The cast and creative team of Amy Ng's new play Under The Umbrella have been blown away by the deluge of positive reviews they have received since the production opened at the Belgrade Theat…
A Hundred Words of Snow, Tatty Hennessy's coming-of-age adventure story, officially received its West End premiere last night at Trafalgar Studios, where Gemma Barnett stars until 30 March 2…
It's opening night at London's highest theatre - Highgate's Upstairs at the Gatehouse - where the original 1927 version of Gershwin musical Strike Up The Band is now receiving a rare product…
Truly great acting is rare to see on stages these days, the type that elevates good work into a higher form of art. Yet right now at Bristol Old Vic, Tom Mothersdale's Tricky Dicky, Richard …
Mirrors, mist and paper crowns - the world of Headlong's Richard III looks dark, Gothic and ominous. Check out these stunning production shots from the touring production's run at Bristol Ol…
"A moving performance", "stands the test of time", "impeccably staged" - despite being more than 30 years old, critics have decided that Nigel Williams' hospital-set drama My Brother's Keepe…
Album Review: Combining the music from classic and contemporary musicals, Behind the Curtain " Broadway Composers & Lyricists Sing Their Songs is fascinating and insightful.
Once A Lesson From Aloes finds its momentum, it keeps moving towards an ending that significantly fractures what remains of the main characters' lives. Celebrated director Janet Suzman uses …
You might think twice about going back online after watching Theatre Témoin's Feed. You might, but you probably won't " which is exactly the point this darkly humorous and deeply unsettling…
Look, as a piece of drama Alys, Always isn't the best thing you'll ever see. It's unlikely to be troubling the Olivier nominations next year I wouldn't think. But, actually, I sort of don't …
Inside Bitch is a messy but enjoyable counter-balance to the usual women-in-prison scenarios. Roll on Clean Break.
As part of her ongoing post-show Q&A series, on Monday 8 April 2019, Mates co-founder Terri Paddock talks to the company of the European premiere of Tom Coash's Cairo-set Cry Havoc, incl…
Fresh from Broadway, hit musical Waitress proves funnier and lighter than you might expect at the Adelphi Theatre.
Performer Katy Dye chatted to Emma Clarendon about the UK tour of Baby Face.
All in all, Calendar Girls is a really enjoyable evening's entertainment and it's great to see a British musical flourishing.
Inside Bitch, a new show about representations of women's prisons in the media, is quite good fun, but a bit pointless.
Opera North's new production of Mozart's The Magic Flute takes the composer's final opera and brings out the fantastical and often comedic elements of what can at times be a dark story " sev…
There's a lot we don't know about death and a lot we don't know about the characters in Kathryn Gardner's play Dead End.
While there's nothing inherently terrifying about sleeping bags and bobble hats - unless the thought of a camping holiday gives you heart palpitations - you can sense the horror, and also so…
The Grand Expedition " the title alone calls to mind the colonial narratives of Dr Livingstone or Phileas Fogg, so it is perhaps no surprise that this show is more interested in presenting a…
"Top performances", "Beautiful work", "Brilliant revival" - audiences have been taking to Twitter to share their love of the Rose Theatre Kingston and Theatre Royal Bath revival of Stones in…
In her first UK theatre role, Felicity Ward will lead the cast of the European premiere of David Finnigan's provocative and incendiary play Kill Climate Deniers.
Musical theatre comedy done well is a blissful way to spend an evening. So it is with Dolly Parton's 9 to 5, currently playing to packed houses at the Savoy Theatre.
Hospital wards can be stressful at the best of times, but tempers seem to be fraying in these fantastic production images from My Brother's Keeper?. Take a look, then book your tickets for T…
Love London Love Culture rounds up the reviews for Max Webster's production of Lehár's operetta The Merry Widow.