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6,908 stories from Stage and Cinema

Theater Review: STONEWALL’S BUST (Best Medicine Rep Theater Company / Bethesda, MD) by Lisa Troshinsky

A COMEDY THAT GOES BUST A clever premise about Southern traditions and family prejudices gets stonewalled by performances that try too hard for laughs Stonewall’s Bust at The Writer’s Ce…

SOURCE: Stage and Cinema at 2:59am on October 15, 2026☆⚑

Theater Review: ANY REBELLION OF WILL (Trap Door Theatre in Chicago) by C.j. Fernandes

WHERE THERE’S A WILL, THERE’S A WAY OUT A son gets the boot, his parents get their kicks, and the audience gets a riot In keeping with the expectation at Trap Door Theatre, when one walk…

SOURCE: Stage and Cinema at 12:17am on October 15, 2026☆⚑

Off-Broadway Review: A GHOST IN YOUR EAR (Audible Theater at Minetta Lane Theatre) by Gregory Bernard

A GHOST OF A CHANCE TO KEEP YOUR COOL An inventive binaural ghost story gets under your skin—and into your ears—with unsettling intimacy Written and directed by Jamie Armitage in collabo…

SOURCE: Stage and Cinema at 6:55pm on October 14, 2026☆⚑

Theater Review: FRIDA…A SELF PORTRAIT (Shakespeare Theatre Company / Washington, DC) by Barbara Papendorp

FRIDA’S ART COMES TO LIFE Vanessa Severo transforms clothing, movement, and memory into an inventive and deeply affecting portrait of Frida Kahlo Frida Kahlo’s self-portraits reveal a wo…

SOURCE: Stage and Cinema at 3:14pm on October 14, 2026☆⚑

Opera Review: DON GIOVANNI (Lyric Opera) by Barnaby Hughes

A THIRD TIME IS TOO MUCH FOR THIS DON A superb cast cannot disguise the problems in Robert Falls’ revival of Mozart’s opera, whose treatment of sexual violence feels increasingly dated T…

SOURCE: Stage and Cinema at 3:00pm on October 12, 2026☆⚑

Off-Broadway Review: CREATION STORIES AND ALL THE IMPORTANT IMPORTANTS (Lincoln Center Theater / LCT3) by Gregory Fletcher

THE ART OF CREATION, THE PAIN OF LONGING Mfoniso Udofia’s inventive new play finds extraordinary theatrical expression in a woman’s struggle with motherhood, grief, and self-forgiveness …

SOURCE: Stage and Cinema at 3:59pm on October 11, 2026☆⚑

Theater Review: DRACULA: A COMEDY OF TERRORS (Actors’ Shakespeare Project, Watertown) by Lynne Weiss

A BLOODY HILARIOUS DRACULA A stellar cast vamps it up and camps it up to breathe life into a horror classic about the undead Dracula: A Comedy of Terrors, by Gordon Greenberg and Steve Rosen…

SOURCE: Stage and Cinema at 1:21pm on October 11, 2026☆⚑

Dance Review: LITTLE WOMEN BALLET (Autumn Immersive Experience / Heritage Square Museum) by Ernest Kearney

LITTLE WOMEN, GRAND AMBITIONS Literature, ballet, and Los Angeles history come together in an enchanting visit to the world of the March sisters With the publication of Little Women, Louisa …

SOURCE: Stage and Cinema at 2:17pm on October 10, 2026☆⚑

Off-Broadway Review: GOOD TIME CHARLIE (The Public Theater) by Gregory Fletcher

A FAMILY AFFAIR, WITH LOVE AND RESERVATIONS Ryan J. Haddad’s affectionate tribute to his uncle celebrates the power of theater, though its homespun approach limits its emotional impact Goo…

SOURCE: Stage and Cinema at 2:00am on October 10, 2026☆⚑

Theater Review: VLADIMIR (Shattered Globe Theatre, Chicago) by Emma S. Rund

THE TRUTH HURTS— AND SILENCE KILLS Shattered Globe Theatre’s gripping political thriller confronts the cost of telling the truth in a world determined to suppress it Can you imagine a co…

SOURCE: Stage and Cinema at 9:30pm on October 9, 2026☆⚑

Theater Review: AMERICAN RHYTHM (Lamb’s Players Theatre / Coronado) by Milo Shapiro

A CENTURY OF MUSIC, AND ALL THAT JAZZ From ragtime to rock, a talented ensemble celebrates 100 years of American music with inventive arrangements, dazzling dancing, and a few welcome surpri…

SOURCE: Stage and Cinema at 2:50am on October 9, 2026☆⚑

Dance Review: OSCAR (The Australian Ballet at New York City Center) by William Keiser

A KISS, A SIGH, BUT WHERE’S THE DANCE? Christopher Wheeldon’s Oscar Wilde ballet offers a moving story and striking imagery, but too little of the athletic movement that makes ballet thr…

SOURCE: Stage and Cinema at 3:42pm on October 8, 2026☆⚑

Theater Review: I AM THE WIND (Theatre Y) by C.j. Fernandes

BLOWN AWAY Jon Fosse’s haunting meditation on life, companionship, and depression becomes an extraordinary theatrical experience in the hands of two remarkable actors In a misty space, two…

SOURCE: Stage and Cinema at 3:00pm on October 6, 2026☆⚑

Chicago Theater Review: KOWALSKI (Lookingglass Theatre Company) by C.j. Fernandes

A STREETCAR NAMED BRANDO Johnny Galecki’s marvelous Tennessee Williams anchors an enormously entertaining imagined encounter that offers more theatrical fun than insight In the summer of 1…

SOURCE: Stage and Cinema at 2:58am on October 6, 2026☆⚑

Theater Review: PETER PAN GOES WRONG (San Francisco Playhouse) by Chuck Louden

PETER PAN GOES WRONG GOES VERY, VERY WRONG A two-hour farcical flight to Neverland that you may wish had never taken off San Francisco Playhouse’s current fall offering is Peter Pan Goes W…

SOURCE: Stage and Cinema at 2:30am on October 6, 2026☆⚑

Theater Review: THIS IS GOVERNMENT (Moxie Theatre / San Diego) by Milo Shapiro

A CAPITOL IDEA FOR A PLAY Nina Kissinger finds laughs, humanity, and uncomfortable questions in the people trying to keep government working from behind the scenes At Moxie Theatre, Nina Kis…

SOURCE: Stage and Cinema at 12:51am on October 6, 2026☆⚑

Theater Review: TOPDOG/UNDERDOG (The Old Globe / San Diego) by Jason Mannino

DEALING WITH THE HAND THEY WERE GIVEN Suzan-Lori Parks stacks the deck against two brothers whose love, rivalry, and hunger for a better life turn one rigged game into another There are only…

SOURCE: Stage and Cinema at 11:18pm on October 5, 2026☆⚑

Off-Broadway Review: SLAM FRANK (Orpheum) by Gregory Fletcher

FRANKLY, IT’S A SLAM An outrageous Afro-Latin hip-hop reinvention of Anne Frank goes gleefully where you can’t believe it dares to go Wait, what? Slam Frank, which opened at the Orpheum …

SOURCE: Stage and Cinema at 2:59am on October 5, 2026☆⚑

Theater Review: BAT BOY: THE MUSICAL (Umbrella Stage Company, Concord, MA) by Lynne Weiss

BATTY AS HELL Excellent performances struggle against muddled storytelling and sound problems in this production of the cult musical The entire time I watched Bat Boy: The Musical at Umbrell…

SOURCE: Stage and Cinema at 2:50am on October 5, 2026☆⚑

Theater Review: OPERATION MINCEMEAT (National Tour / CIBC Theatre / Chicago) by C.j. Fernandes

DEAD MAN WALKING—STRAIGHT INTO THE THIRD REICH A corpse, a preposterous plan, and five tireless performers make this British spy caper an enormously funny exercise in controlled chaos Mont…

SOURCE: Stage and Cinema at 9:34pm on October 4, 2026☆⚑

Theater Review: A BLACK-BILLED CUCKOO (La Jolla Playhouse / San Diego) by Jason Mannino

A RARE BIRD WORTH WAITING FOR Mat Smart’s warm, funny new play finds that what we’re searching for may matter less than what we fail to see along the way You don’t need to know a warbl…

SOURCE: Stage and Cinema at 2:00pm on October 4, 2026☆⚑

Theater Review: WICKED (National Tour) by Lynne Weiss

SOMETHING WICKED GOOD THIS WAY COMES The national tour lands in Boston with enough brains, heart, and theatrical magic to remind us why this musical continues to defy gravity It’s appropri…

SOURCE: Stage and Cinema at 3:59am on October 2, 2026☆⚑

Theater Review: OH, MARY! (First National Tour) by Milo Shapiro

THE WAR BETWEEN ABRAHAM AND MARY IS ANYTHING BUT CIVIL Cole Escola’s gleefully unhinged historical farce gives Alaska Thunderfuck ample opportunity to make a spectacular fool of the First …

SOURCE: Stage and Cinema at 3:00pm on October 1, 2026☆⚑

SEEDANCE API REVIEW: Creating AI-Generated Theater Trailers that Reflect the Actual Production by Connor McCormick

Theater companies rely on promotional trailers to attract audiences, but producing a compelling video isn’t always easy. Professional filming can be expensive, rehearsal footage may be lim…

SOURCE: Stage and Cinema at 3:05am on October 1, 2026☆⚑

Theater Review: THE BED TRICK (Chance Theater, Anaheim) by Michael M. Landman-karny

ALL’S WELL THAT BEDS WELL Keiko Green’s provocative comedy finds plenty of laughs in the tangled relationships of college life, but its questions about consent are harder to resolve Mari…

SOURCE: Stage and Cinema at 2:50am on September 30, 2026☆⚑
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