, Brian Watkins finds laughs and shivers in a pensive gathering of old friends.
"A Transparent Musical," with music and lyrics by Faith Soloway, will have its world premiere in May 2023 at Mark Taper Forum in Los Angeles.
The writer James Baldwin and the poet Nikki Giovanni are at the center of a crackling work of verbatim theater at the Vineyard Theater.
"It's not really like we're dancing. It's more just like we're moving," Heera Gandhu, 13, says of his collaboration with the choreographer Mariana Valencia at Abrons.
Broadway Bares began as a response to the AIDS crisis. Thirty years later, the one-night-only burlesque spectacle remains a potent, frisky fund-raiser.
A bullied eighth grader learns to shine in this filmed version of the stage musical streaming on Disney+.
In an anniversary year for the playwright, new productions in the Paris region show why his work still appeals to myriad audiences.
In a strange and beautiful new play by Will Arbery, finding happiness is a process of failing upward.
Flamenco Vivo Carlota Santana's show "Fronteras" at the Joyce Theater has a group of very good and remarkably equal dancers sharing a bounded space.
A three-day retrospective will shine a spotlight on the group's most daring projects.
Flamenco Vivo Carlota Santana's show "Fronteras" at the Joyce Theater has a group of very good and remarkably equal dancers sharing a bounded space.
Working with his fellow writer and actor Gerome Ragni and the composer Galt MacDermot, he jolted Broadway into the Age of Aquarius.
A tricky challenge for Black playwrights: offering deliverance, even hope, while staying truthful about real-life tragedy.
