Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation
By . Dr. Julius Fleming visits the Segal Center to discuss his recent book, Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation.
By . Dr. Julius Fleming visits the Segal Center to discuss his recent book, Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation.
By Rainier Pearl-Styles. Educator Rainier Pearl-Styles recounts their experience of devising a show in response to Shakespeare's Macbeth, using tenets of Paolo Freire's theory of liberatory …
By TjaÅ¡a Ferme, Rubén Polendo. In this episode we talk with the founding artistic director of Theater Mitu, Rubén Polendo, about the hope for the future that inspired Utopian Hotline"no…
By . Director Anne Bogart, Talking Band (Ellen Maddow and Paul Zimet), set designer Anna Kiraly, and costume designer Gabriel Berry discuss their collaboration on Existentialism, as well as …
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By Masi Asare, Leticia Ridley, Jordan Ealey. Masi Asare is an assistant professor of theater and performance studies at Northwestern University.
By Scott Walters, Munroe Shearer. Scott Walters, author of Building a Sustainable Theater: How to Remove Gatekeepers and Take Control of Your Artistic Career, sits down with Munroe Shearer t…
By Juliana Frey-Méndez, Anna D. Novak. Dramaturg Anna D. Novak and director Juliana Frey-Méndez discuss their collaborative dramaturgical process for Fefu and Her Friends, written by MarÅ
By Tjaša Ferme, Annemarie Hagenaars. Annemarie Hagenaars is an astronomer, physicist, and actress.
By . Milo Rao discusses and screens his latest project, The Moscow TrialsÂÂ
By . FREE and Open to public. First come, first served.
By TjaÅ¡a Ferme, LaJune McMillian. LaJuné shares about the inception of Black Movement Library: a database of motion capture data from Black folks they created, while seeking to avoid the…
By Jordan Ealey, Leticia Ridley. Some stories transcend time and continue to resonate across generations. Undoubtedly, one might consider The Color Purple as one of those stories.
By Jacob Juntunen. Jacob Juntenen traces the collaborative network of theatres and theatremakers in St. Louis that share resources and make the city a rich environment for new play developme…
By . Join the Decentered Playwriting: Alternative Techniques for the Stage Book Launch Panel, with Carolyn Dunn, Eric Micha Holmes, and Les Hunter, moderated by Hunter College MFA Playwritin…
By Megan Lummus. Megan Lummus shares her experience as the first openly autistic director to direct a professional production of The Curious Incident of the Dog in the Night-Time.
By Tjaša Ferme, Josh Corn. This week, Tjaša speaks with Josh Corn, a true renaissance man. He uses technology to tell absurd and subversive stories about humanity.
By Leticia Ridley, Jordan Ealey, Jonathan McCrory. Jonathan McCrory is a Tony Award and Emmy Award nominated producer and a two-time Obie Award-winning artist who has served as executive art…
By Chris Myers. Theatremaker and political educator Chris Myers writes a companion piece to Ife Oluboi's "$5000." He explains the structural reasons behind Ife's struggle to gain more money …
By . Part of the series Black Italia, this event features a panel discussion and reading of excerpts of plays by Italians of African descent.
By TjaÅ¡a Ferme, Maud Acheampong. Maud discusses monsters, and the "humanization process": the idea that humanity asks of us to leave some part of the world at the door and opt in for a ve…
By Leticia Ridley, Jordan Ealey. In this episode, hosts Jordan Ealey and Leticia Ridley talk about a filmed production of the opera X: The Life and Times of Malcolm X.
By Marina Johnson, Nabra Nelson, Jeries AbuJaber. How can theatre make an impact in moments of crisis?
By . Milo Rau will discuss his latest book, Reclaiming the Future, a republished essay from the Zurich Poetry Lecture, followed by a panel, and then an excerpt screening of Rau's The New Go
By Joseph Dunne-Howrie. Joseph Dunne-Howrie reflects on DV8's Can We Talk About This?, exploring how the show employs pinkwashing as a vehicle for Islamophobia and racism.