38,681 stories from The New York Times
The fashion designer Isaac Mizrahi is a terrific host, but this production at the Guggenheim Museum is awfully shaggy for an avian story, our critic writes.
She was an institution at the American Dance Festival, and also made early television dance and exercise programs.
Christopher Wheeldon's full-length work for the Royal Ballet succeeds best when not meeting the demands of storytelling.
As she sought the truth for her characters on the page, Mara Vélez Meléndez's real self began to emerge. Now she's making her Off Broadway debut.
The venue beneath what was once Studio 54 will pick up a Tony Award for excellence in the theater as it marks its anniversary with a pair of concerts.
The acclaimed British actor explains the links between his tour de force stage turn and a recent string of subdued screen roles.
With its production of "The Orchard," juxtaposing the human and the virtual, the Arlekin Players continue taking creative leaps.
The intergenerational comedy is a poignant reflection on sexuality, mortality and Black masculinity by the playwright Mansa Ra.
PS21 presents work that challenges and invites, like performances by QDance, a Nigerian troupe whose leader says, "I am not your entertainment."
A cast of three recount the gripping drama of the death of a teenager by the Dutch police in 2012.
Step dance helps students at Brooklyn Transition Center focus and release excess energy " and it plays a starring role in their musical, "In the Stuy."
Rachel Chavkin will direct Larissa FastHorse's satire, which takes aim at American mythology, next spring at the Helen Hayes Theater.
The American premiere of the brutal play "A Little Life," a drag-infused Hamlet and an immersive celestial installation highlight the festival's latest iteration.
The stage adaptation, with book and lyrics by Cameron Crowe and music and lyrics by Tom Kitt, will begin previews Sept. 13.
What is the role of choreography on Broadway? Two musicals, "MJ" and "A Strange Loop," shed light on the dancing body.
The French writer played himself onstage and hated the experience, according to a new work he developed with the Swiss director Milo Rau. This time around, there's an actor in the role.
The musical is Somi Kakoma's thank-you note, written across generations, to the South African singer and activist Miriam Makeba.
In a rare stage outing for the actor, in London, she plays the central character in Tennessee Williams's play as more of a fusspot than a harridan.
Audiences are increasingly asked to lock their phones in pouches at comedy shows, concerts and some plays. But what happens onstage doesn't alway stay onstage.
The new production, an adaptation of the classic 1984 martial arts film, is onstage now just outside St. Louis and aiming for a Broadway run.
In this sweet, spoofy romp of a musical comedy, Romeo awakens from a 400-year slumber and follows a Juliet look-alike to Brooklyn.
The company's spring season, a double whammy of Covid and injury, ended with the retirement of the principal Amar Ramasar.
"Everything I need is right here," Jordan Demetrius Lloyd said of his Brooklyn neighborhood. Add to that his new work, "Jerome," staged in a schoolyard near his home.
TikTok choreography, dancing umpires, a ballet-trained first-base coach: This collegiate summer league team has amassed a following by leaning into entertainment.
Mara Vélez Meléndez's "Notes on Killing Seven Oversight, Management and Economic Stability Board Members" ferociously explores the intersection of the personal and the political.
