38,682 stories from The New York Times
After a two-year hiatus, live programming resumes, including evenings by the violinist Johnny Gandelsman and the choreographer Ashwini Ramaswamy.
The playwright says her semi-autobiographical works, including her new play for Atlantic Theater Company, help to provide a measure of clarity about painful experiences.
A surge in coronavirus infections toppled production after production, but two stage adaptations " of a movie and a blockbuster novel " recovered and endure.
"Girl From the North Country," a musical using the songs of Bob Dylan, also closed, with hopes of reopening in the spring, as the surge in virus cases continues to upend the theater industry.
The musical, which uses the songs of Bob Dylan, is the latest show to close as the surge in cases caused by the Omicron variant disrupts New York theater. It hopes to come back in the spring.
From in-person and virtual performances to exhibitions and tours, the city offers plenty of options for honoring the civil rights leader this year.
The choreographer continues his research into African American worship and the Black Shakers in "Power" at the Brooklyn Academy of Music
The musical "Hadestown" and the opera "Eurydice" aim to offer new twists on a Greek myth. But when it comes to their heroine, they only go so far.
Taking Lily Tomlin's roles in a revival of Jane Wagner's metaphysical comedy, the "Saturday Night Live" star is put through her paces.
Rojo, who has given the English National Ballet a new allure, succeeds Helgi Tomasson as just the fifth director to lead the San Francisco company.
The pandemic shutdown gave the actor time to reconnect with his clarinet, helping him fully realize his character, a lost-in-grief musician.
Oona Doherty, a rising star in Europe, brings a Belfast-inspired piece to New York. "This is about kinetic trauma," she says. "This is about you, as well."
Our critic didn't set out to see "Caroline, or Change" seven times, but amid so much uncertainty the show turned out to be just what she needed.
The company will delay the start of its season by nine days, the latest performing arts group to cancel or postpone programming as the virus surges.
Before, during and now after the conservatorship that oversaw her life for 13 years, the pop star has used dance to assert her power and connect with her audience.
Since October, the actress has been performing the lead role of Wiletta Mayer in the Broadway debut of Childress's 1955 play "Trouble in Mind."
Netflix doesn't qualify as a solo offender when it comes to Gallic stereotypes, as three musical theater works on the city's stages show.
Two critics on the joys (and pains) of a tentatively hopeful fall season.
Under the Radar, Prototype and the Exponential Festival, annual January beacons of experimental work, have canceled their in-person offerings.
At the Irish Repertory Theater, this musical confection is a luridly entertaining tale, set mostly in 1857, about a villainous banker and his wily clerk.
The musical's producer, eager to avoid a permanent shutdown amid the virus surge, is attempting a self-imposed nine-week hiatus.
'Better Call Saul' returns, Cecily Strong stars in a one-woman show, and Faith Ringgold gets an overdue retrospective.
The Public Theater's annual showcase for experimental work was the latest sign of the variant's impact on live performance.
Aaron, Sondheim, Dole and Didion. But the loss of Colin Powell from the virus spoke most directly to the moment the world is in.
Battered by a coronavirus lockdown and conflict over a loan, Theater 80 could become another New York City casualty of the pandemic.
