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38,682 stories from The New York Times

'Selling Kabul' Review: Trapped in a War, and an Apartment by Alexis Soloski

In Sylvia Khoury's suspenseful new play, the characters sometimes feel too much like wheels in a machine, but it's a tense thrill to watch it work.

SOURCE: The New York Times Subscription at 9:18pm on December 6, 2021☆⚑

No Matter the Role, Antony Sher Made Soaring Seem Possible by Ben Brantley

The actor, who died at the age of 72, was known for his commanding performances of Shakespeare's Richard III and the Auschwitz survivor Primo Levi.

SOURCE: The New York Times Subscription at 10:33am on December 6, 2021☆⚑

'Mrs. Doubtfire' Review: Nanny Doesn't Know Best by Maya Phillips

The new family-friendly musical, adapted from the hit movie, ends up cowering in the original film's shadow.

SOURCE: The New York Times Subscription at 10:33pm on December 5, 2021☆⚑

Antony Sher, Actor Acclaimed for His Versatility, Dies at 72 by Roslyn Sulcas

In his long career, most of it with the Royal Shakespeare Company, he played everyone from King Lear to Primo Levi to Ringo Starr.

SOURCE: The New York Times Subscription at 3:18pm on December 5, 2021☆⚑

Exploring the Dimensions of Black Power at Alvin Ailey by Gia Kourlas

Alvin Ailey American Dance Theater returns to New York City Center with stage premieres by Robert Battle and Jamar Roberts and a stunning "Lazarus."

SOURCE: The New York Times Subscription at 3:03pm on December 5, 2021☆⚑

Eddie Mekka, a Star of 'Laverne & Shirley,' Is Dead at 69 by Anita Gates

As Carmine Ragusa on the hit sitcom, he got to show off his singing, tap-dancing and gymnastic skills " and to croon "Rags to Riches" many times.

SOURCE: The New York Times Subscription at 11:03am on December 5, 2021☆⚑

Best Theater of 2021 by Jesse Green, Maya Phillips, Laura Collins-hughes, Scott Heller, Alexis Soloski and Elisabeth Vincentelli

Digital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child's first fireworks.

SOURCE: The New York Times Subscription at 10:48am on December 3, 2021☆⚑

René Pollesch Aims for a 'Safe Space' at the Volksbühne in Berlin by A.J. Goldmann

René Pollesch is the fourth boss of the Volksbühne in four years. The Berlin theater is pinning hopes of a return to its former vibrancy on his collaborative approach.

SOURCE: The New York Times Subscription at 10:48am on December 3, 2021☆⚑

Wajdi Mouawad's 'Mother': Was It Worth It? by Laura Cappelle

By asking the singer Bertrand Cantat to contribute to his latest show, the director Wajdi Mouawad has overshadowed his own production.

SOURCE: The New York Times Subscription at 2:42am on December 3, 2021☆⚑

Ron Cephas Jones Has Something to Prove Again by Reggie Ugwu

The Emmy-winning "This Is Us" actor received a double-lung transplant after a secret battle with chronic obstructive pulmonary disease. Now he's back onstage in "Clyde's" on Broadway.

SOURCE: The New York Times Subscription at 3:24pm on December 2, 2021☆⚑

Mothers of Reinvention: The Lab Pivots as Studios Close by Margaret Fuhrer

In a strategic feat of survival, the Lab, a Los Angeles dance studio stalwart, has transformed itself into a creative agency and "lifestyle brand."

SOURCE: The New York Times Subscription at 10:00am on December 2, 2021☆⚑

'A Sherlock Carol' Review: Crime-Solving on Christmas Eve by Laura Collins-hughes

Mark Shanahan remixes Arthur Conan Doyle and Charles Dickens into a clever, crowd-pleasing holiday comedy that happens also to be a murder mystery.

SOURCE: The New York Times Subscription at 6:18pm on December 1, 2021☆⚑

Stephen Sondheim Discusses a Gender-Swapped 'Company' by Michael Paulson

Days before he died, Stephen Sondheim and the director Marianne Elliott chatted about a Broadway revival of his 1970 musical. With a gender swap, it has a "different flavor," he said.

SOURCE: The New York Times Subscription at 1:06pm on December 1, 2021☆⚑

'The Mood Room' Review: 1980s Anomie, California Style by Brian Seibert

In Big Dance Theater's new work, premiering at BAM Fisher, Annie-B Parson melds her sensibility with that of the Conceptual artist Guy de Cointet.

SOURCE: The New York Times Subscription at 12:33pm on December 1, 2021☆⚑

Best Dance of 2021 by Gia Kourlas, Brian Seibert and Siobhan Burke

A year of uncertainty was capped by a happy ending: a rush of performances this fall, including standouts by masters (Twyla Tharp) and breakout stars (LaTasha Barnes).

SOURCE: The New York Times Subscription at 9:02am on December 1, 2021☆⚑

U.K. Theatergoers Cover Up Again, After Months Without Masks by Alex Marshall

Encouragements to mask up are hardening into mandates. But the new rules are coming from the playhouses, not the government.

SOURCE: The New York Times Subscription at 7:18am on December 1, 2021☆⚑

Mel Brooks Keeps It Very Light in 'All About Me!' by Alexandra Jacobs

The comedy legend responsible for "The Producers," "Blazing Saddles" and "Young Frankenstein" has written a memoir with the cheer and zip of a one-liner.

SOURCE: The New York Times Subscription at 5:33am on December 1, 2021☆⚑

Cherished Words From Sondheim, Theater's Encourager-in-Chief by Laura Collins-hughes

He wrote great shows, but Stephen Sondheim was also a mentor, a teacher and an audience regular. And, oh, the thrill of getting one of his typewritten notes.

SOURCE: The New York Times Subscription at 5:33am on December 1, 2021☆⚑

The Great 'West Side Story' Debate

With the Steven Spielberg film coming soon, three critics, a playwright and a theater historian weigh in on whether the musical deserves a new hearing " and how.

SOURCE: The New York Times Subscription at 5:33am on December 1, 2021☆⚑

Uzo Aduba Adjusts Her Mood With Playlists and 'The Real Housewives' by Kathryn Shattuck

The actress talks about sports, her latest film and return to the stage, and why a clean, white pair of Converse All Stars is the shoe for almost any occasion.

SOURCE: The New York Times Subscription at 4:54pm on November 30, 2021☆⚑

Robert Battle on Running Ailey: 'This Is My Choreography Now' by Brian Seibert

Celebrating 10 years as the artistic director of Alvin Ailey American Dance Theater, Battle says he is most proud of the chances he has taken.

SOURCE: The New York Times Subscription at 1:59pm on November 30, 2021☆⚑

A Choreographer Gives 'Dog Day Afternoon' a Makeover by Gia Kourlas

In the postponed premiere of "Wednesday" at New York Live Arts, Raja Feather Kelly asks: "Who has the right to tell anyone's story?"

SOURCE: The New York Times Subscription at 12:35pm on November 30, 2021☆⚑

At 80, Robert Wilson Holds On to a Singular Vision for the Stage by Laura Cappelle

Slowed but not stopped by the pandemic, Wilson has had a busy fall that continues with his production of "Turandot" at the Paris Opera.

SOURCE: The New York Times Subscription at 11:42am on November 30, 2021☆⚑

Tony Kushner, Oracle of the Upper West Side by A.O. Scott

The most important living American playwright has a number of new projects on the horizon " and plenty more to say about how to make and enjoy art in an era of ongoing turbulence.

SOURCE: The New York Times Subscription at 5:12am on November 30, 2021☆⚑

Under the Radar Festival Returns, Smaller but Still Funky by Sarah Bahr

The experimental festival at the Public Theater will return in person with fewer shows and, for the first time, performances outside New York City.

SOURCE: The New York Times Subscription at 12:36pm on November 29, 2021☆⚑
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