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7,984 stories from Los Angeles Times

Review: Kristina Wong assembled 'aunties' to sew masks. Her pandemic mission is now a must-see show by Charles McNulty

Kristina Wong's performance piece on a pandemic mask-making project opens at the Kirk Douglas Theatre.

SOURCE: Los Angeles Times at 12:22pm on February 17, 2023

Review: Why the new intergalactic musical 'Come Get Maggie' is light-years from being ready by Charles McNulty

With the premiere of Diane Frolov and Susan Justin's 'Come Get Maggie,' Rogue Machine Theatre produces its first musical.

SOURCE: Los Angeles Times at 9:00am on February 15, 2023

Review: A graceful 'Much Ado About Nothing' " in all its madcap zeal " shines at A Noise Within by Charles McNulty

Guillermo Cienfuegos directs a vivid and vivacious production of Shakespeare's comedy at A Noise Within, accomplishing what some starrier productions have failed to do.

SOURCE: Los Angeles Times at 6:04pm on February 13, 2023

Review: Conflict, intrigue and family dysfunction converge in 'The First Deep Breath' by Charles McNulty

The Geffen Playhouse presents Lee Edward Colston II's epic family drama, about the secrets and unresolved traumas of a Black family in Philadelphia.

SOURCE: Los Angeles Times at 10:00am on February 11, 2023

Review: In Wooster Group's staging of Brecht's 'The Mother,' techno postmodernism turns political by Charles McNulty

The Wooster Group's first foray into the work of Bertolt Brecht brings "The Mother," a "learning play," to postmodern life at REDCAT.

SOURCE: Los Angeles Times at 7:19pm on February 9, 2023

Leading theater while Black: Sheldon Epps on fighting the medium's long-standing whiteness by Jessica Gelt

In his recently-published memoir "My Own Directions: A Black Man's Journey in the American Theatre," Sheldon Epps reflects on his 20-year tenure as artistic director of the Pasadena Playhous…

SOURCE: Los Angeles Times at 10:00am on February 2, 2023

Review: 'The Notebooks of Leonardo Da Vinci' is more impressively acrobatic than it is exciting by Charles McNulty

Tony winner Mary Zimmerman's performance collage based on the notebooks of the Italian Renaissance polymath arrives at the Old Globe in San Diego.

SOURCE: Los Angeles Times at 6:09pm on January 31, 2023

Review: Empathy coach hits a brick wall in the wild, weird workplace comedy 'Do You Feel Anger?' by Charles McNulty

Circle X Theatre Co. presents the West Coast premiere of Mara Nelson-Greenberg's comedy at the Atwater Village Theatre in a production directed by Halena Kays.

SOURCE: Los Angeles Times at 3:48pm on January 30, 2023

Commentary: Oscar or not, Paul Mescal makes screen acting look natural again by Charles McNulty

The most authentic performance of the year may not get an Oscar nomination. But if you care about acting, you should see Paul Mescal in 'Aftersun.'

SOURCE: Los Angeles Times at 2:00pm on January 23, 2023

This arts nonprofit mapped a pre-gentrified Santa Monica. With a new $3-million grant, the project is going statewide by Deborah Vankin

18th Street Arts Center has been awarded a $3-million California Creative Corps grant from the California Arts Council to expand its Culture Mapping 90404 project statewide.

SOURCE: Los Angeles Times at 9:00am on January 19, 2023

Review: The play 'Home Front' confronts the bitter realities of post-WWII racism, homophobia by Charles McNulty

The West Coast premiere of Warren Leight's "Home Front" stars C. J. Lindsey as a World War II Black naval officer whose union with a white woman tests the tolerance of postwar America.

SOURCE: Los Angeles Times at 4:13pm on January 17, 2023

Review: The main reason to see "Eisenhower"? Actor John Rubinstein's earnest portrayal of Ike by Charles McNulty

Tony winner John Rubinstein stars in Richard Hellesen's biographical drama "Eisenhower: This Piece of Ground," a Theatre West and New L.A. Repertory presentation at the Hudson MainStage Thea…

SOURCE: Los Angeles Times at 10:00am on January 13, 2023

Commentary: A critic does therapy with Phil Stutz, go-to shrink for Jonah Hill and other stars by Charles McNulty

An encounter with Dr. Phil Stutz, the subject of 'Stutz,' the Netflix documentary Jonah Hill made about his beloved Hollywood therapist.

SOURCE: Los Angeles Times at 3:45pm on January 12, 2023

Review: Audra McDonald's brilliant performance in 'Ohio State Murders' is a must-see on Broadway before it closes by Charles McNulty

The Broadway debut of 91-year-old playwright Adrienne Kennedy is supercharged by Audra McDonald's seismic performance in 'Ohio State Murders,' which will close on Jan. 15.

SOURCE: Los Angeles Times at 4:27pm on January 6, 2023

Commentary: What a difference a revival makes: Two famously tricky Sondheim musicals shine in new outings by Charles McNulty

The Broadway revival of 'Into the Woods' and the new off-Broadway revival of 'Merrily We Roll Along' bring new life to challenging Stephen Sondheim musicals.

SOURCE: Los Angeles Times at 2:15pm on January 5, 2023

Review: The engrossing 'Little Theatre' spills the tea on L.A.'s 99-seat theater scene by Charles McNulty

Rogue Machine presents the world premiere of Justin Tanner's 'Little Theatre,' a snapshot of one L.A. writer's beginnings.

SOURCE: Los Angeles Times at 3:17pm on December 14, 2022

Review: An icon forever, the magnetic Chita Rivera delivered sparks of magic at Segerstrom by Charles McNulty

Tony Award-winning legend Chita Rivera brings her concert 'Chita: The Rhythm of My Life' to the Renée and Henry Segerstrom Concert Hall.

SOURCE: Los Angeles Times at 4:56pm on December 12, 2022

How HBO's 'White Lotus' captures the theater of the tourism industry by Carolina A. Miranda

I worked for several years as a travel writer. Here's what Mike White's dramedy gets exactly right about tourism as immersive but shallow theater.

SOURCE: Los Angeles Times at 3:28pm on December 12, 2022

Review: If the Razzies included theater, 'Invincible' would be one of 2022's big winners by Charles McNulty

Pat Benatar and Neil Giraldo bring their musical version of Shakespeare's 'Romeo and Juliet' to the Wallis Annenberg Center for the Performing Arts. But the production can't escape the jukeb…

SOURCE: Los Angeles Times at 9:00am on December 9, 2022

Broadway's trailblazing 'KPOP' musical is abruptly closing. What went wrong? by Ashley Lee

The creative team behind the ambitious spectacle discuss its sudden end and potential future: 'We never got a fair chance.'

SOURCE: Los Angeles Times at 3:07pm on December 8, 2022

Commentary: The case of a mysterious Edward Albee play that has resurfaced in L.A. by Charles McNulty

Edward Albee's 'Fam and Yam,' a 1960 one-act inspired by the author's encounter with Broadway playwright William Inge, remerges at Venice's Pacific Resident Theatre.

SOURCE: Los Angeles Times at 2:27pm on December 7, 2022

Best theater of 2022: So many L.A. bright spots in a challenging year by Charles McNulty

Theater critic Charles McNulty runs through his 2022 high points, including 'The Inheritance,' 'Slave Play' and, yes, a divisive 'Oklahoma!'

SOURCE: Los Angeles Times at 9:00am on December 4, 2022

Lynn Nottage on 'MJ' and 'sustaining the complexity' in her dramatic works by Charles McNulty

With an opera, a jukebox musical and a Broadway comedy running simultaneously this year, the Pulitzer Prize-winning playwright Lynn Nottage has never been busier or more determined to move A…

SOURCE: Los Angeles Times at 9:00am on December 3, 2022

'The Wiz' will ease on back to Broadway in 2024. But first, a national tour by Nardine Saad

Tony Award-winning musical "The Wiz" is being revived in a national tour that debuts in Maryland next year before returning to Broadway for a limited engagement.

SOURCE: Los Angeles Times at 4:14pm on December 1, 2022

Tom Stoppard's Jewish roots: Carey Perloff on Broadway's acclaimed play of the season by Charles McNulty

Ex-leader of A.C.T. talks about "Leopoldstadt" and the remarkable admission Stoppard makes about his relationship (or lack thereof) to his Jewish past.

SOURCE: Los Angeles Times at 9:00am on November 28, 2022
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