'Better Nate Than Ever' Review: Castaway Seeks Broadway
Hearty performances elevate this effusive Disney+ family comedy, even as the movie itself is awkward in its handling of its core subject.
Hearty performances elevate this effusive Disney+ family comedy, even as the movie itself is awkward in its handling of its core subject.
Christophe Honoré's latest work, for the Paris stage, is part of a recent wave of stories in France about the complex aftereffects of social mobility.
Heather Christian's rapturous new music-theater work turns a tiny amphitheater into a vast cathedral of sound.
In "Once Upon a Time Called Now," the tap dancer and musician Michela Marino Lerman tries something new: a theatrical narrative.
The show, which had an Off Broadway run in 2017, will begin previews this fall at Circle in the Square Theater.
A Broadway comeback is a box-office triumph: Parallels abound between two starry shows, more than 80 years apart.
As 'For Colored Girls' returns to the New York stage, we look at how the show found its way from a Bay Area bar to Broadway in 1976.
The revival of August Wilson's play, directed by LaTanya Richardson Jackson, will also star Danielle Brooks and John David Washington.
Matthew Broderick and Sarah Jessica Parker star in a Neil Simon comedy that no longer feels very funny.
The Lincoln Center Theater production, with a new book by Sorkin and directed by Bartlett Sher, will open in December.
The author of "The Lehman Trilogy" sets his new work in a fictional textiles factory, where workers debate in real time the new owners' demands.
In Dominique Morisseau's promising new play, the action is in the ideas and the setting bounces between the Civil War era and the present.
A mixed bill entitled "Dichotomous" brimmed with the hopeful and sometimes unsure energy of a fresh start for this dance company.
At City Center, the company's season began with a debut by its first resident choreographer, Lauren Lovette, and two masterly works by Taylor.
Andy Warhol is currently the subject of a Netflix documentary series, an exhibition at the Brooklyn Museum and multiple theatrical works.
The incandescent "L'Allegro, il Penseroso ed il Moderato" returns to Brooklyn, leaving you as breathless as ever.
Claudia Rankine's heady new play dares white audiences to deny the realities of their social advantages.
Mejia and Quan are the artists in residences at this summer's festival, which will also feature new works by Justin Peck, Pam Tanowitz and others.
Here are six brunches that, after a long pandemic pause, are entertaining and feeding weekend crowds in Manhattan and the Hudson Valley.
Shaina Taub's highly anticipated musical explores women's crusade for the vote through a movement often divided along generational, class and racial lines.
In Germany, a country with few theater leaders who aren't men, professional success has often meant becoming one of the guys. Now, a new group of women are developing their own way. d
Laiona Michelle's tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer's life and career.
In a program at the Joyce Theater, Brown's company, Evidence, presented three dances that aren't new but seem newly meaningful.
The theater plans to work with the Oscar-nominated film's producers to adapt the story of a teenager torn between helping her deaf family and singing.
"Bhangin' It" explores complex identity issues through an intensely competitive North American dance scene.