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38,682 stories from The New York Times

Do Men Still Rule Ballet? Let Us Count the Ways. by Margaret Fuhrer

Elizabeth B. Yntema's Dance Data Project has been using a steady drumbeat of numbers to push the ballet world to action on gender equality.

SOURCE: The New York Times Subscription at 10:00am on January 21, 2022☆⚑

Augmented Reality Theater Takes a Bow. In Your Kitchen. by Andrew Dickson

The Interactive Storytelling Studio at the National Theater in London is using technology to bring a miniature musical to viewers' homes. It's one of several high-tech British projects pushi…

SOURCE: The New York Times Subscription at 9:18am on January 21, 2022☆⚑

Review: 'Addressless' Is on the Streets and in Your Home by Alexis Soloski

This hybrid of theater and game asks us to consider homelessness empathetically but can't overcome the friction between education and entertainment.

SOURCE: The New York Times Subscription at 7:33am on January 21, 2022☆⚑

Why the Costumer of 'The Gilded Age' Is Being Driven Out of Business by Ginia Bellafante

Helen Uffner has dressed Broadway, Hollywood and TV shows for more than 40 years. But high-rise developers and Amazon distribution centers are making it impossible to store her extraordinary…

SOURCE: The New York Times Subscription at 5:06am on January 21, 2022☆⚑

How a Broadway Producer Spends His Sundays by Alix Strauss

Theater may be struggling, but Ron Simons is committed to opening his next show, "For Colored Girls," this spring.

SOURCE: The New York Times Subscription at 5:06am on January 21, 2022☆⚑

One Opera Opening Would Make Any Composer Happy. He Has Two. by Elisabeth Vincentelli

Ricky Ian Gordon's "Intimate Apparel" and "The Garden of the Finzi-Continis" are premiering in New York almost simultaneously.

SOURCE: The New York Times Subscription at 5:06am on January 21, 2022☆⚑

Review: In 'Whisper House,' the Living Are the Pawns of the Dead by Alexis Soloski

A lighthouse keeper, the nephew living with her and a Japanese employee are on alert for U-boats and graver threats in this chamber musical set in 1942.

SOURCE: The New York Times Subscription at 9:48pm on January 20, 2022☆⚑

Taylor Mac Explores the Philosophy of the Hang by Jennifer Schuessler

A new jazz opera reimagines Socrates' final hours. Expect queer romps, ancient Greek in-jokes and plenty of tulle.

SOURCE: The New York Times Subscription at 3:42pm on January 20, 2022☆⚑

Lawsuit Says Faculty at a Top Arts School Preyed on Students for Decades by Matt Stevens

Dozens of people who studied at the University of North Carolina School of the Arts during a period of more than 40 years say they were sexually, emotionally or physically abused there as mi…

SOURCE: The New York Times Subscription at 10:33am on January 20, 2022☆⚑

When Britney Came to Brecht's House by A.J. Goldmann

The Berliner Ensemble, once known for reverent productions of plays by its founder, Bertolt Brecht, has come roaring into a new decade.

SOURCE: The New York Times Subscription at 4:18am on January 20, 2022☆⚑

As Broadway Struggles, Governor Hochul Proposes Expanded Tax Credit by Michael Paulson

With Omicron complicating Broadway's return, Gov. Kathy Hochul proposed more assistance for commercial theater, which her budget director called "critical for the economy."

SOURCE: The New York Times Subscription at 1:54pm on January 19, 2022☆⚑

Review: A Skilled Ballet Leader Creates a Messy 'Raymonda' by Laura Cappelle

Tamara Rojo, San Francisco Ballet's incoming artistic director, has half updated the 19th-century work for English National Ballet.

SOURCE: The New York Times Subscription at 11:41am on January 19, 2022☆⚑

Conrad Ricamora on His Bumpy Road to 'Little Shop of Horrors' by Elisabeth Vincentelli

The actor reflects on continuing the Off Broadway revival's hot streak, and fighting against the stereotypes facing Asian American actors.

SOURCE: The New York Times Subscription at 10:33am on January 19, 2022☆⚑

'This Beautiful Future' Review: Love Glows in War's Shadow by Laura Collins-hughes

Theaterlab stages a gimlet-eyed romance involving a girl and a young Nazi soldier in Occupied France by the playwright Rita Kalnejais.

SOURCE: The New York Times Subscription at 8:48pm on January 18, 2022☆⚑

Philippe Gaulier on the Art of Clowning and Sacha Baron Cohen by Jason Zinoman

The French master teacher Philippe Gaulier has worked with stars like Sacha Baron Cohen. But at 78, are his methods, which include insults, outdated?

SOURCE: The New York Times Subscription at 1:54pm on January 18, 2022☆⚑

'The Kite Runner' Is Coming to Broadway by Michael Paulson

The 2007 play based on Khaled Hosseini's novel has been widely produced, including on the West End in London. It will come to Broadway in July.

SOURCE: The New York Times Subscription at 10:18am on January 18, 2022☆⚑

After 'Clyde's,' Lynn Nottage Just Has Two Shows Onstage. 'Whew!' by Laura Collins-hughes

With one play closed, Nottage can focus on "MJ" on Broadway and "Intimate Apparel" at Lincoln Center Theater. And maybe even catch her breath.

SOURCE: The New York Times Subscription at 3:42pm on January 17, 2022☆⚑

Review: In 'Witness,' Seeking a Haven for Jewish Refugees by Laura Collins-hughes

The experience of Jews who fled Germany in 1939 aboard the St. Louis luxury liner is the subject of a new production from the Arlekin Players Theater.

SOURCE: The New York Times Subscription at 3:18pm on January 17, 2022☆⚑

In a Double Bill, the Avant-Garde Meets a Very Good Girl by Jesse Green

Excellent performances, including one by a well-behaved dog, warm up two experimental plays upstate.

SOURCE: The New York Times Subscription at 1:36pm on January 17, 2022☆⚑

Now Is the Winter of Broadway's Discontent by Michael Paulson

Curtains are rising again after the Omicron surge caused widespread cancellations, but attendance has fallen steeply. Nine shows are closing, at least temporarily.

SOURCE: The New York Times Subscription at 4:18pm on January 16, 2022☆⚑

Review: Reveling in Live Dance at Japan Society by Brian Seibert

Despite the pandemic disruptions, this festival of contemporary dance from Asia went on, nearly as planned, with four North American premieres.

SOURCE: The New York Times Subscription at 3:02pm on January 16, 2022☆⚑

Paul Carter Harrison, Whose Ideas Shaped Black Theater, Dies at 85 by Clay Risen

In his essays and plays, he provided a framework that linked playwrights like August Wilson to African rituals and mythologies.

SOURCE: The New York Times Subscription at 3:54pm on January 15, 2022☆⚑

Review: Dancing That Unfolds Like a Prayer by Gia Kourlas

The Northern Irish choreographer Oona Doherty looks at despair through an ethereal lens at the Irish Arts Center.

SOURCE: The New York Times Subscription at 2:36pm on January 14, 2022☆⚑

One Indelible Scene: When the Show Must Go on in 'Drive My Car' by A.O. Scott

Through a staging of "Uncle Vanya," the director Ryusuke Hamaguchi creates an intimacy for his characters that lets the artifice of cinema fall away.

SOURCE: The New York Times Subscription at 10:18am on January 14, 2022☆⚑

Bridget Everett Shows Off Her Softer Side in 'Somebody Somewhere' by Alexis Soloski

"Somebody Somewhere," a bittersweet comedy on HBO, will likely surprise viewers who know Everett as a self-proclaimed "cabaret wildebeest."

SOURCE: The New York Times Subscription at 5:33am on January 14, 2022☆⚑
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