38,686 stories from The New York Times
Arturo LuÃs Soria wrote and stars in a forgiving, yet cleareyed solo show about parental damage done.
This season Beach Sessions has just one dance: "Repose," a meditative, durational work by Moriah Evans.
Calls for change in this lucrative dance subculture have become broader and deeper, encompassing issues of race, gender and predatory behavior.
The Salzburg Festival and the Ruhrtriennale host a series of theatrical pieces, both old and new, that seem to reflect our troubled time.
With "Don't Bother Me, I Can't Cope," she became the first woman to write the book, music and lyrics of a Broadway musical.
Before the reopenings were the in-person reunions. And hugs. So many hugs. Here's a look at some of the first emotional moments on the road back.
This verbatim hockey drama, at Here Arts Center, considers issues of masculinity and the peculiar ownership that fans feel toward a team and its players.
The 41-year-old singer-songwriter is back on Broadway in September for her fourth starring turn in "Waitress."
At Tennessee Williams's childhood apartment in St. Louis, one of his most famous works has become an immersive event.
To address Black artists' concerns, the pact calls for forgoing all-white creative teams, renaming theaters for Black artists and establishing diversity rules for the Tonys.
Antoinette Chinonye Nwandu's play about young Black men in peril inaugurates the new season with unexpected joy.
Ms. Baker will be the first Black woman to be entombed in the Panthéon in Paris, a symbolic move amid racial tensions in France.
When readers need information immediately, teams of journalists collaborate to tell a single unfolding story.
As the Delta variant spreads, Signature Theater delayed its planned October opening of "Infinite Life," a new play by Annie Baker.
"Islander," a skewed look at a New York Islanders season, examines extreme fandom, violence and the thrill of sports.
A version of "A Midsummer Night's Dream" is planned, along with the company's puppet series, an examination of the Tulsa Race Massacre and more.
The digital season will include the premieres of four commissioned pieces and new duets by Kyle Abraham and Liz Gerring.
These worthy and adventurous lockdown experiments too often give short shrift to the relationship between a script and how an audience takes it in.
Joshua Safran's "Gossip Girl" reboot filmed a scene from an imaginary work by the "Slave Play" playwright. Then the Public Theater commissioned it.
A festival at the University of Oklahoma celebrates the impact of these ballerinas on 20th century ballet, honoring their Native American heritage.
Edward Einhorn's "Alma Baya" is the bleak, humor-flecked tale of two clones on a distant planet who let a third inside their walls.
After months of pandemic-mandated postponements, the British composer's new show finally had its premiere. It's fun.
The neon lights are bright, and so is the spirit of this brief but loving history of Broadway.
There are fewer shows and smaller audiences than usual at the International Festival and the Fringe this year.
"The Other Shore," by the Seattle-based dance and visual art team Zoe Juniper, features an experience with a Google Cardboard VR viewer.
