2,426 stories from The Wall Street Journal
Dramatist Lynn Nottage on her Pulitzer Prize-winning play which explores the lives of rape victims in war-torn Congo, "Ruined."
I'll be surprised if the 16 remaining marathon performances don't sell out in a matter of days, so get cracking.
The hills are alive with the sound of money.
It Wasn't the Bard of Avon, He Says; 'Evidence Is Beyond a Reasonable Doubt'
Hollywood survivor Patricia Resnick helps turn "9 to 5," the film she co-wrote, into a musical.
The revival of "Joe Turner's Come and Gone" will remind you of how good live theater can be, and send you home unwilling to settle for anything less than the very best.
Assessing Fred Astaire, an incomparable dancer, actor and singer who worked hard to make it look easy.
The Wooster Group's imaginative production of "La Didone" combines a 17th-century opera and a 1965 sci-fi movie.
In his new play "Why Torture Is Wrong....," Christopher Durang makes the mistake of letting his anger toward the Bush administration get the best of him.
HBO's "Grey Gardens" shines new light on the lives of two eccentrics -- "Big" Edie Bouvier Beale and her daughter "Little" Edie -- and the result is beyond entertaining.
Drew Barrymore on her role in HBO's 'Grey Gardens'
Harold Clurman, great critic and director, was no amateur
Ervin Drake, about to turn 90, recalls the songs he wrote that made his career and became part of the soundtrack of his life.
Neil LaBute, Off-Broadway's most prolific playwright, has finally made it uptown with "reasons to be pretty," his first semioptimistic play -- which turns out not to be a good thing.
Japanese director Yukio Ninagawa's latest Shakespeare production in London is a collaboration between the director and a leading Kabuki theater group.
Yasmina Reza is back with another of her slightly pretentious, consummately effective comedies of middle-class manners in "God of Carnage."
Christopher Hampton translates the hit play 'God of Carnage' for Broadway
Richard Foreman and John Zorn talk about the spark that led to their collaborative work, "Astronome: A Night at the Opera."
Even when it stings, it beats mindless applause
Arthur Laurents's "West Side Story" has been revised and reconfigured to appeal to a new generation of theatergoers, but with disappointing results.
Jane Fonda's first appearance on Broadway in 46 years is less than revelatory, as Moisés Kaufman's "33 Variations" asks next to nothing of her.
