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38,682 stories from The New York Times

Review: In 'Tambo & Bones,' a Minstrel's Guide to Making Money by Maya Phillips

Dave Harris's hip-hop triptych exploring racism and capitalism is meant to be a biting satire, but it has little force behind it.

SOURCE: The New York Times Subscription at 8:48pm on February 7, 2022☆⚑

Kenneth H. Brown, Playwright Best Known for 'The Brig,' Dies at 85 by Alex Vadukul

He drew on his own experiences in the Marines to depict brutality within the corps, drawing acclaim Off Off Broadway.

SOURCE: The New York Times Subscription at 7:06pm on February 7, 2022☆⚑

Review: City Ballet Gets a Modern Dance Fix by Gia Kourlas

A new work by the Ailey veteran Jamar Roberts shared a program with revivals by Pam Tanowitz and Kyle Abraham.

SOURCE: The New York Times Subscription at 2:14pm on February 4, 2022☆⚑

David Gordon, a Wizard of Movement and Words, Dies at 85 by Gia Kourlas

For this choreographer, director and pioneer of postmodern dance, life was art and art was life.

SOURCE: The New York Times Subscription at 12:45pm on February 4, 2022☆⚑

Review: 'The Tap Dance Kid,' Still Out of Step With the Times by Jesse Green

The Encores! series returns with a 1983 musical that, despite its pleasures, wasn't quite right then and isn't quite right now.

SOURCE: The New York Times Subscription at 3:42pm on February 3, 2022☆⚑

Artistically in Sync, and Reunited for 'The Merchant of Venice' by Laura Collins-hughes

Arin Arbus and John Douglas Thompson are collaborating on their fifth play, a Theater for a New Audience production that begins previews Saturday.

SOURCE: The New York Times Subscription at 10:18am on February 3, 2022☆⚑

In Miami, Climbing Ballet's Everest: 'Swan Lake' by Marina Harss

It has taken Miami City Ballet six years to get the Alexei Ratmansky production " the biggest and most expensive in the company's history " off the ground.

SOURCE: The New York Times Subscription at 10:00am on February 3, 2022☆⚑

On English Stages, Tales From the Asylum by Matt Wolf

Two new plays offer very different experiences of the sanitarium, one starring Mark Rylance and the other spotlighting a fast-rising actress.

SOURCE: The New York Times Subscription at 4:54am on February 3, 2022☆⚑

Birju Maharaj, Virtuoso of Classical Indian Dance, Dies at 83 by Alastair Macaulay

Mr. Maharaj choreographed for Bollywood, but was chiefly known for carrying the torch of Kathak, one of India's major dance traditions.

SOURCE: The New York Times Subscription at 3:09pm on February 2, 2022☆⚑

Danai Gurira Will Star as Richard III at Shakespeare in the Park by Michael Paulson

The actress, known for "The Walking Dead" and "Black Panther," will headline a return to semi-normal for the annual festival, which will also present "As You Like It."

SOURCE: The New York Times Subscription at 12:18pm on February 2, 2022☆⚑

Jacob's Pillow Announces Lineup for 2022 Season by Julia Jacobs

The influential dance festival is returning to its indoor theater after the pandemic complicated the last two seasons.

SOURCE: The New York Times Subscription at 10:00am on February 2, 2022☆⚑

How Hugh Jackman, Sutton Foster and 'The Music Man' Withstood Covid by Sarah Bahr

Nearly 60 cast and crew members have tested positive since rehearsals began. Now, following a 10-day shutdown during previews, opening night is near.

SOURCE: The New York Times Subscription at 5:06am on February 2, 2022☆⚑

'MJ' Review: Michael Jackson Musical Won't Look in the Mirror by Jesse Green

A new jukebox musical tells the story of Michael Jackson. Except for the big story.

SOURCE: The New York Times Subscription at 10:03pm on February 1, 2022☆⚑

Review: In 'Prayer for the French Republic,' Echoes of the Past by Elisabeth Vincentelli

Joshua Harmon's ambitious new play toggles between a contemporary Jewish family facing growing antisemitism and their relatives during World War II.

SOURCE: The New York Times Subscription at 9:24pm on February 1, 2022☆⚑

Donald Mahler, Prolific Ballet Choreographer, Dies at 88 by Anna Kisselgoff

After dancing with the Metropolitan Opera Ballet and other companies, he became its director. He was also well known for his staging of works by Antony Tudor.

SOURCE: The New York Times Subscription at 6:49pm on February 1, 2022☆⚑

Calling All Tap Dance Kids (It's Not the Acting Kid or the Singing Kid) by Brian Seibert

The challenge of casting the Encores! revival of "The Tap Dance Kid" exposes some of the complications of tap, show business and Black history.

SOURCE: The New York Times Subscription at 3:32pm on February 1, 2022☆⚑

Martin McDonagh's 'Hangmen' Will Open on Broadway This Spring by Michael Paulson

The production, which was canceled at the start of the pandemic, will try again, this time starring Alfie Allen of "Game of Thrones" fame.

SOURCE: The New York Times Subscription at 10:06am on February 1, 2022☆⚑

Review: In Clare Barron's 'Shhhh,' Staging a Memoir of the Body by Maya Phillips

The playwright directs and stars in her new play for Atlantic Theater Company's Stage 2. It's less a traditional narrative and more of a series of flirtations with discomfort.

SOURCE: The New York Times Subscription at 10:06pm on January 31, 2022☆⚑

Review: In 'Intimate Apparel,' Letting the Seamstress Sing by Jesse Green

Lynn Nottage's play about a Black woman in 1905 becomes an opera, with music by Ricky Ian Gordon, that forefronts voices ignored by history.

SOURCE: The New York Times Subscription at 10:06pm on January 31, 2022☆⚑

Private Data Shows Broadway's Hits and Misses After Reopening by Michael Paulson

Big shows did well when they returned in the fall after the long pandemic shutdown but new plays struggled, previously undisclosed industry data shows.

SOURCE: The New York Times Subscription at 3:33pm on January 31, 2022☆⚑

'The Collision' and 'The Martyrdom' Review: A Nun Ahead of Her Time by Maya Phillips

A classic text by the 10th-century Saxon nun Hrotsvitha of Gandersheim inspires two new plays being performed as a double bill at 59E59 Theaters.

SOURCE: The New York Times Subscription at 3:24pm on January 30, 2022☆⚑

Chita Rivera's Book Will Introduce Fans to the Real Her by Alexandra Alter

The Broadway star is writing a memoir with the help of a journalist who encouraged her to share what she's really like, alter ego and all.

SOURCE: The New York Times Subscription at 4:18pm on January 28, 2022☆⚑

Review: At City Ballet, Giving Voice to the Body, With Sneakers by Gia Kourlas

Justin Peck's "Partita," set to Caroline Shaw's Pulitzer-Prize winning composition, opened New York City Ballet's winter season at Lincoln Center.

SOURCE: The New York Times Subscription at 1:01pm on January 28, 2022☆⚑

What Do Dancers Bring to a Halftime Show? They Complete the Picture. by Gia Kourlas

Some dancers recoiled at the prospect of volunteering their services at this year's Super Bowl halftime show: "You can't make a living off of exposure."

SOURCE: The New York Times Subscription at 12:29pm on January 28, 2022☆⚑

Citing Pandemic, This Year's Obie Awards Will Include Streaming Theater by Michael Paulson

For the first time, digital, audio and other virtual productions will be considered for the honors, for Off and Off Off Broadway works.

SOURCE: The New York Times Subscription at 9:18am on January 28, 2022☆⚑
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