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38,681 stories from The New York Times

'Better Nate Than Ever' Review: Castaway Seeks Broadway by Amy Nicholson

Hearty performances elevate this effusive Disney+ family comedy, even as the movie itself is awkward in its handling of its core subject.

SOURCE: The New York Times Subscription at 7:00am on March 31, 2022☆⚑

A Director Returns (Uncomfortably) to His Working-Class Roots by Laura Cappelle

Christophe Honoré's latest work, for the Paris stage, is part of a recent wave of stories in France about the complex aftereffects of social mobility.

SOURCE: The New York Times Subscription at 5:33am on March 31, 2022☆⚑

Review: In 'Oratorio for Living Things,' the Song Is You by Jesse Green

Heather Christian's rapturous new music-theater work turns a tiny amphitheater into a vast cathedral of sound.

SOURCE: The New York Times Subscription at 7:33pm on March 30, 2022☆⚑

Review: A Tap-Dancing Soul in Spirit-World Limbo by Brian Seibert

In "Once Upon a Time Called Now," the tap dancer and musician Michela Marino Lerman tries something new: a theatrical narrative.

SOURCE: The New York Times Subscription at 1:22pm on March 30, 2022☆⚑

K-Pop Star Luna to Make Broadway Debut in 'KPOP' the Musical by Laura Zornosa

The show, which had an Off Broadway run in 2017, will begin previews this fall at Circle in the Square Theater.

SOURCE: The New York Times Subscription at 11:42am on March 30, 2022☆⚑

Hollywood Star Gives Broadway a Much-Needed Boost. Sound Familiar? by Laurence Maslon

A Broadway comeback is a box-office triumph: Parallels abound between two starry shows, more than 80 years apart.

SOURCE: The New York Times Subscription at 9:18am on March 30, 2022☆⚑

'Told It Like It Was': Ntozake Shange's Tales of Black Womanhood by Soyica Diggs Colbert

As 'For Colored Girls' returns to the New York stage, we look at how the show found its way from a Bay Area bar to Broadway in 1976.

SOURCE: The New York Times Subscription at 9:18am on March 30, 2022☆⚑

'Piano Lesson' With Samuel L. Jackson Plans Fall Broadway Bow by Michael Paulson

The revival of August Wilson's play, directed by LaTanya Richardson Jackson, will also star Danielle Brooks and John David Washington.

SOURCE: The New York Times Subscription at 12:33pm on March 29, 2022☆⚑

Review: In 'Plaza Suite,' the Ghosts of #MeToo Haunt the Halls by Jesse Green

Matthew Broderick and Sarah Jessica Parker star in a Neil Simon comedy that no longer feels very funny.

SOURCE: The New York Times Subscription at 9:24pm on March 28, 2022☆⚑

'Camelot' Is Returning to Broadway, Reimagined by Aaron Sorkin by Michael Paulson

The Lincoln Center Theater production, with a new book by Sorkin and directed by Bartlett Sher, will open in December.

SOURCE: The New York Times Subscription at 3:18pm on March 28, 2022☆⚑

Review: In Stefano Massini's '7 Minutes,' It's Make or Break by Alexis Soloski

The author of "The Lehman Trilogy" sets his new work in a fictional textiles factory, where workers debate in real time the new owners' demands.

SOURCE: The New York Times Subscription at 12:18pm on March 28, 2022☆⚑

Review: 'Confederates' Talks Race in Double Time by Maya Phillips

In Dominique Morisseau's promising new play, the action is in the ideas and the setting bounces between the Civil War era and the present.

SOURCE: The New York Times Subscription at 9:33pm on March 27, 2022☆⚑

Ailey II Review: A Light in the Darkness by Siobhan Burke

A mixed bill entitled "Dichotomous" brimmed with the hopeful and sometimes unsure energy of a fresh start for this dance company.

SOURCE: The New York Times Subscription at 5:46pm on March 27, 2022☆⚑

Review: The Paul Taylor Company Returns With a New Voice by Brian Seibert

At City Center, the company's season began with a debut by its first resident choreographer, Lauren Lovette, and two masterly works by Taylor.

SOURCE: The New York Times Subscription at 3:02pm on March 25, 2022☆⚑

Warhol-mania: Why the Famed Pop Artist Is Everywhere Again by Laura Zornosa

Andy Warhol is currently the subject of a Netflix documentary series, an exhibition at the Brooklyn Museum and multiple theatrical works.

SOURCE: The New York Times Subscription at 2:24pm on March 25, 2022☆⚑

Review: The Sophisticated Simplicity of a Mark Morris Masterpiece by Gia Kourlas

The incandescent "L'Allegro, il Penseroso ed il Moderato" returns to Brooklyn, leaving you as breathless as ever.

SOURCE: The New York Times Subscription at 2:14pm on March 25, 2022☆⚑

'Help' Review: Blindfolds (and Kid Gloves) Off. Let's Analyze Whiteness. by Naveen Kumar

Claudia Rankine's heady new play dares white audiences to deny the realities of their social advantages.

SOURCE: The New York Times Subscription at 8:33pm on March 24, 2022☆⚑

Vail Dance Festival to Feature Roman Mejia and Caili Quan by Roslyn Sulcas

Mejia and Quan are the artists in residences at this summer's festival, which will also feature new works by Justin Peck, Pam Tanowitz and others.

SOURCE: The New York Times Subscription at 2:00pm on March 24, 2022☆⚑

Booze, Biscuits and Bands: Musical Brunch Is Back in New York by Erik Piepenburg

Here are six brunches that, after a long pandemic pause, are entertaining and feeding weekend crowds in Manhattan and the Hudson Valley.

SOURCE: The New York Times Subscription at 10:42am on March 24, 2022☆⚑

Shaina Taub's 'Suffs' Tells the Suffragist Tale in Song by Jennifer Schuessler

Shaina Taub's highly anticipated musical explores women's crusade for the vote through a movement often divided along generational, class and racial lines.

SOURCE: The New York Times Subscription at 10:24am on March 24, 2022☆⚑

For Female Directors, a Generational Shift by A.J. Goldmann

In Germany, a country with few theater leaders who aren't men, professional success has often meant becoming one of the guys. Now, a new group of women are developing their own way. d

SOURCE: The New York Times Subscription at 8:36am on March 24, 2022☆⚑

Review: 'Little Girl Blue' Revisits Nina Simone in Her Prime by Elisabeth Vincentelli

Laiona Michelle's tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer's life and career.

SOURCE: The New York Times Subscription at 3:36pm on March 23, 2022☆⚑

Review: Ronald K. Brown's Messages of Resilience by Brian Seibert

In a program at the Joyce Theater, Brown's company, Evidence, presented three dances that aren't new but seem newly meaningful.

SOURCE: The New York Times Subscription at 1:39pm on March 23, 2022☆⚑

'CODA' Is Being Developed Into a Stage Musical by Deaf West by Michael Paulson

The theater plans to work with the Oscar-nominated film's producers to adapt the story of a teenager torn between helping her deaf family and singing.

SOURCE: The New York Times Subscription at 12:18pm on March 23, 2022☆⚑

New Musical 'Bhangin' It' Explores Identity Through Bhangra by Michael Paulson

"Bhangin' It" explores complex identity issues through an intensely competitive North American dance scene.

SOURCE: The New York Times Subscription at 11:41am on March 23, 2022☆⚑
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