Eugene O'Neill Theater Center Announces 2019 Summer Season
The new-works incubator will support and present musicals, plays, puppetry, and other works in development.
The new-works incubator will support and present musicals, plays, puppetry, and other works in development.
The literature-inspired season is the first under new artistic director Cassie Greer.
Greer, who has served as associate artistic director since 2017, succeeds Scott Palmer in the role.
The critics are divided over 2 of the most buzzed-about musicals of the season, 'Hadestown' and 'Oklahoma!' What does it mean to hate something that everyone else loves? Also: What's the dif…
The lineup will include new works by PearlDamour, Dave Malloy, and Kirsten Greenidge, plus the theatre's last performances of 'The Donkey Show.'
Two reporters turn their eyes to Japanese theatre of the past, present, and future.
How Children's Theatre and Actor's Theatre joined to commission interlocking plays from Stephen Dietz for their various audiences.
The lineup includes work by Suzan-Lori Parks, Maria-Irene Fornes, Clare Barron, and Will Eno, as well as a new musical from Tamarie Cooper.
MarÃa Manuela Goyanes's season will feature 'What To Send Up When It Goes Down,' 'Fairview,' and more.
On the slate are new works from Harrison David Rivers and Beth Henley.
Hewett will start the position at the New York City organization in May.
How 'The Jungle' grew around a refugee camp in Calais, inspiring a theatre company with global ambitions.
The lineup will include a remount of Manhattan Theatre Club's 'Jitney' and world premieres by Anna Ziegler and Justin Huertas.
Nataki Garret's first season includes Qui Nguyen's sequel to 'Vietgone' and plays by Dominique Morisseau, Karen ZacarÃas, Theresa Rebeck, Marcus Gardley, and Sarah B. Mantell.
Ian Damont Martin and Angela Salinas are the company's new artistic director and managing director, respectively.
The lineup marks the first full season programmed by producing artistic director Shane Peterman.
Rooted in tradition while branching into the future, Japanese theatre is making new converts, at home and abroad.
Some artists are going beyond fan-driven escapism to do serious, probing work. Might this be Japan's ticket to the world?
A brief history of Japanese theatre, from its medieval origins to its postwar revolutions.
U.S. theatre's relationship with its Japanese colleagues has come a long way since Tadashi Suzuki's 1978 debut here.
How a new genre of stage productions inspired by anime, manga, and video games are making Japanese pop culture 2.5-dimensional.
Non-human theatre both provokes and comforts in a post-Fukushima world.
Japan Society's artistic director doesn't just bring works from Japan to the U.S., she invests in and introduces bodies of work.
How Japan's recent history has both fostered and demanded intercultural exchange with its Asian neighbors.
The Chilean theatremaker, now touring the U.S., works at the intersection of spectacle and philosophy.