'Hauntingly beautiful': Chris McCormack reviews Gluck's opera as part of this year's festival in Galway. The post Review: Orfeo ed Euridice at Galway International Arts Festival appeared fir…
Ontroerend Goed artistic director Alexander Devriendt talks interactive theatre, gaming, and the death of capitalism. The post Ontroerend Goed: “If art isn’t challenging, why bot…
'A celebration of the blood and guts': Ka Bradley reviews Hofesh Shechter Company's collaboration with over 100 young dancers. The post Review: East Wall at Tower of London appeared first …
Cloak and danger: Rosemary Waugh review Opera Holland Park's revival of Mascagni's version of the Lady Godiva myth. The post Review: Isabeau at Opera Holland Park appeared first on Exeunt Ma…
Exeunt's writers process their thoughts on Hannah Gadsby's fiercely emotive farewell to comedy, currently on Netflix. The post The Nanette Feelings Thread appeared first on Exeunt Magazine.
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey's new play. The post Review: Pity at the Royal Court appeared first on Exeunt Magazine.
'A painful confrontation with an unaccepting place': Chris McCormack reviews Rachel O'Riordan's production of a new play about returning to Ireland after 20 years of family exile. The post R…
Complex ideas and striking symbolism: Charlotte Jones makes a successful return to stage-writing with this nineteenth-century drama. The post Review: The Meeting at Chichester Festival Theat…
A company with really exciting ideas: Wilderbeast's debut show is a mix of classy and clunky. The post Review: In The Light Everything Is Brighter at 1532 Performing Arts Centre, Bristol app…
Wild and beautiful: Frey Kwa Hawking writes on Sally Cookson's moving adaptation of a story of grief. The post Review: A Monster Calls at Old Vic Theatre appeared first on Exeunt Magazine.
Substance over style: Sonya Kelly has penned three amusing and insightful short plays about home furnishings and their owners. The post Review: Furniture at Galway International Arts Festiva…
Weighed down by human logistics: this immersive homage to Disney's Fantasia is good fun, but limited by technology. The post Review: Sounds and Sorcery at The Vaults appeared first on Exeunt…
Guided by unbelievable forces: CristÃn Kehoe's new play interrogating Ireland lacks focus. The post Review: Shelter at Galway International Arts Festival appeared first on Exeunt Magazine.
'Panto and ignorant, 'inappropriate' jokes vs. lukewarm observational comedy in skinny jeans': Frey Kwa Hawking reviews a new play about a meeting between different generations of comedians.…
"It was nice while it lasted": Max Webster's uncomplicated production is rudely interrupted by a certain Mr Donald Trump. The post Review: As You Like It at Regent’s Park Open Air Thea…
"Swanky senior citizens, elegant elders & glamorous golden girls" are all invited to daytime cabaret The Posh Club. Here's Freddie Machin on why it's so vital. The post The Posh Club ap…
"Amazing what can happen when you don't just programme white people" - Ava Davies on the humming energy of a show made by femmes of colour. The post Review: Hive City Legacy at Roundhouse ap…
'Blunt, sparse, and deeply seductive': Freddie Machin reviews an evening of the music suppressed by the Nazis. The post Review:Â Barry Humphries' Weimar Cabaret at the Barbican appeared f…
He wants to be heard: William Drew responds to American poet and rapper Saul Williams' appearance at The Last Word Festival. The post Review: Saul Williams at the Roundhouse appeared first o…
A fictional, dreamlike vision of Ireland: Michael Grandage's Martin McDonagh revival loses its way amid all the blood. The post Review: The Lieutenant Of Inishmore at the Noël Coward Thea…
A dance, of sorts: Unpolished Theatre's surging, feverish show explores East End working class experience. The post Review: Flesh and Bone at Soho Theatre appeared first on Exeunt Magazine.
Futility and horror: Ava Davies on a revived WWI drama, and the strange way the war sits in our national consciousness. The post Review: For King and Country at Southwark Playhouse appeared …
It's nearly here: the season of mists and millions of shows. So Exeunt's writers have chosen a few things they're looking forward to. The post Exeunt’s Edinburgh Fringe Tips appear…
Immersive doesn't begin to cover it: the West End transfer of Good Chance's refugee drama is electrifying in its intimacy and honesty. The post Review: The Jungle at the Playhouse Theatre ap…
Francesca Peschier writes on the swooshing skirts and sumptuous spectacle of this "commendably self-aware" revival of the Rodgers and Hammerstein classic. The post Review: The King and I at …