1,623 stories from exeuntmagazine.com
A need for connection: Berri George's new play centres on two graffiti-obsessed, thrill-seeking teenagers.
The post Review: Shadow Kingdoms at Theatre503 appeared first on Exeunt Magazine.
As the theatre calendar goes into overdrive, Alice Saville writes on the time-and-space challenges of trying, and failing, to see everything.
The post To all the shows I didn’t go to a…
Kristina's play: Rosemary Waugh reviews Polly Stenham's adaptation of August Strindberg
The post Review: Julie at the National Theatre appeared first on Exeunt Magazine.
'Comforting and clinical textures': Josephine Balfour-Oatts reviews Anthony Neilson's production of two plays by Lars Norén.
The post Review:Â Act and Terminal 3 at the Print Room appeare…
Residue as runes: Maddy Costa reviews Gob Squad, as part of LIFT 2018.
The post Review:Â Creation (Pictures for Dorian) at the Southbank Centre appeared first on Exeunt Magazine.
The Strong Female Character and unicorns: Hailey Bachrach reviews an adaptation of Charlotte Perkins Gilman's iconic novel.
The post Review: The Yellow Wallpaper at the Omnibus Theatre appea…
Emotional Labour: Sally Hales reviews Emily Schwend's play about an overstretched Texan mother.
The post Review: Utility at the Orange Tree Theatre appeared first on Exeunt Magazine.
And what an atmosphere... Peter Kirwan reviews Mufaro Makubika's award-winning play set in 1950s Nottingham.
The post Review: Shebeen at the Nottingham Playhouse appeared first on Exeunt Mag…
"This piece has journeys in it": Eve Leigh writes on the reverberating magic of Verity Standen's surround sound choral performance.
The post Verity Standen’s Undersong appeared first o…
A cat among the swans: Liam Scarlett's interpretation gets three big ticks from Anna Winter.
The post Review: Swan Lake at the Royal Opera House appeared first on Exeunt Magazine.
'An epic display of female emotion': Nabilah Said reviews a contemporary opera of Euripides' tragedy, as part of LIFT 2018.
The post Review: Trojan Women at Southbank Centre appeared first o…
Bullish, gentle, broken, blazing: Simon Stephens, Karl Hyde and Scott Graham's interrogation of father-son relationships gets to you eventually.
The post Review: Fatherland at the Lyric Hamm…
Playing for England: Sabrina Mahfouz and Hollie McNish's story of women and the beautiful game is touring football clubs and theatres nationwide.
The post Review: Offside appeared first on E…
Hall of amusements: set in a decaying seaside resort, this rarely staged Kander and Ebb musical has a warm mother-daughter bond at its heart.
The post Review: The Rink at Southwark Playhous…
Gob Squad, Translations, and Maxine Peake inside a giant revolving mudheap: here are the shows you wouldn't want to miss over the next fortnight.
The post Exeunt Recommends: 6.06.2018 appear…
Reminder: you're going to die. Rosemary Waugh reviews Dead Centre's work about Shakespeare's son
The post Review: Dead Centre's Hamnet at the Southbank Centre appeared first on Exeunt Magazi…
Breadth and depth: Madani Younis' revival of Winsome Pinnock's 1987 classic is richly detailed.
The post Review: Leave Taking at the Bush Theatre appeared first on Exeunt Magazine.
"The scale, despite the ramshackle surroundings, is huge." - Andrew Edwards writes on the joys of Leith's eclectic multi-disciplinary arts festival.
The post Hidden Door Festival 2018 appear…
An achingly profound and lasting poignancy: Akram Khan's last solo show is a moving exploration of WWI.
The post Review: Xenos at Sadler’s Wells appeared first on Exeunt Magazine.
Words, words, words: Brian Friel's masterful meditation on language is magnificently revived by Ian Rickson.
The post Review: Translations at the National Theatre appeared first on Exeunt Ma…
Naomi Obeng encounters transformation, an intergalactic mission, bingo, and tons of exciting new performance at Cambridge Junction's one day fest.
The post Watch Out Festival 2018 appeared f…
It's not rape if... Hailey Bachrach writes on Nina Raine's clever, troubling exploration of assault and the justice system.
The post Review: Consent at the Harold Pinter Theatre appeared fir…
'Lacks any sense of jeu d'esprit': Neil Dowden reviews Christopher Haydon's relocation of Molière to Trump's America.
The post Review: Tartuffe at the Theatre Royal Haymarket appeared firs…
'The tried-and-true dynamic of steely mother and slightly hapless son': Hailey Bachrach reviews a revival of D H Lawrence's play set during the 1912 miners strike.
The post Review: The Daugh…
Taylor Swift and suburban marriages: Frey Kwa Hawking reviews the UK premiere of Mary Laws' play about a family breakfast gone wrong.
The post Review: Blueberry Toast at Soho Theatre appeare…
