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38,682 stories from The New York Times

Musical Comedy 'Kimberly Akimbo' to Open on Broadway Next Fall by Michael Paulson

The new musical, by David Lindsay-Abaire and Jeanine Tesori, will star Victoria Clark as a teen girl who ages too quickly.

SOURCE: The New York Times Subscription at 10:06am on February 25, 2022☆⚑

Joaquina Kalukango Isn't Afraid to Speak Up Anymore by Julia Jacobs

Before leading her first Broadway musical in "Paradise Square," she had long deferred to others in the rehearsal room " until she realized how much she has to share.

SOURCE: The New York Times Subscription at 9:33am on February 25, 2022☆⚑

'Driven by the Potential for Joy': Comedies Are the Thing This Spring by Alexis Soloski

We spoke to four playwrights " JC Lee, Charly Evon Simpson, Bryna Turner and Ana Nogueira " whose new shows invite audiences to laugh (even if some laughs catch in the throat).

SOURCE: The New York Times Subscription at 5:18am on February 25, 2022☆⚑

11,000 Free Pairs of Shoes Will Dance Across New York by Laura Zornosa

The creative reuse center Materials for the Arts is working with the Joyce Theater and Karen Brooks Hopkins, the former BAM president, to distribute dance shoes at no cost.

SOURCE: The New York Times Subscription at 5:28pm on February 24, 2022☆⚑

Review: Kyle Abraham's Theatrical Love Letter to Social Dance by Brian Seibert

In "An Untitled Love," an hourlong show at BAM, Abraham and his dancers turn the stage into a house party set to D'Angelo tracks.

SOURCE: The New York Times Subscription at 3:55pm on February 24, 2022☆⚑

Daniel Isaac, 'Billions' Actor, Cedes the Spotlight While Quietly Commanding It by Alexis Soloski

Daniel K. Isaac, a theater actor with a steady gig on the series "Billions," is appearing at the Public in Lloyd Suh's play "The Chinese Lady."

SOURCE: The New York Times Subscription at 2:33pm on February 24, 2022☆⚑

On London Stages, Maverick Responses to Mortality by Matt Wolf

Creative adaptations of "Wuthering Heights" and Ionesco's "The Chairs" grapple with death and feature inclusions of the coronavirus and performance artists.

SOURCE: The New York Times Subscription at 5:33am on February 24, 2022☆⚑

With 'Cyrano,' James McAvoy Is Savoring a 'Purer Form of Storytelling' by Laura Collins-hughes

The actor will be making his New York stage debut with Jamie Lloyd's Olivier Award-winning production, coming in April to the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 5:33am on February 24, 2022☆⚑

Is There Such a Thing as Black Thought? by Reginald Dwayne Betts

In an uncategorizable new musical, "Black No More," the rapper Tariq Trotter investigates Black identity " a matter that has occupied his whole career.

SOURCE: The New York Times Subscription at 5:33am on February 24, 2022☆⚑

Review: Exposing the Heart in a Brutal Dance of Love by Gia Kourlas

L-E-V, led by Sharon Eyal and Gai Behar, returns to the Joyce Theater with an evening-length work.

SOURCE: The New York Times Subscription at 12:03pm on February 23, 2022☆⚑

'The Same' Review: Do You See What I See? by Maya Phillips

Enda Walsh's play, which had its U.S. premiere at the Irish Arts Center, stars two sisters who play different versions of the same character.

SOURCE: The New York Times Subscription at 12:03pm on February 23, 2022☆⚑

New Haven's Long Wharf Theater to Become Itinerant by Michael Paulson

Long Wharf Theater, a regional nonprofit on New Haven's waterfront, is ending a long, bumpy chapter there, hoping to expand access and reduce costs.

SOURCE: The New York Times Subscription at 9:12am on February 23, 2022☆⚑

Finding 'Funny Girl.' Finally. by Scott Heller

After nearly six decades and many false starts, the musical is returning to Broadway, with Beanie Feldstein taking on the role that made Barbra Streisand a star.

SOURCE: The New York Times Subscription at 5:07am on February 23, 2022☆⚑

'Review: Learning 'English,' When Your Accent Is a 'War Crime' by Jesse Green

In a rich new play by Sanaz Toossi, four Iranians and their language teacher find second selves in a second tongue.

SOURCE: The New York Times Subscription at 10:06pm on February 22, 2022☆⚑

'A Black Love Sitcom Dance': Kyle Abraham Makes Moves to D'Angelo by Siobhan Burke

In his evening-length work coming to BAM, Abraham wanted to focus on celebration and joy in Black culture, "the way we love and love on each other."

SOURCE: The New York Times Subscription at 2:59pm on February 22, 2022☆⚑

A Smorgasbord of Shakespeare, With Some New Trimmings by Maya Phillips

Daniel Craig and Ruth Negga head to Broadway in "Macbeth," while "Fat Ham" and "Misdemeanor Dream" aim to lend contemporary context to classic plays.

SOURCE: The New York Times Subscription at 9:36am on February 22, 2022☆⚑

'Plaza Suite' and Other Broadway Revivals Glimpse Our Theatrical Past by Jesse Green

New productions of American plays that debuted between 1942 and 2002 offer glimpses into the world in which they first emerged " and into ours.

SOURCE: The New York Times Subscription at 9:36am on February 22, 2022☆⚑

'Barococo' Review: Fop Till You Drop by Maya Phillips

Happenstance Theater traps five pretentious aristocrats in a comedy of bad manners that could use more luster and more bite.

SOURCE: The New York Times Subscription at 3:33pm on February 21, 2022☆⚑

Amber Gray on Leaving 'Hadestown' for 'Macbeth' by Michael Paulson

The actress, who has played Persephone in "Hadestown" in three countries and four productions, is leaving to join a new "Macbeth" on Broadway.

SOURCE: The New York Times Subscription at 2:18pm on February 21, 2022☆⚑

'Mrs. Doubtfire' Postpones Broadway Reopening Until April by Michael Paulson

The musical, which closed temporarily last month as the Omicron variant spread, had hoped to reopen in March.

SOURCE: The New York Times Subscription at 2:06pm on February 18, 2022☆⚑

Dance Class Is in Session: Flail, Get Weird, Unlock Yourself by Melena Ryzik

With collaborators like Miranda July and Evan Rachel Wood, Angela Trimbur stands out among social-media-savvy choreographers whose accessible movement found audiences during the pandemic.

SOURCE: The New York Times Subscription at 5:00am on February 18, 2022☆⚑

'Writing a Trauma Play Makes Me Want to Dry Heave' by Alexis Soloski

The playwright Sanaz Toossi on her two comedies about Iranian women, both debuting this season: "English" and "Wish You Were Here."

SOURCE: The New York Times Subscription at 2:36pm on February 17, 2022☆⚑

Review: A Dance to John Cage's Very Short Stories by Siobhan Burke

Paul Lazar and friends recite and move to (most of) Cage's 90 one-minute stories from "Indeterminacy," with serendipitous alignments between words and gestures.

SOURCE: The New York Times Subscription at 2:06pm on February 17, 2022☆⚑

Is It Funny for the Jews? by Jason Zinoman

For a cultural critic, a sense of humor is integral to his Jewish identity. But these dark times raise existential questions about comedy and its uses.

SOURCE: The New York Times Subscription at 10:37am on February 17, 2022☆⚑

A City Ballet Star Bids Farewell to the 'Crazy Ballerina Life' by Gia Kourlas

After 22 years, Teresa Reichlen, a "low-key" Hitchcock blonde, steps into her next chapter: motherhood and running a gallery.

SOURCE: The New York Times Subscription at 10:18am on February 17, 2022☆⚑
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