38,681 stories from The New York Times
One of his country's great theater actors, he went on to appear in over 100 films during a decades-long career.
The comedian is starring in "Mr. Saturday Night," a musical version of his 1992 movie about an aging performer who won't accept that his time in the spotlight is up.
Put three gay frenemies in a Palm Springs Airbnb and what happens? In JC Lee's new comedy, not enough.
The plans come as new coronavirus cases rise in New York City, though the average number of new cases remains far lower than during the winter Omicron peak.
Employees of a nonunion production are seeking improved compensation and safety protocols, saying a union version of the same musical pays better.
Dance Salad, an annual festival in Houston, is the brainchild of Nancy Henderek, whose hands-on involvement even extends to editing some of the works.
The actor is back on Broadway for a revival of David Mamet's "American Buffalo." He discusses his other must-haves, like a chef's knife, trampolines and crystals.
The prolific actor, writer and photographer just turned 90, in a 1970s-style West Village loft that speaks to his many passions.
A stage version of Antoine de Saint-Exupéry's classic of children's literature lands on Broadway but remains stubbornly earthbound.
The British Congolese playwright earned the $25,000 prize for her memoir-monologue that deals with Black identity and displacement.
Researchers debunked a long-repeated yarn that the common birds owe their North American beginnings to a 19th-century lover of the Bard. Maybe this ubiquitous bird's story is ready for a reb…
Debra Messing expounds on the preciousness of life in a production that aspires to convey eloquent whimsy, but too often feels methodically sentimental.
The musical won seven awards at Britain's equivalent of the Tonys. A puppet-filled adaptation of "Life of Pi" and a "Back to the Future" musical also won big.
Marshall's solo "I & I," set to reggae, was the highlight of his company's program at the Chelsea Factory.
Robert Garland's "Higher Ground" combines classical ballet and vernacular Black dance to sharpen the social commentary in Wonder songs from the '70s.
It will be the busiest April for Broadway openings in more than a decade. But some of its biggest stars have been sidelined by positive tests.
A new musical-comedy retelling of "The Odyssey" from the York Theater Company tries to center a powerful woman but feels like a show about and for men.
In a varied career, she had memorable roles in "Damn Yankees" and on "Seinfeld" and was nominated for three Tonys. She later became a director.
From Bated Breath Theater Company, the antics of this show, which winds through the East Village, offer little insight into Andy Warhol or his work.
Over a long career, her pictures, whether of famed dance troupes or experimental works, reflected what one admirer called "her love affair with dance."
Parker's co-star, Matthew Broderick, who is also her husband, had tested positive earlier this week, and has been out of the show since Tuesday.
Martha Graham Dance Company brings two premieres and a classic to the City Center Dance Festival. The best new work? A soulful score by Jason Moran.
A new production about the 1960s doo-wop idol follows the usual rise-and-fall formula. Still, the songs are wonderful, as is the angel-voiced ensemble.
Candoco, a British dance company that has disabled and non-disabled dancers, makes its New York debut with Brown's "Set and Reset/Reset" at BAM.
A revival of the Tony-winning Cyndi Lauper-Harvey Fierstein collaboration will begin performances at Stage 42 in July.
