1,623 stories from exeuntmagazine.com
RENAISSANCE! PLAYSUITS! Lilith Wozniak reviews a musical, double trouble performance by She Goat.
The post Review: DoppelDänger at the Wardrobe Theatre, Bristol appeared first on Exeunt Mag…
Incoming is Incoming! More on the mini-festival of bargainous work by emerging artists, plus plenty of other shows not to miss this fortnight.
The post Exeunt Recommends: 25.6.2018 appeared …
'Here I am, and they're eating me': Ka Bradley reviews a dance work that makes use of virtual reality technology.
The post Review: AÏ•E: Whist at Sadler’s Wells appeared first on Ex…
Power zaps like an electric current... Maddy Costa reviews Back to Back Theatre, as part of LIFT 2018.
The post Review: Lady Eats Apple at the Barbican appeared first on Exeunt Magazine.
A wistful trip back: Chris McCormack reviews the second part of Roddy Doyle's Barrytown Trilogy.
The post Review: The Snapper at the Gate Theatre, Dublin appeared first on Exeunt Magazine.
'Margot didn't lend Elle her lucky scrunchie to be almost entirely written out of the narrative': Francesca Peschier reviews the stage version of the classic (CLASSIC) film.
The post Review:…
'The broken among us teach us to be human': Duška Radosavljević reviews Anna Deavere Smith's verbatim show as part of LIFT 2018.
The post Review: Notes from the Field at Royal Court T…
'Headlong, hormonal passion': Anna Winter reviews Kenneth MacMillan's Romeo and Juliet at Sadler's Wells.
The post Review: Romeo and Juliet by Birmingham Royal Ballet appeared first on Exeu…
'Vintage, village green circus at its absolute best': Freddie Machin reviews Gifford's Circus' latest show.
The post Review: My Beautiful Circus by Gifford's Circus appeared first on Exeunt …
The Grey Zone disintegrates: Chris Collett reviews Javaad Alipoor's interactive show on the internet as a space for extreme violence.
The post Review: The Believers are but Brothers at North…
Nicole Acquah interviews the legendary verbatim theatremaker and creator of 'Notes from the Field', now on at the Royal Court.
The post Anna Deavere Smith: “I’m chasing that whic…
Defiance is at the heart of its genius: Jennifer-Jane Benjamin reviews the National Theatre transfer of Brandon Jacobs-Jenkins's play.
The post Review: An Octoroon at National Theatre appear…
'A vivid plea for understanding': David Pollock reviews a promenade adaptation of Naoki Higashida's book about the experience of autism.
The post Review: The Reason I Jump at The Children's …
'We're all Beverlys here': Ka Bradley reviews Rhiannon Faith's dance-based work about domestic abuse.
The post Review: Smack That (a conversation) at Barbican appeared first on Exeunt Ma…
In an annual Exeunt tradition, Natasha Tripney condenses the contents of the entire 2018 Edinburgh Fringe programme into a single poem.
The post Into the Unknown appeared first on Exeunt Mag…
Fringe season is upon us, so Tracey Sinclair has canvassed theatre critics to compile this guide to how shows can maximise their chances of getting reviewed.
The post A Beginner’s Guid…
Pertinent and unsettling: John Murphy reviews a stage adaptation of Ken Kesey's novel.
The post Review: One Flew Over the Cuckoo’s Nest at Crucible, Sheffield appeared first on Exe…
Love and playwriting: Chris McCormack reviews Brian Friel's two-part play.
The post Review: Lovers: Winners and Losers at Pavilion Theatre, Dublin appeared first on Exeunt Magazine.
Hope, comedy, violence and suffering: Rotimi Babatunde's stage adaptation of Lola Shoneyin's novel is a sweet show that leaves a sour taste.
The post Review: The Secret Lives of Baba Segi…
A tough act to resist: Tracey Sinclair falls for the big-hearted charm of Laurence O'Keefe and Nell Benjamin's stage adaptation on its national tour.
The post Review: Legally Blonde The Musi…
Messy, flawed, slippery: Rosemary Waugh on an intriguing revival of Sophie Treadwell's 1928 play.
The post Review: Machinal at Almeida Theatre appeared first on Exeunt Magazine.
Folklore or fun: this double-bill of solo dances curated by the Akram Khan Company compelling blends tradition and innovation.
The post Review: Portraits in Otherness at Sadler’s Wells…
A story that speaks without words: Cathy Marston's adaptation for Northern Ballet unleashes the soul of Charlotte Brontë.
The post Review: Jane Eyre at The Lowry, Manchester appeared firs…
'Like any fairground ride, Phobiarama is not subtle': Alice Saville rides Dries Verhoeven's ghost train at LIFT 2018.
The post Review: Phobiarama at LIFT 2018 appeared first on Exeunt Magaz…
"Deeply meaningful theatre": Paterson Joseph's one-man play about the first black man to vote in Britain is rich and resonant.
The post Review: Sancho – An Act of Remembrance at Wilton…
