DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
38,681 stories from The New York Times

'A Strange Loop' Review: A Dazzling Ride on a Mental Merry-Go-Round by Maya Phillips

Michael R. Jackson's Pulitzer Prize-winning meta musical arrives on Broadway with its uproarious dialogue, complex psychology and eclectic score intact.

SOURCE: The New York Times Subscription at 11:03pm on April 26, 2022☆⚑

Sasha Waltz's 'In C' Marries Choreography and Improvisation by A.J. Goldmann

Waltz's dance, born in deep lockdown, embraces the openness and fluidity of Terry Riley's classic minimalist score. It's coming to BAM.

SOURCE: The New York Times Subscription at 1:35pm on April 26, 2022☆⚑

'The Skin of Our Teeth' Review: A Party for the End of the World by Alexis Soloski

Thornton Wilder's antic play, from 1942, packs in an ice age, a deluge and midcentury décor. This Lincoln Center production is the maximalist revival it deserves.

SOURCE: The New York Times Subscription at 10:24pm on April 25, 2022☆⚑

At Ballet Black, Creating Opportunity for British Dancers by Precious Adesina

The company was founded 20 years ago for dancers of color, who are often shut out of the British classical dance world.

SOURCE: The New York Times Subscription at 11:04am on April 25, 2022☆⚑

Library of Congress Acquires Neil Simon Papers by Sarah Bahr

The collection of approximately 7,700 items, donated by Simon's widow, includes dozens of unfinished shows, including a screenplay written for Bette Midler and Whoopi Goldberg.

SOURCE: The New York Times Subscription at 5:18am on April 25, 2022☆⚑

'Funny Girl' Review: Broadway Revival Shows Why It Took So Long by Jesse Green

Beanie Feldstein stars as the comic Fanny Brice in the show's return after almost 60 years.

SOURCE: The New York Times Subscription at 10:12pm on April 24, 2022☆⚑

Review: At City Ballet, Bending the Form's Rituals and Codes by Siobhan Burke

Pam Tanowitz, a deconstructor of the classical, has a new work, "Law of Mosaics," and a company premiere on the program "Visionary Voices."

SOURCE: The New York Times Subscription at 5:29pm on April 24, 2022☆⚑

Tony Award Nominations Postponed Because of Coronavirus Delays by Michael Paulson

The nominations will now be announced May 9, but the awards ceremony will remain, as scheduled, on June 12.

SOURCE: The New York Times Subscription at 5:06pm on April 22, 2022☆⚑

Review: An Afrofuturist Trip to the Lunarverse by Brian Seibert

The choreographer and dancer Shamel Pitts's "Black Hole: Trilogy and Triathlon" at New York Live Arts is stylish and sincere.

SOURCE: The New York Times Subscription at 12:48pm on April 22, 2022☆⚑

The 'POTUS' Playwright Is Making a Farce of the Patriarchy by Amanda Hess

"POTUS" will be the writer Selina Fillinger's Broadway debut. "I really didn't feel like I needed to do any research. I have been all of those women," she said.

SOURCE: The New York Times Subscription at 9:33am on April 22, 2022☆⚑

Review: 'Hangmen,' Offering the Last Word in Gallows Humor by Jesse Green

Martin McDonagh's rollicking comedy about capital punishment, now on Broadway, feels like a perfect fit for our unjust times.

SOURCE: The New York Times Subscription at 9:42pm on April 21, 2022☆⚑

'Great Comet' Producer Hasn't Paid Royalties, Composer Says by Michael Paulson

Dave Malloy has filed a petition seeking the help of an arbitrator in his dispute with Howard Kagan over international productions.

SOURCE: The New York Times Subscription at 5:07pm on April 21, 2022☆⚑

Robert Morse, Impish Tony-Winning Comedy Star, Is Dead at 90 by Robert Berkvist

He dazzled as a charming corporate schemer in "How to Succeed in Business Without Really Trying." His later triumphs included a memorable role on "Mad Men."

SOURCE: The New York Times Subscription at 9:06am on April 21, 2022☆⚑

Beanie Feldstein Warms Up for 'Funny Girl' by Juan A. Ramírez

After filming "Impeachment," the actor had to work to rebuild her voice.

SOURCE: The New York Times Subscription at 5:33am on April 21, 2022☆⚑

When Their Show Was Postponed, a Playwright and Cast Turned to Poetry by Kate Guadagnino

Two years ago, on what was meant to be opening night of "The Vagrant Trilogy," Mona Mansour hosted the first of many readings with her colleagues.

SOURCE: The New York Times Subscription at 5:33am on April 21, 2022☆⚑

Playwright Aleshea Harris and Director Whitney White Bond at a Taqueria by Noor Brara

The pair discuss boundaries and the politics of greed over Mexican food.

SOURCE: The New York Times Subscription at 5:33am on April 21, 2022☆⚑

Ivo van Hove on His Famously Short Rehearsal Times by Joshua Barone

Since his first production a quarter-century ago, the director has honed a process defined by tight schedules and bold, decisive changes.

SOURCE: The New York Times Subscription at 5:33am on April 21, 2022☆⚑

A Broadway Choreographer Who Gets Ideas on the Subway Platform by Coco Romack

Raja Feather Kelly uses the time spent waiting for the train to center himself and observe the movements of others.

SOURCE: The New York Times Subscription at 5:33am on April 21, 2022☆⚑

She Taught New York to Sing by Alex Traub

"Throw the note over your shoulder!" Debbie Harry, Kathleen Hanna, Justin Vivian Bond and other singers recall Barbara Gustern, a beloved vocal coach who was killed last month at age 87.

SOURCE: The New York Times Subscription at 5:33am on April 21, 2022☆⚑

How James Whiteside Becomes His Drag Queen Alter Ego by Coco Romack

As Ühu Betch, the ballet dancer is able to express himself in a different way, with room for mistakes.

SOURCE: The New York Times Subscription at 5:13am on April 21, 2022☆⚑

How Katerina Tannenbaum Dances Her Way Out of Her Head by Juan A. Ramírez

When feeling overwhelmed, the "And Just Like That…" actor rents a studio and finds freedom in movement.

SOURCE: The New York Times Subscription at 5:00am on April 21, 2022☆⚑

Younger Than It Looks, but No More Diverse: France's Top Theater Prize by Laura Cappelle

At the Molières, France's equivalent of the Tony Awards, commercial and publicly funded productions seem to inhabit different worlds.

SOURCE: The New York Times Subscription at 3:06am on April 21, 2022☆⚑

Review: 'For Colored Girls' Returns, Leading With Joy by Laura Collins-hughes

Camille A. Brown's revival of Ntozake Shange's 1976 Broadway landmark brings exuberant life to a play that celebrates Black women's solidarity in the face of pain.

SOURCE: The New York Times Subscription at 9:07pm on April 20, 2022☆⚑

The Antiquarian Book Fair: From Sondheim's Letters to a Brontë Discovery by Jennifer Schuessler

Among the rarities on view at the New York International Antiquarian Book Fair are also a 1555 treatise on tennis and Amy Winehouse's personal library.

SOURCE: The New York Times Subscription at 6:06pm on April 20, 2022☆⚑

Review: The Limón Dance Company Navigates the Present by Brian Seibert

The company, belatedly celebrating its 75th anniversary, presented a program with works by Limón and Doris Humphrey and a premiere by Olivier Tarpaga.

SOURCE: The New York Times Subscription at 2:22pm on April 20, 2022☆⚑
« Previous 25   Page 196 of 1,548   Next 25 »