A Mensch for All Seasons By RUTH R. WISSE
This season marks 150 years since the birth of Sholem Aleichem, whose appeal to "something more cheerful" made him the most popular Yiddish writer at a time when more Jews spoke Yiddish than…
This season marks 150 years since the birth of Sholem Aleichem, whose appeal to "something more cheerful" made him the most popular Yiddish writer at a time when more Jews spoke Yiddish than…
Audra McDonald is a veteran of theater, film, music and TV shows such as "Private Practice," but she still has a few holes in her acting résumé.
Zinnie Harris updates Henrik Ibsen's "A Doll's House" from late 19th-century Norway to the Edwardian political classes in 1909 London.
Opera, sports and now a London theater's Greek tragedy, broadcast to screens around the world
Terry Teachout on the masterly staging of Horton Foote's great play "Dividing the Estate" in Hartford, Conn. Plus, a revival of the all-black '70s take on "The Wizard of Oz" in New York.
Despite a self-assured score, casting missteps keep this new Off-Broadway musical from becoming a true hit.
Frank Sinatra loathed singing "My Way," quite possibly the most popular number from the final act of his career.
Neil Patrick Harris is a star of satire and sendups-but he's serious about theater
Unlike some highbrow critics, I love musicals—and not just old ones, either. But the new shows that opened in the season just past illustrate my belief that the Broadway musical is suf…
"Arcadia" and "Rosencrantz and Guildenstern Are Dead" are performed by two theater companies on stages modeled after those of the Elizabethan period.
Terry Teachout reviews a Houston performance of Clifford Odets's "Awake and Sing!" and a Dallas staging of Kurt Weill's "Lost in the Stars."
Broadway director Matthew Warchus is facing off with himself for a Tony Award.
Sean Mathias's new production of "Waiting for Godot" at the Theatre Royal Haymarket in London emphasizes the work's comic, even playful aspects.
"Giant," Michael John LaChiusa's musical version of Edna Ferber's 1952 novel, succeeds with a rich score and spare staging.
Cabaret singer Ute Lemper draws on Germany's past as she looks to make her songs more personal.
Actor-director Kenneth Branagh talks about his new detective series "Wallander," and coming superhero film "Thor."
Ryan Murphy, the creator of the series "Nip/Tuck," takes a winking look at singing students in the new show "Glee."
Constantine Maroulis, a 6th-place finisher on "American Idol," scores a Tony nod for his performance in "Rock of Ages."
Terry Teachout reviews "The History Boys" in Chicago and "The Merchant of Venice" in Brooklyn.
Nemeses clash, cutlery clanks, Jackman suffers; 'Girlfriends Past' is dumbed-down Dickens
Tony winner Liev Schreiber on his villainous role as Victor Creed, aka Sabretooth, in the new "X-Men" film.
After Oscar for 'No Country,' comedy Off-Broadway
The Roundabout Theatre Company's revival of "Waiting for Godot" is beautifully simple and straightforward -- and very, very funny.
U2, Green Day, Bob Dylan and other rockers are churning out new Broadway musicals.
Robert Falls's revival of Eugene O'Neill's "Desire Under the Elms" masks the grim tale of passions with unintentionally comedic dialogue.