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7,984 stories from Los Angeles Times

Good vs. evil in a sandwich shop: Why 'Clyde's' is a delicious bite of L.A. theater by Margaret Gray

Ex-cons trying to find meaning in life. A boss who just might be the devil. Lynn Nottage's comedy brings amusing ingredients to the Mark Taper Forum.

SOURCE: Los Angeles Times at 12:19pm on November 23, 2022

Stephen Sondheim and Mary Rodgers, late Broadway greats, have brilliant last words by Charles McNulty

D.T. Max's "Finale," about Sondheim, and "Shy," by Mary Rodgers and Jesse Green, bring the singular Broadway personalities back to life.

SOURCE: Los Angeles Times at 12:17pm on November 21, 2022

Review: Mentalist Vinny DePonto plays benevolent mind games at the Geffen Playhouse by Charles McNulty

Created and performed by theater artist and mentalist Vinny DePonto, 'Mindplay' probes the unreliable narrators of our minds in a Geffen Playhouse world premiere.

SOURCE: Los Angeles Times at 4:00pm on November 18, 2022

Constance Wu and Finn Wittrock bring horror, and audiences, to live L.A. theater with '2:22' by Jessica Gelt

The Ahmanson Theatre has a hit with the supernatural thriller "2:22 " A Ghost Story," starring Constance Wu and Finn Wittrock.

SOURCE: Los Angeles Times at 9:00am on November 16, 2022

Michael Butler, the millionaire hippie who brought the musical 'Hair' to Broadway, dies by Steve Marble

Producer Michael Butler brought the counterculture musical 'Hair" to Broadway, where it ran for years.

SOURCE: Los Angeles Times at 4:59pm on November 15, 2022

Review: In the Ahmanson's '2:22 - A Ghost Story,' poltergeists are more believable than people by Charles McNulty

The play's U.S. premiere brings the horror, but wastes the talents of Constance Wu, Finn Wittrock, Anna Camp and Adam Rothenberg on creaky characters.

SOURCE: Los Angeles Times at 2:16pm on November 6, 2022

Associate artistic director Luis Alfaro announces departure from Center Theatre Group by Steven Vargas

Luis Alfaro announced in a Facebook post that he left his position as associate artistic director at Center Theatre Group on November 1.

SOURCE: Los Angeles Times at 8:35pm on November 2, 2022

Review: 'To Kill a Mockingbird' arrives at the Hollywood Pantages with troubling timeliness by Charles McNulty

Aaron Sorkin's hit Broadway stage adaptation of Harper Lee's 'To Kill a Mockingbird' shapes the classic 1960 novel for a new era.

SOURCE: Los Angeles Times at 12:29pm on October 28, 2022

Commentary: Redemption, writ large, in L.A. Opera's divine 'Omar' by Charles McNulty

'Omar,' the new opera by singer-songwriter Rhiannon Giddens and film composer Michael Abels, gets its West Coast premiere by L.A. Opera.

SOURCE: Los Angeles Times at 7:30pm on October 23, 2022

Review: Tony-winning 'The Inheritance' is better in Los Angeles than on Broadway by Charles McNulty

The Geffen Playhouse production of 'The Inheritance' superbly realizes playwright Matthew López's vision. At 6½ hours long, it's worth every minute.

SOURCE: Los Angeles Times at 4:27pm on October 18, 2022

Loud boos. Audible vomiting. How Broadway's edgy 'Oklahoma!' fared across America by Ashley Lee

Daniel Fish and members of the cast reflect on the bold revival of the beloved Rodgers & Hammerstein musical " and the more extreme reactions it's elicited from audiences.

SOURCE: Los Angeles Times at 10:00am on October 15, 2022

Review: Samuel L. Jackson stars in a not-always-in-tune Broadway revival of 'The Piano Lesson' by Charles McNulty

The first Broadway revival of August Wilson's Pulitzer Prize-winning 'The Piano Lesson' stars Samuel L. Jackson, Danielle Brooks and John David Washington.

SOURCE: Los Angeles Times at 9:00pm on October 13, 2022

Review: I was skeptical of Lea Michele. Then I saw her deliver a tour de force in 'Funny Girl' by Charles McNulty

I wasn't particularly excited by sitting through another 'Funny Girl' revival. But I left understanding why tickets to see Lea Michele star as Fanny Brice in the musical are going for a king…

SOURCE: Los Angeles Times at 4:37pm on October 11, 2022

Appreciation: Angela Lansbury, an instantly recognizable and readily transformable talent by Charles McNulty

Angela Lansbury, the star of stage and screen who died on Tuesday, put her talents at the service of story.

SOURCE: Los Angeles Times at 4:29pm on October 11, 2022

Angela Lansbury, Broadway star and spunky detective in 'Murder, She Wrote,' dies at 96 by Valerie J. Nelson

Angela Lansbury, a Tony Award-winning actor who captured television viewers as the star of the hit series 'Murder, She Wrote,' has died. She was 96.

SOURCE: Los Angeles Times at 3:46pm on October 11, 2022

Dan Sullivan, longtime Times theater critic and one of the nation's most read, dies by Barbara Isenberg

Later in life, Sullivan served as director of the Eugene O'Neill National Critics Institute.

SOURCE: Los Angeles Times at 6:28pm on October 6, 2022

Charles Fuller, Pulitzer Prize-winning playwright who explored racism with 'A Soldier's Play,' dies by Mark Kennedy

Charles Fuller, whose plays, including 'A Soldier's Play,' tore into social conventions, especially those entrenched in racism, dies at 83.

SOURCE: Los Angeles Times at 2:58pm on October 4, 2022

Review: At the Taper, 'SNL's' Cecily Strong takes on Lily Tomlin's beloved one-woman show by Charles McNulty

Cecily Strong reprises her performance in an updated version of Jane Wagner's 'The Search for Signs of Intelligent Life in the Universe.'

SOURCE: Los Angeles Times at 5:17pm on September 30, 2022

Commentary: Four veteran stage actors discuss taking on risky roles later in life by Charles McNulty

A conversation with four older cast members starring in Antaeus Theatre Company's production of Branden Jacobs-Jenkins' 'Everybody.' 'You learn simplicity, you learn economy.'

SOURCE: Los Angeles Times at 4:02pm on September 28, 2022

Review: 'Sanctuary City,' a compassionate tale of post-9/11 undocumented life, is not to be missed by Charles McNulty

Martyna Majok's 'Sanctuary City' movingly tracks the plight of those living in the shadows of citizenship.

SOURCE: Los Angeles Times at 4:56pm on September 20, 2022

For hardworking immigrants with Hollywood hopes, the Frida Kahlo Theater is a space to learn and dream by Selene Rivera

Having largely been discouraged from the arts throughout their lives, Latinos find a safe haven in the Spanish theater organization.

SOURCE: Los Angeles Times at 8:30am on September 20, 2022

Review: Daniel Fish's brooding, deconstructed 'Oklahoma!' electrifies the Ahmanson by Charles McNulty

Daniel Fish's Tony-winning revival of Rodgers & Hammerstein's 'Oklahoma!' reveals the underside of the American story.

SOURCE: Los Angeles Times at 8:59pm on September 16, 2022

'Phantom of the Opera' to close on Broadway as pandemic fallout continues by Jessica Gelt

Broadway's "The Phantom of the Opera" will close after a record-breaking 35-year run. With the pandemic keeping audiences away, the iconic show is among many unable to stage a lasting comeba…

SOURCE: Los Angeles Times at 6:41pm on September 16, 2022

Commentary: Torn between two careers: Matt Shakman and the dilemma of the starry-eyed Geffen Playhouse by Charles McNulty

What does Matt Shakman's decision to step down as as artistic director of the Geffen Playhouse say about the theater's future?

SOURCE: Los Angeles Times at 10:00am on September 14, 2022

Review: A striking revival of 'Ghosts' at the Odyssey suffers from lack of ensemble cohesion by Charles McNulty

Bart DeLorenzo directs a revival of 'Ghosts,' Henrik Ibsen's 1881 masterpiece about family secrets that refuse to stay buried.

SOURCE: Los Angeles Times at 6:05pm on September 13, 2022
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