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3,979 stories from http://www.theaterscene.net

The Blood Quilt by Victor Gluck, Editor-in-chief

Katori Halls' "The Blood Quilt" is fine as a family drama about warring sisters who both love and resent the mother who has just died. However, as a story of secrets and revelations it takes…

SOURCE: www.theaterscene.net at 11:38pm on December 2, 2024

THE YORK THEATER COMPANY ANNOUNCES NEW LEADERSHIP TEAM by Chip Deffaa, Editor-at-large

The York Theater Company--which has had only two Producing Artistic Directors in its 55-year history--has chosen Joseph Hayward and Debra Walton to head the company for now, following the r…

SOURCE: www.theaterscene.net at 6:24am on December 2, 2024

HELEN GALLAGHER: AN APPRECIATION by Chip Deffaa, Editor-at-large

Two-time Tony Award-winner Helen Gallagher, who just died at the age of 98, was a terrific musical-theater performer. Oh, she did work in television and film, too--winning three Emmy awards …

SOURCE: www.theaterscene.net at 5:30am on December 1, 2024

The Merchant of Venice (Arlekin Players Theatre) by Victor Gluck, Editor-in-chief

There is much rewriting and updating plus uncalled for interpolation like speeches from 'Romeo and Juliet" for Jessica and one of Shakespeare's sonnets ("My Mistress' eyes are nothing like t…

SOURCE: www.theaterscene.net at 3:41pm on November 30, 2024

REMEMBERING GAVIN CREEL by Chip Deffaa, Editor-at-large

His breakout role--the one that made him a "name" in the theater world--was playing "Jimmy Smith," the boyfriend, co-starring opposite Sutton Foster in the Broadway musical "Thoroughly Moder…

SOURCE: www.theaterscene.net at 6:28am on November 30, 2024

HOW ACCURATE IS "A WONDERFUL WORLD: THE LOUIS ARMSTONG MUSICAL"? by Chip Deffaa, Editor-at-large

A Wonderful World: The Louis Armstrong Musical" gives Broadway a much-needed shot in the arm. From the clarion call of the first notes we hear to the final strains of the title song, there'…

SOURCE: www.theaterscene.net at 6:06am on November 30, 2024

Welcome to the Big Dipper by Scotty Bennett

"Welcome to The Big Dipper" is a musical comedy with music and lyrics by Jimmy Roberts and a book by Catherine Filloux and John Daggett (inspired by the play "All Dressed Up and Nowhere to G…

SOURCE: www.theaterscene.net at 12:28am on November 30, 2024

Tammy Faye by Victor Gluck, Editor-in-chief

Katie Brayben in a scene from Elton John's new musical "Tammy Faye" at the Palace Theatre (Photo credit: Matthew Murphy) Tammy Faye, the new Broadway musical arriving at the recently renovat…

SOURCE: www.theaterscene.net at 10:43pm on November 27, 2024

Death Becomes Her by Joel Benjamin

"Glitter and Be Gay" is not just a Leonard Bernstein aria from Candide, but the perfect description of the campily funny new musical "Death Becomes Her" which just hit the Lunt-Fontanne Thea…

SOURCE: www.theaterscene.net at 11:24am on November 27, 2024

Swept Away by Victor Gluck, Editor-in-chief

Besides the fact that many know the story of the Essex (later told in Melville's "Moby Dick") or the Mignonette told in The Avett Brothers' album of the same name, Logan has made his main ch…

SOURCE: www.theaterscene.net at 10:55pm on November 26, 2024

We Are Your Robots by Tony Marinelli

While the musicians are exemplary, it is Lipton who does the heavy lifting in the show. With what amounts to a very witty hosting duty, his singing voice is one that is rich and quite comfor…

SOURCE: www.theaterscene.net at 3:56pm on November 25, 2024

Strategic Love Play by Victor Gluck, Editor-in-chief

How can you make a new play about a couple on a blind date in a bar interesting for today's jaded audience? In "Strategic Love Play," British playwright Miriam Battye makes them play games a…

SOURCE: www.theaterscene.net at 9:56pm on November 24, 2024

Woman on a Ledge by Scotty Bennett

"Woman on a Ledge" is an adaptation by Hershey Felder of harpist Rita Costanzi's writings about her life. Ms. Costanzi is a world-renowned harpist whose life experiences have been woven into…

SOURCE: www.theaterscene.net at 9:50pm on November 23, 2024

Babe by Victor Gluck, Editor-in-chief

Arliss Howard and Marisa Tomei in a scene from The New Group's production of Jessica Goldberg's "Babe" at The Pershing Square Signature Center (Photo credit: Monique Carboni) If you don't kn…

SOURCE: www.theaterscene.net at 7:53pm on November 23, 2024

Okuni: The Woman Who Created Kabuki by Scotty Bennett

Ako's portrayal of Izumo no Okuni combines traditional Japanese dance movements with Western-style acting. The nature of the script limits the impact of her performance. The dialogue is simp…

SOURCE: www.theaterscene.net at 12:31pm on November 23, 2024

A Wonderful World: The Louis Armstrong Musical by Joseph Pisano

Great in entirely predictable ways, especially its rich musical orchestrations and arrangements from jazz genius Branford Marsalis (he's assisted by Tony Award- winner Daryl Waters), "A Wond…

SOURCE: www.theaterscene.net at 3:57pm on November 22, 2024

Elf the Musical by Joseph Pisano

While incorporating the film's most memorable lines and story beats into their book, Bob Martin and the late Thomas Meehan also excised what they could to make room for composer Matthew Skla…

SOURCE: www.theaterscene.net at 11:44pm on November 21, 2024

Maybe Happy Ending by Victor Gluck, Editor-in-chief

Helen J Shen and Darren Criss in a scene from the new musical "Maybe Happy Ending" at the Belasco Theatre (Photo credit: Matthew Murphy & Evan Zimmerman) The new musical Maybe Happy Endi…

SOURCE: www.theaterscene.net at 3:26pm on November 20, 2024

Oud Player on the Tel by Joel Benjamin

Can the tale of two families living in Palestine just before the partition that created the State of Israel shine a light on the current status of affairs? Playwright Tom Block's "Oud Player…

SOURCE: www.theaterscene.net at 12:47pm on November 18, 2024

Music City by Christopher "caz" Caswell

By all outward appearances, the Church of St. Paul and St. Andrew on West 86th Street is an unlikely location for a performance space, but deeply nestled into its 2nd floor can be found the …

SOURCE: www.theaterscene.net at 10:43pm on November 17, 2024

King Lear (The Shed) by Victor Gluck, Editor-in-chief

Firstly, the play has been shortened to two hours without any intermissions, when most recent productions have been three and a half hours with one intermission. This makes all of the events…

SOURCE: www.theaterscene.net at 9:28pm on November 17, 2024

Mercutio Loves Romeo Loves Juliet Loves by Tony Marinelli

Director Scott Ebersold works wonders with the double-edged sword of the audience knowing full well these performances are colored by the play taking place close to 20 years ago when girls t…

SOURCE: www.theaterscene.net at 1:03pm on November 16, 2024

Café Utopia by Scotty Bennett

"Café Utopia" by Gwen Kingston and directed by Ashley Olive Teague tells the tale of a juice bar that, on the surface, appears to be socially progressive, but behind the scenes, is a differ…

SOURCE: www.theaterscene.net at 2:41pm on November 15, 2024

Triptych by Tony Marinelli

As long as you come to John Yearley's "Triptych" with the understanding that grief is a deeply personal and complex emotion and that just because two people are married doesn't mean they wil…

SOURCE: www.theaterscene.net at 1:38pm on November 13, 2024

Walden by Victor Gluck, Editor-in-chief

Nevertheless, the play is one of several interesting takes on climate change in the theater recently like "Deep History." As the play evolves we are more and more immersed in the problems of…

SOURCE: www.theaterscene.net at 10:29pm on November 12, 2024
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