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3,924 stories from Newcity Stage

Theo Theophany: A Storefront Theater's Journey to Inclusivity by Dennis Polkow

Back in the early years of the non-Equity storefront theater company known as Theo"which began as Theo Ubique Cabaret Theatre"it was pretty much founder and artistic director Fred Anzevino's…

SOURCE: www.newcitystage.com at 8:00am on March 5, 2024

Family Doubt: A Review of "Mrs. Doubtfire: A New Musical Comedy" at Broadway in Chicago by Dennis Polkow

The best thing about "Mrs. Doubtfire: A New Musical Comedy" is that it restores the heartfelt message of the original book"that divorce doesn't have to be an end for a family, but can simply…

SOURCE: www.newcitystage.com at 8:00am on March 4, 2024

Stage Top 5: March 2024 by Brian Hieggelke

Classics, riffs on classics, and Broadway's hottest playwright hit Chicago stages in March.

SOURCE: www.newcitystage.com at 8:00am on March 1, 2024

High and Mighty Gods: A Review of "Party at the Pantheon" at The Factory Theater by Tristan Bruns

"Party at the Pantheon," running through March 23 at The Factory Theater, bills itself as "a modern Greek stoner comedy" and delivers on that tagline.

SOURCE: www.newcitystage.com at 8:00am on February 29, 2024

A Powerful Marriage of All the Things: LaTasha Barnes' The Jazz Continuum Comes to Chicago by Sharon Hoyer

"I know the standards for what is supposed to happen onstage and they are not things that invite that deep improvisational spirit. Things that don't invite that, we thwart."

SOURCE: www.newcitystage.com at 8:00am on February 28, 2024

Don't Show Your Hand: A Review of "Topdog/Underdog" at Invictus Theatre by Amanda Finn

"It is one of my all-time favorite plays, and Invictus Theatre's production is a brilliant example of how to handle this intense two-hander."

SOURCE: www.newcitystage.com at 8:00am on February 28, 2024

Monticello's Façade: A Review of "The Reclamation of Madison Hemings" at American Blues Theater by Mary Wisniewski

This play sees the contradictions at the heart of this country"the tragic infrastructure under its noble façade. Monticello won't look the same when you think of all the people who were m…

SOURCE: www.newcitystage.com at 8:00am on February 27, 2024

The Fix Is In: A Review of "The Smuggler" at Jackalope Theatre by Hugh Iglarsh

It's solid, gripping writing, delivered with crystalline sincerity, and it hits like a sledge hammer.

SOURCE: www.newcitystage.com at 8:00am on February 26, 2024

Kindling a Fire: A Review of "The Matchbox Magic Flute" at Goodman Theatre by Dennis Polkow

When new Goodman artistic director Susan V. Booth asked Mary Zimmerman what she might want to do this season, a small-scale rethinking of "The Magic Flute" was the response. That means th…

SOURCE: www.newcitystage.com at 8:00am on February 23, 2024

Laugh and Grow Rich: Masood Boomgaard On Stand-Up and Parodying Self-Help Gurus by Carl Kozlowski

Masood Boomgaard had to deal with a friend who was constantly trying to motivate him with self-help books throughout the early months of the pandemic. Boomgaard found great annoyance in thei…

SOURCE: www.newcitystage.com at 8:00am on February 22, 2024

Modern-Day Rhapsody: A Review of the Joffrey Ballet's "Studies in Blue" at the Lyric Opera House by Hugh Iglarsh

The Joffrey Ballet's current"and spectacular"evening of dance is a modern-day rhapsody in blue, exploring with skill and sensitivity the range of moods and meanings associated with that most…

SOURCE: www.newcitystage.com at 8:00am on February 21, 2024

These Ghosts Have Teeth: A Review of "a home what howls (or the house what was ravine)" at Steppenwolf Theatre by Tristan Bruns

"a home what howls (or the house what was ravine)" provides insight and representation to those who have been overlooked, paved over and forgotten, and it is another win for Steppenwolf.

SOURCE: www.newcitystage.com at 8:00am on February 21, 2024

Music Is a Time Machine: A Review of "The Band's Visit" at Writers Theatre by Amanda Finn

"Band's Visit" takes so many of the traditional musical theater-type songs and mashes them together into an enchanting story about what it means to be a person in the world with other people…

SOURCE: www.newcitystage.com at 8:00am on February 20, 2024

Dylan-izing the Depression: A Review of "Girl From the North Country" at Broadway in Chicago by Dennis Polkow

The action takes place in Duluth, Minnesota, but playwright Conor McPherson's Irish melancholy weighs heavily throughout, with nods to O'Neill and Wilder.

SOURCE: www.newcitystage.com at 8:00am on February 19, 2024

Timely Message, Dated Play: A Review of "Waiting for Lefty" at Gwydion Theatre by Hugh Iglarsh

Its message about the need to stand and fight against a rigged system is as relevant as ever. The work itself, though, has not aged well.

SOURCE: www.newcitystage.com at 8:00am on February 16, 2024

Ancient Wisdom: A Review of "Antigone" at Court Theatre by Tristan Bruns

As in the myth of Prometheus, Court Theatre brings the fire to Chicago audiences with "Antigone," a spectacular finale to their Sophocles trilogy.

SOURCE: www.newcitystage.com at 8:00am on February 15, 2024

Sins of the Mother: A Review of "Judy's Life's Work" at Definition Theatre by Tristan Bruns

"Judy's Life's Work" is a story about the salutary power of sibling love and familial responsibility, with a cast that really packs a punch.

SOURCE: www.newcitystage.com at 8:00am on February 14, 2024

From Home to Broadway: Maria Torres Brings Eclectic Latin Style to Hubbard Street by Sharon Hoyer

New York-based Maria Torres, a dancer, choreographer and educator who works in film, television and Broadway, patented a Latin Jazz style that blends her Brooklyn-raised, Puerto Rican/Cuban/…

SOURCE: www.newcitystage.com at 8:00am on February 14, 2024

Spectacle and Gore: A Review of "Richard III" at Chicago Shakespeare Theater by Mary Wisniewski

You don't come to "Richard III" for history"you come for spectacle and gore, and Chicago Shakespeare delivers.

SOURCE: www.newcitystage.com at 8:00am on February 13, 2024

Grace and Power: A Review of "Notes from the Field" at TimeLine Theatre by Mary Wisniewski

In presenting the words of real people talking about America's troubled education and criminal justice system in her 2015 play "Notes from the Field," writer and actress Anna Deavere Smith f…

SOURCE: www.newcitystage.com at 8:00am on February 12, 2024

Apocalypse Now, Hugs Later: A Review of The Gift Theatre's "Mothers" by Tristan Bruns

When the degenerate armies of the apocalypse come for you, will mother be enough? "Mothers" asks this question and more, with a gruesome twist ending.

SOURCE: www.newcitystage.com at 8:00am on February 9, 2024

Collective Empathy: A Preview of Alex Edelman's "Just For Us" at Steppenwolf Theatre by Carl Kozlowski

Edelman is bringing the full ninety-minute show back to Chicago, making the leap from a comedy club to a ten-night run of shows from February 15-25 at the internationally renowned Steppenwol…

SOURCE: www.newcitystage.com at 8:00am on February 8, 2024

On the Whim: The Show's Not Over Yet For Mr. Taps by Tristan Bruns

Mr. Taps has been dancing up a storm on subway platforms and sidewalks in the Loop and Gold Coast neighborhoods for forty years. He is often credited by Chicagoans as their first time seeing…

SOURCE: www.newcitystage.com at 8:00am on February 7, 2024

¡Viva El Barrio!: A Review of "In The Heights" at Marriott Theatre by Tristan Bruns

Lin-Manuel Miranda's Tony-Award winning musical about the strength of the communal family, set to a Latin-infused hip-hop soundtrack, comes to the Marriott Theatre in Lincolnshire.

SOURCE: www.newcitystage.com at 8:00am on February 7, 2024

When You Have Nowhere Left to Run: A Review of "Selling Kabul" at Northlight Theatre by Noel Schecter

A taught politically charged thriller played out in the shadows of America's retreat from Afghanistan.

SOURCE: www.newcitystage.com at 8:00am on February 6, 2024
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