38,681 stories from The New York Times
Despite an impressive roster, including Manuel Liñán's "Viva!," this year's edition, the 20th, represents a radically streamlined version of the festival.
The Lagos-born, Ireland-raised dancer Mufutau Yusuf comes to the Irish Arts Center with "Owe," a solo, he says, "about my ancestry, my Yoruba heritage."
Christian Borle, J. Harrison Ghee and Adrianna Hicks will star in a stage adaptation of the 1959 film comedy about two musicians on the run.
Jaquel Spivey graduated from college last May. Now he's making his Broadway debut as the star of Michael R. Jackson's Pulitzer Prize-winning musical, "A Strange Loop."
Mary-Louise Parker and David Morse have returned to Paula Vogel's 1997 Pulitzer-winning play about sexual abuse for its Broadway debut.
Known for portraying the luckless Theon Greyjoy on "Game of Thrones," the British actor shares the items that are helping him prep for his Broadway debut.
Punchdrunk's "The Burnt City" adds techno and sake to the story of the fall of Troy, but it brought in a scholar of classical theater to get the details right.
Ashton Edwards, an apprentice at Pacific Northwest Ballet, is part of a rising generation of gender nonconforming dancers questioning ballet's rigid gender roles.
In Tracy Letts's new play, a tedious City Council meeting cracks open to reveal the secret record of what happened in Big Cherry.
The Japanese dance artist, joined by four collaborators, brings her evolving "Duet Project: Distance Is Malleable" to N.Y.U. Skirball.
She was a leading advocate of and expert on dance notation, helping to do for choreographed works what a score does for music.
The owners and operators of the 41 theaters have decided to relax audience safety protocols that have been in place since last summer.
The company will present a mix of new and old works, including a full-length premiere to Aaron Copland by Justin Peck.
Ballet has long been a symbol of Russian culture. Now it is becoming a symbol of Russian isolation.
Daniel Craig was back in the title role after testing positive earlier. But when the virus kept another actor out, the play's director, Sam Gold, went on.
Sam Rockwell, Laurence Fishburne and Darren Criss star in an electric revival of the David Mamet play about capitalism in a junk shop.
James McAvoy gives a ravishing performance, without benefit of prosthetics or props, in a new adaptation alive with the love of language.
Calpulli Mexican Dance Company is using the holiday to share the culture of the Puebla region with New York audiences this weekend.
Ashwini Ramaswamy, whose specialty is Indian classical dance, works with two dancers from other traditions in "Let the Crows Come."
In new works by English playwrights, the 45th U.S. president plots to become the 47th, and the New York urban planner Robert Moses loses his mind.
Barry Manilow and Bruce Sussman's musical chronicles the story of the Comedian Harmonists, a sextet of Jews and gentiles in Weimar-era Germany.
Invited by George Balanchine to be the in-house orthopedic surgeon at City Ballet, he laid the groundwork for the field of dance medicine.
The Los Angeles Philharmonic and Deaf West Theater are working on an innovative production conceived for both hearing and deaf operagoers.
The playwright fueled outrage with his claim on Fox News that teachers were "inclined" to pedophilia as he promoted a new book that decries "the Left's anti-Trump psychosis."
Touch is a requirement of a dancer's job. Now when choreography involves simulated sex or violence, some companies are bringing in intimacy directors.
