38,681 stories from The New York Times
This experimental work, presented by La MaMa and the Indigenous theater ensemble Spiderwoman Theater, is full of enchanting stories but is missing a few threads.
Grief for a lost love is the unhealed wound at the core of this play by Agnes Borinsky, which takes a disquieting turn into the underworld.
A choreographer and dancer, she was associated with Graham for more than 50 years, and founded and directed the Martha Graham Ensemble, a student company.
The Belarus Free Theater's members fled repression at home. The company's latest show imagines a nightmare future of authoritarian Russian rule.
Peter Gil-Sheridan's comedy for Keen Company raises a range of topical issues but fails to cover new ground.
In Paris, a new production of "A Quiet Place" makes a strong case for a work that has long struggled to join the repertory.
Her new play, "Confederates," straddles two eras, exploring what liberation means to a present-day academic and an enslaved woman in the 1860s.
"Why are we not working together to fix our problems?" Entertainment-industry choreographers are uniting to address long-simmering issues.
"Why are we not working together to fix our problems?" Entertainment-industry choreographers are uniting to address long-simmering issues.
Rajiv Joseph's new play, which chronicles the bond between two LeBron James fans over 12 years, is having its world premiere at Steppenwolf in Chicago.
As the presidential vote approaches, theaters and comedy venues are addressing the campaign. Many shows reach a similar conclusion: Don't trust politicians.
In "Piece of Work" at the Joyce, Mearns dives into collaborations with choreographers outside the ballet world, including Jodi Melnick and Beth Gill.
The 75th ceremony, honoring plays and musicals staged on Broadway, resumes its traditional calendar after a few years of pandemic disruption.
Cultural institutions face tough decisions: Is it safe to drop mask and vaccine requirements, and would doing so be more likely to lure audiences back or keep them away?
A company known for audiobooks is mounting starry live productions " and recording them, too.
Lloyd Suh's play is a riff on the arrival of the real Afong Moy, possibly the first woman from China in the United States, and a lens on contemporary racism.
Talene Monahon aims to give Shakespeare his comeuppance in this comedy at the New Ohio Theater.
Opera houses and theaters in European cities are offering to help fleeing or stranded ballet dancers, even as many are still stuck in Ukraine.
A revival of the 1966 musical, with Jessie Buckley as Sally Bowles, is up for 11 awards at Britain's equivalent of the Tonys.
A new production of Stephen Sondheim's "Merrily We Roll Along" is to be staged late this year by the nonprofit New York Theater Workshop in the East Village.
Back from the brink of extinction, the Off Off Broadway fixture is testing a new structure that gives artists the autonomy they demanded.
Tiler Peck, a principal dancer at New York City Ballet, directs her own evening as part of City Center's inaugural Artists at the Center series.
Six decades after she played Scout in the film version of "To Kill a Mockingbird," Mary Badham takes on the role of a neighbor in the play's national tour.
He worked with the directors Mike Nichols, Bob Fosse and Jerry Zaks, winning three Tony Awards and an Oscar for "All That Jazz."
"The Musician & the Mover," a new work from the respected B-boy, had its New York premiere at New York Live Arts on Thursday.
