38,686 stories from The New York Times
The popular musical secured a limited engagement at the Ethel Barrymore Theater this fall. The singer and songwriter will reprise her role for six weeks.
How one North Carolina class of 2020 made it through the launch that wasn't " hurting, hustling and dreaming.
Disney stage alumni will give four performances at the New Amsterdam Theater, two months before the curtains rise on "The Lion King" and "Aladdin" in New York.
An adaptation of Chimamanda Ngozi Adichie's "Notes on Grief," Russell Brand's take on Shakespeare and a two-day event anchored by a Milo Rau film are among the highlights.
The Great American Songbook, jazz, drag and more are returning to the small stages where intimacy and audience interaction are so key.
The annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
Our critic reflects on the significance of Aleshea Harris's play, at BAM Fisher, for Black audiences.
The Delacorte Theater in Central Park is reopening with a Harlem-set version of Shakespeare's comedy "The Merry Wives of Windsor."
New initiatives aim to broaden the pool of stage managers of color and introduce antiracist practices into graduate training.
A premier teacher of Merce Cunningham's technique, she gave equal attention to everyone in her class, not just those destined for stardom with his company.
Students at the Royal Ballet School, having fled to homes around the world for months of virtual training, are reuniting for their annual showcase.
The collaborative project conceived by Lynn Nottage is too heterogeneous and muddled to rally around one clear theme or concept.
Frank Winters's play, about two astronauts in lockdown after a mission, uneasily grafts tropes borrowed from hard sci-fi and odd-couple comedy.
Rain interfered with Dorrance Dance's evening program, but the ensemble's matinee was a playful, inviting reintroduction to the festival.
Dionne Figgins will succeed Eliot Feld, the founder of the dance nonprofit and school.
One would think that everyone involved in the parody series "Schmigadoon!" was in love with the sometimes hokey, sometimes magical musical genre. Not quite.
Angélica Liddell says she doesn't care about looking good onstage. Instead, her visceral works give her catharsis that she says keeps her alive.
Ann Dowd stars in a contemporary rewrite of Ibsen's play that forces a community, played by the audience, to make a series of fateful choices.
A wave of nationalistic music, theater and dance is sweeping China, part of Beijing's efforts to improve the party's image and strengthen political loyalty.
In this drama starring Kelsey Grammer and Julia Stiles as cardiovascular surgeons, doctors have one hour to choose a heart transplant recipient.
At newly reopened playhouses, once-legendary and younger directors take very different approaches to their mammoth productions.
Street performances celebrated the Chocolate Factory Theater, a space that has often seemed inseparable from the work that happens there, as it moved to a new building.
Two critics on the show's return " a turning point in live theater and another stage in the rock star's lifelong evolution.
Projected onto the Merchandise Mart, "Footnotes" honors a style that's become popular around the world but isn't always given recognition in its hometown.
Starting in August, the drama school plans to eliminate tuition for returning and future students, removing a barrier to entry for low-income students and those worried about debt.
