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38,684 stories from The New York Times

Review: Lindy Hopping Into the Present With Caleb Teicher and Co. by Gia Kourlas

In "Sw!ng Out," Teicher and a creative team bring vernacular dance to the Joyce. Tacked onto the end? A jam for all.

SOURCE: The New York Times Subscription at 12:58pm on October 6, 2021☆⚑

Aneesa Folds, Back on Broadway, Is Still Getting Used to This by Laura Collins-hughes

Once a fan and now a pioneering female member of the hip-hop improv troupe Freestyle Love Supreme, she is "switching it up."

SOURCE: The New York Times Subscription at 11:48am on October 6, 2021☆⚑

Laurie Anderson Has a Message for Us Humans by Sam Anderson

For half a century, she has taken the things we know best" our bodies, our rituals, our nation " and shown us how strange they really are.

SOURCE: The New York Times Subscription at 10:42am on October 6, 2021☆⚑

Their Downtown Hits Are Now Sharing a Broadway Stage by Laura Collins-hughes

Tina Satter's "Is This a Room" and Lucas Hnath's "Dana H." are performing in rotation at the Lyceum. They spoke about the significance of telling the true stories of living people.

SOURCE: The New York Times Subscription at 5:32am on October 6, 2021☆⚑

An Acclaimed Playwright on Masks and the Return to the Stage by Sarah Ruhl

Sarah Ruhl, after a long struggle living with Bell's palsy, knows the feeling of being masked among the unmasked.

SOURCE: The New York Times Subscription at 2:48pm on October 4, 2021☆⚑

Swing Today: 'Our Dance Is Modern Because We're Alive Right Now' by Brian Seibert

Caleb Teicher's "Sw!ng Out" at the Joyce Theater aims to bring swing onstage as it lives today in a program that's part variety show, part hangout.

SOURCE: The New York Times Subscription at 12:25pm on October 4, 2021☆⚑

A New 'Pal Joey' Is Broadway Bound by Michael Paulson

The show will be rewritten for a production set on the South Side of Chicago in the 1940s, directed by Tony Goldwyn and Savion Glover.

SOURCE: The New York Times Subscription at 9:18am on October 4, 2021☆⚑

National Endowment for the Humanities Awards Covid Relief Grants by Sarah Bahr

The American Rescue Plan Act, with its $87.8 million in funding, will support projects at nearly 300 cultural and educational institutions in the country.

SOURCE: The New York Times Subscription at 9:00am on October 4, 2021☆⚑

Review: In 'Six,' All the Tudor Ladies Got Talent by Jesse Green

The exuberant queenhood-is-powerful pageant about the wives of Henry VIII was shut down on opening night by the pandemic. Now it's back, and it totally rules.

SOURCE: The New York Times Subscription at 9:54pm on October 3, 2021☆⚑

'The Nosebleed' Review: 'Who Here Hates Their Father?' by Laura Collins-hughes

Aya Ogawa's gentle, forthright reckoning of a play is a belated processing of the loss of a parent by a daughter who now has children of her own.

SOURCE: The New York Times Subscription at 5:42pm on October 3, 2021☆⚑

George Ferencz, Innovative Theater Director, Dies at 74 by Neil Genzlinger

He directed works by Sam Shepard, Amiri Baraka and others at La MaMa and similar theaters known for experimentation.

SOURCE: The New York Times Subscription at 5:42pm on October 1, 2021☆⚑

Review: The Costume Dramas of New York City Ballet by Gia Kourlas

The Fall Fashion Gala returned with new works by Sidra Bell and Andrea Miller that felt like fast fashion: flimsy.

SOURCE: The New York Times Subscription at 2:11pm on October 1, 2021☆⚑

Review: In 'Persuasion,' How to Lose Lovers and Influence People by Maya Phillips

The Bedlam theater company returns with another adaptation of Jane Austen, but the production misses all of the source material's subtle wit.

SOURCE: The New York Times Subscription at 11:18am on October 1, 2021☆⚑

A Dance Show on a Cruise Ship? It's Not What You Think. by Siobhan Burke

These artists doubted Virgin Voyages would want what they had to offer. But their show, part revue, part night out at a club, is about to set sail.

SOURCE: The New York Times Subscription at 10:00am on October 1, 2021☆⚑

He Speaks Theater's Language (and Many Others, Too) by Laura Cappelle

Tiago Rodrigues, the newly appointed director of the Avignon Festival, will make his American debut, in English, with a work he has also performed in French, Greek, Portuguese, Russian and S…

SOURCE: The New York Times Subscription at 8:24am on October 1, 2021☆⚑

How BD Wong Spent Tony Awards Sunday by Ilana Kaplan

The actor, a recent transplant to Brooklyn, navigates his new neighborhood while dealing with the chaos of red carpet prep.

SOURCE: The New York Times Subscription at 5:32am on October 1, 2021☆⚑

Review: In 'Never Let Go,' a Solo Performer's Heart Goes On by Elisabeth Vincentelli

Michael Kinnan's sendup of "Titanic" explores the liminal space between tribute and affectionate satire.

SOURCE: The New York Times Subscription at 3:18pm on September 30, 2021☆⚑

Revisiting a Post-Apocalyptic Play in the Pandemic by Rachel Shteir

Anne Washburn's phantasmagoric "Mr. Burns, a Post-Electric Play" is getting a timely new run at Theater Wit in Chicago.

SOURCE: The New York Times Subscription at 2:06pm on September 30, 2021☆⚑

Young Women Set the Tone for a Paris Theater Season by Laura Cappelle

The directors staging the most ambitious premieres are all female millennials.

SOURCE: The New York Times Subscription at 5:42am on September 30, 2021☆⚑

Positive Coronavirus Cases Halt 'Aladdin' a Day After It Reopened by Michael Paulson

The Broadway show had just returned to the stage on Tuesday with several understudies.

SOURCE: The New York Times Subscription at 7:42pm on September 29, 2021☆⚑

Review: A Choreographer Stakes an Independent Claim by Brian Seibert

Alejandro Cerrudo's "It Starts Now" gets its underwhelming debut at the Joyce Theater.

SOURCE: The New York Times Subscription at 4:32pm on September 29, 2021☆⚑

Review: Bill T. Jones's Oceanic Vision by Siobhan Burke

"Deep Blue Sea" at the Armory is a colossal undertaking both in subject matter, inspired by "Moby-Dick" and "I Have a Dream," and theatrical scope.

SOURCE: The New York Times Subscription at 3:18pm on September 29, 2021☆⚑

Review: Tracy Letts Brings Out the Long Knives in Short Plays by Jesse Green

It takes 15 minutes or less in each segment of "Three Short Plays by Tracy Letts" for the bard of male moral decrepitude to skewer his subjects.

SOURCE: The New York Times Subscription at 2:54pm on September 29, 2021☆⚑

Done With Bond, Daniel Craig Will Play Macbeth on Broadway by Michael Paulson

Ruth Negga will co-star as Lady Macbeth in a production directed by Sam Gold and scheduled to open next April.

SOURCE: The New York Times Subscription at 11:18am on September 29, 2021☆⚑

Onstage, 'Designing Women' Sheds the Shoulder Pads, Not Its Politics by Alexis Soloski

The hit sitcom, which ended in 1993, is back as play, premiering in Arkansas. But how do its laughs land in our more pointed political landscape?

SOURCE: The New York Times Subscription at 10:06am on September 29, 2021☆⚑
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