6,634 stories from HowlRound
By Dan Rider. Dan Rider considers the line between a theatrical play and a live music concert in theatre today by looking at theatre artists who are also bands.
By Guillermo Reyes. Guillermo Reyes reflects on the twentieth anniversary of his play, remembers how it was received, and the challenges he came across making it.
By Catherine Castellani. Playwright Catherine Castellani describes an unsettling experience at her child's elementary school play, and explores the prevailing attitudes around arts education…
By HowlRound TV. The One-Minute Play Festival & Know Theatre Company present the 1st Cincinnati One-Minute Play Festival (#1MPF) livestreaming on the global, commons-based peer produced …
By Candace L. Feldman. Candace Feldman introduces New Gen National Arts Network, a group that seeks to position young arts administrators for leadership in their fields.
By Patrick Gaughan. Patrick Gaughan explores the ideas of fame, talent, and originality in the world of celebrity impersonation.
By David Dudley. In this installation, David Dudley talks with the three artistic directors of the SITI Company about what makes their program different and successful.
By Amy Schwabauer. Amy Schwabauer on Tlaloc Rivas' Johanna: Facing Forward , co-produced by Cleveland Public Theatre and Teatro Publico de Cleveland.
By Phil Weaver-Stoesz. In the first of a series of posts exploring positive practices and principles for theatremakers, Phil Weaver-Stoesz writes about the value of listening in the process …
By HowlRound TV. The Dramatists Guild of America presents the 2015 National Conference: Writing the Changing World in La Jolla, California livestreaming on the global, commons-based peer pro…
By Magda Romanska. Scholar and dramaturg Magda Romanska on the connection between humor and disability.
By Abel Muñoz. Abel Muñoz describes the three plays featured in the 5th Annual Austin Latino New Play Festival.
By Marci R. McMahon. In the third installment of our series on Latina/o theatre in Texas, Marci R. McMahon discusses the work being done in educational institutions in the Rio Grande Valley.
By HowlRound TV. Livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Tuesday, July 7 at 10:30am PDT (Los Angeles) / 12:30pm CDT (Chicago) / 1:30p…
By Lydia Stryk. Lydia Stryk wonders about the limiting nature of a list and questions how helpful they actually are.
By David Bruin. David Bruin on Mondo Bizarro and ArtSpot Productions' Cry You One at the Arts & Ideas Festival in New Haven, Connecticut.
By Addie Gorlin. Addie Gorlin describes the benefits of casting actual teenagers to play the roles of teenagers, despite what common practice is.
By Jonathan Mandell. Jonathan Mandell talks with Producer Tom Kirdahy about celebrating a marriage three times and how theatre can make a difference.
By Jess Applebaum. Jess Applebaum on Sylvia Milo's original solo performance as Nannerl, Mozart's mostly-forgotten sister in The Other Mozart.
By Bob Leonard. Bob Leonard looks at historic duos who don't get along, and compares them to his own experience with his long-time radio partner.
By Kate Kremer. In this installation, Kate Kremer continues her exploration of durational theatre and what it has to do with realism.
By Edward Einhorn. Edward Einhorn on the economics of Money Lab and what it taught him about the relationship of art and money.
By Laura Brueckner. Laura Brueckner interviews Peter Sinn Nachtrieb about the development of The Totalitarians .
By Ronee Penoi. Ronee Penoi sits down with Peter Sinn Nachtrieb and Robert O'Hara to discuss their process working on The Totalitarians Woolly Mammoth last year.
By Waylon Lenk. Waylon Lenk considers how the University of Oregon and Southern Oregon University are doing Native theatre and compares their models to his approach to organizing a reading s…
