Theatre as controlled demolition: Christopher Rüping's dissection of Brecht is thrilling, smart and savage. The post Review: Trommeln in der Nacht at the Deutsches Theater, Berlin appeared …
In response to Hannah Khalil's blog post, Naomi Joseph explores how theatremakers manage multiple careers. The post On Not Quitting Your Day Job appeared first on Exeunt Magazine.
'The movement of forks, the lifting of cups': Maddy Costa reviews Sabrina Shirazi's food and music related work-in-progress The post Review: Choral Cuisine at Mayfest 2018 appeared first on …
Louise Jones submits her examination paper for Jonathan Lewis' play. (And promises she didn't cheat.) The post Review: The Be All and End All at York Theatre Royal appeared first on Exeunt …
Push and pull and stumble; pain and discomfort': Lilith Wozniak reviews a very physical show at Mayfest in Bristol The post Review: Contact Gonzo at Mayfest 2018 appeared first on Exeunt Mag…
Chrysalis-like: Louise Jones reviews Natasha Marshall's semi-autobiographical solo show The post Review: Half Breed at York Theatre Royal appeared first on Exeunt Magazine.
A new zine that's all about sex, nudity and bodies in theatre, available exclusively to members of our Friends Scheme. The post Announcing Exeunt’s New Zine, Bear Skin appeared first o…
Dream on: Rosemary Waugh reviews a new work-in-progess from The Plasticine Men about selling cars to the Indian market The post Review: Engine Break at the New Diorama appeared first on Exeu…
'Mounting claustrophobia': Tracey Sinclair reviews Patrick Hamilton's classic, as part of the Brighton Fringe 2018. The post Review: Rope at Brighton Fringe 2018 appeared first on Exeunt Mag…
'Teetering on the edge': Maria Lu reviews the Julie Cunningham Company's version of Sarah Kane's Crave The post Review: Crave at the Barbican appeared first on Exeunt Magazine.
Storybook kings and queens: Rosemary Waugh reviews George Benjamin and Martin Crimp's new opera, directed by Katie Mitchell The post Review: Lessons in Love and Violence at the Royal Opera H…
'A pocket version of the classic Scots 'ceilidh play'': David Pollock reviews a piece of verbatim theatre based on farming in Perthshire The post Review: A Six Inch Layer of Topsoil and the …
A murky moral world: Kali Theatre's new writing festival boasts a well-researched play from Rukhsana Ahmad. The post Review: From Kabul to Kunduz at the Tristan Bates Theatre appeared first …
One very dangerous man: Catrina McHugh's two-hander explores the issues of coercive control within relationships. The post Review: Rattle Snake at the Soho Theatre appeared first on Exeunt M…
Different hymn sheets: writer Rajiv Joseph and director Lisa Spirling don't see eye to eye in this spiralling history of Russia. The post Review: Describe the Night at the Hampstead Theatre …
Rivetingly dark: Junk Ensemble's dance-theatre reimagining of Vladimir Nabokov's Lolita is thrilling and revelatory. The post Review: Dolores at Dublin Dance Festival appeared first on Exeun…
With witnessing comes responsibility: Tinuke Craig's double-bill debbie tucker green revival forces its audience into a community. The post Review: random/generations at Chichester Festival …
Defiance as superpower: Freddie Machin reviews Rachael Young's new show about Afrofuturism and the cult of Grace Jones The post Review: Nightclubbing at Camden People's Theatre appeared firs…
Lee Anderson reviews "cyborg theatre" by Susanne Kennedy The post Review: Women in Trouble at Volksbühne appeared first on Exeunt Magazine.
"Get ready to get wet." Freddie Machin reviews a bath-themed circus show The post Review: SOAP at Underbelly Festival appeared first on Exeunt Magazine.
War and peace: Rosemary Waugh reviews the Maly Theatre of St Petersburg performing Vasily Grossman's epic work The post Review: Life and Fate at the Theatre Royal Haymarket appeared first on…
Fancy hats and flower arranging: Tracey Sinclair reviews comedian Simon Topping's solo show. The post Review: Why I Had to Leave the North at Brighton Fringe 2018 appeared first on Ex…
Behind-the-scenes: Lee Anderson reviews Thomas Ostermeier's staging of Didier Eribon's novel. The post Review: Rückkehr nach Reims at Theatertreffen 2018 appeared first on Exeunt Maga…
Drink every time... Lee Anderson reviews the Volksbuhne's 7-hour marathon of Goethe The post Review: Faust at Theatertreffen 2018 appeared first on Exeunt Magazine.
Awe-inspiring noise: Lilith Wozniak reviews a four and a half hour triple bill of spoken word and intense sounds from Chris Brett Bailey. The post Review: Chris Brett Bailey triple bill at B…