YOU SHOULD HAVE LEFT (dir. David Koepp): Film review
On a rainy day with nothing better to do, You Should Have Left will prove serviceable enough for non-discerning viewers
On a rainy day with nothing better to do, You Should Have Left will prove serviceable enough for non-discerning viewers
The trio discusses Green Pastures, a retelling of the Old Testament of the Bible using an all-black cast and a black vernacular. The writer, Marc Connolly was white.
Taking place entirely within the cockpit of a hijacked commercial airliner, this minimalist performance piece benefits greatly from a high-level of sustained tension.
The arts sector is speaking up against the city's proposed cutting of the Philadelphia Cultural Fund. How about skipping that request and shoot for $40 million instead?
An A-rate tale of flawed, kindhearted humans doing their best to be as good as they possibly can.
Josh, John, and Chris discuss and praise the 1929 Pulitzer winner for drama
Back in the summer of 2008, a group of skaters decided to go on an adventure.
A virtual performance festival
A moving tale of a delayed coming of age
The Pulitzers go for Modernism with Eugene O'Neill's 1928 drama winner
Josh, John, and Christopher discuss Paul Green's 1927 work In Abraham's Bosom. It hasn't aged well.
There are so many things we don't talk about in actor training.
While not an unwelcome addition to a now decade-long odyssey of travelers Rob Brydon and Steve Coogan, this final entry feels a bit flatter than its predecessors; a bit perfunctory.Â
A new podcast
Dance is a sport and should be seen as one.
Josh, John, and Chris discuss George Kelley's Craig's Wife. We also spend the first 10 minutes talking about art's funding and Philadelphia theater during the COVID-19 crisis
What are you holding onto? Things are not going to return to how they were before.
Join the crew as we talk about the 2020 Pulitzer picks, West Coast optimism, and the 1925 Pulitzer winner
It works so hard to invoke so many influences that it dilutes itself from being as memorable or as effective as it so clearly wants to be.
A gritty, realistic perspective on mental illness
This week, Josh, Christopher, and John discuss Icebound by Owen Davis.
People were already turning to streaming, and then the pandemic came.
his week the pod discuss Eugene O'Neill's fascinating sea shanty Anna Christie.
As the days of this pandemic roll on, I am spending time helping organizations craft messages about COVID 19 and how the virus is impacting their programming.
This week, Josh, Christopher, and John largely disagree about Zona Gale's Miss Lulu Bett, the winner in 1921. They talk dream casts, feminism, and the crisis of modernity!