Fully appreciating the experience of binaural experience Thrown from images is difficult. The performance relies on control over your hearing possibly more than your sight. But these product…
Michael Longhurst directs the UK premiere of Florian Zeller's play The Son. Love London Love Culture rounds up the reviews…
For 45 minutes the audience may be gripped, stimulated and entertained in The Jumper Factory but this remains the everyday experience of all the men who contributed to the show, and it sligh…
Jason Manford has been announced as the host of the Olivier Awards 2019 with Mastercard. Having previously hosted in 2017, the popular comedian, actor and singer will return to the Royal Alb…
It's a #ReadaPlayaWeek: featuring Laura Wade's Breathing Corpses; Adult Child/Dead Child (1987) by Claire Dowie; Thatcher's Women by Kay Adshead; and Superhoe by Nicôle Lecky.
There's no denying that we all love a bit of magic in our lives and the Royal Albert Hall's Disney's Broadway Hits provided the perfect sprinkle of fairy dust on a grey Saturday afternoon.
From being approached with an already well-formed idea to re-evaluating her opinion of Chinese culture, Amy Ng tells us about her latest play, Under The Umbrella. Read her fascinating interv…
At an hour No Kids is perfectly paced, a constantly fascinating piece; one that articulates a liberal generation's worries and desire in creating a familial unit in 21st century Britain.
"Very funny", "Talented actors" and "reminiscent of the sitcoms of yesteryear" - find out how new comedy Cheating Death has been making audiences laugh themselves silly at the Cockpit Theatr…
Neither Kazuro Ishiguro's prize-winning novel, or the acclaimed film adaptation, of The Remains of the Day prepares you for the profound tragedy felt after seeing this heart-rending story pl…
Here is LLLC's guide to some of the best theatre productions opening in the capital in March.
Two actors, a handful of costume changes, a rural backdrop and a massive trunk - that's what you need to stage a fantastic production of Stones in his Pockets, certainly if these brill…
Mixing the more colourful and camp with the harsh realities of inequality and creative restraint for Iranian women is a powerful storytelling device in Lipstick: A Fairy Tale of Iran at the …
Inspired by a horrifying true story, five-star thriller We Know Now Snowmen Exist brings its tale of icy terror to London later this month, playing from 19 to 23 March at The Space. Book you…
Giles Terera, Lucy Briers, Jake Fairbrother and Peter Wight have been cast alongside Tom Burke and Hayley Atwell in Henrik Ibsen's Rosmersholm, adapted by Duncan Macmillan and directed by Ia…
It's almost eight years since the riots that spread across London, sparked by the fatal shooting of Mark Duggan by police in Tottenham. Arinzé Kene's good dog tells the story of that summer…
Mark and Marichka Marczyk's band Lemon Bucket Orkestra shares songs from their newest album in the short, intimately staged gig Balaklava Blues at the Vault Festival.
The final episode of Florian Zeller's domestic trilogy, The Son, is powerfully, even melodramatically, effective.
A refreshingly strong turn from Rebekah Lowings ensures that the latest touring production of Ghost The Musical is alive and vibrant at the Festival Theatre, despite the show's cloying senti…
Lou and Jaz have met on Tinder and are going on a date. A simple premise, but in its use of different narratives, Greyscale highlights the complexities of relationships, sexual power and per…
Bringing the 1960s to life, find out what critics made of Rip it Up, now playing at the Garrick Theatre.
Originally directed by Philip Seymour Hoffman and performed by LABrynth Theatre Company, Stephen Adly Guirgis' Olivier-nominated Jesus Hopped the 'A' Train, returns to London in a striking r…
Oscar Wilde's comedy of manners is rightly regarded as a classic, so we must give thanks for Ayesha Casley-Hayford and Kudzanayi Chiwawa coming along and giving The Importance of Being Earne…
Anne Washburn's latest offering, Shipwreck, is a marathon play at the Almeida Theatre that takes direct aim at the Trump Administration.
This production of The Pirates of Penzance, as a whole, is a delight. It breathes a new depth into a classic and beloved opera without losing it's eccentric British quality. I would highly r…