38,689 stories from The New York Times
Kevin McKenzie, the company's artistic director, will leave his job after the 2022 season.
The documentary about Tina Turner, who is now in her 80s, is not just a summing up of her life, but a kind of farewell.
Mayor Bill de Blasio said that the city would create a vaccination site for theater workers to try to help Broadway shows reopen by the fall.
Devynn Emory's "deadbird" " a duet for Emory and a mannequin " deals with grief, envisioning "an ideal care team for a body who's passing."
The drama behind the scenes at the Volksbühne in Berlin has surpassed any onstage. A series of premieres involving vengeful gods, inescapable fates and tragic flaws seems apt.
Weill's early, Weimar-era works reveal the qualities that found a natural home in his golden age American musicals.
Though other acting categories appear sewn up, the supporting-actress race is still deliciously chaotic.
Alexei Ratmansky returns to the stage with a playful Bernstein ballet, while Netta Yerushalmy revives a darker moment in time.
When Broadway shut, stage doors found a new way to open " on digital platforms that offer private lessons, birthday videos and meet and greets with stars.
A pilot program in Berlin is reopening some of the city's landmark cultural venues, despite surging numbers of infections and toughened restrictions in other areas of life.
Best remembered for his role in "Who's Afraid of Virginia Woolf?" but later memorable for his comedic work.
A dust-up in Dallas and a 2,500-person petition signal that many performers believe their representatives are keeping them from getting work.
Liza Birkenmeier's new play about a shape-shifting teenager makes a fitting contribution to Theater in Quarantine's revamp of the avant-garde.
The 1971 Melvin Van Peebles musical, about Black life in a low-income neighborhood, is a dream project for the director Kenny Leon.
James Acaster's "Cold Lasagne Hate Myself 1999" is an outstanding show about the worst year in his life. (His girlfriend left him for Mr. Bean, and it went downhill from there.)
At a tentative moment in the city's reopening, Caleb Teicher & Co. inaugurated the in-person return of Works & Process at the Guggenheim Museum.
"Joy and Pandemic" is slated to be performed this fall before an in-person audience at the Magic Theater in San Francisco.
The Park Avenue Armory is postponing "Afterwardsness" after three members of the Bill T. Jones/Arnie Zane dance company tested positive for the coronavirus.
Lupita Nyong'o and Juan Castano star in a podcast adaptation that delivers the poetry " in Spanish and English " but not the fire.
Two critics, hungry for live performance, weigh whether they're ready to take a health risk for "Blindness," which opens in New York next month.
Hugo Marchand talks about his memoir, "Danser," about the intensity of the company and about dancing with Anselm Kiefer paintings.
Nearly 2,000 performers have petitioned Actors' Equity for guidelines that will speed up a return to the stage.
Oscar Wilde meets Instagram in a slick, shrewd and screen-filled update, the filmed collaboration by five British theaters.
"American Masters: Twyla Moves," a new PBS documentary, is also a portrait of a singular dancer over time.
Sexual violence and adoption bracket the life of a young woman seeking a family connection and finding a #MeToo legacy instead.
