1,623 stories from exeuntmagazine.com
Following the announcement that Lyn Gardner's position as Guardian theatre critic is being cut, Andy Field writes on why her role is too important to be lost.
The post Lyn Gardner: Where the…
A sonic pioneer: Noctium Theatre tell the story of the woman who created the Doctor Who theme tune (and much more).
The post Review: Hymns for Robots at Brighton Fringe appeared first on Exe…
Clam jam: Izzy Tennyson's play is a grimy, intriguing look at Dalston's lesbian party scene.
The post Review: Grotty at The Bunker Theatre appeared first on Exeunt Magazine.
"What is essential is invisible": Morgan Creative's adaptation of Antoine de Saint-Exupéry's novella is handsome and imaginative.
The post Review: The Little Prince at Galway Theatre Festiv…
A drama as deluded as its characters: Robert Higgins' debut play goes on an unconvincing journey.
The post Review: The Streets Are Ours at Galway Theatre Festival appeared first on Exeunt Ma…
Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey's solo set into words.
The post Review: Suicide Notes at Shoreditch Town Hall appeared first on Exeunt …
Creative control: Joe Penhall's new play is a look at the hard, cynical, sexist world of the music industry.
The post Review: Mood Music at the Old Vic appeared first on Exeunt Magazine.
Generational differences: James Fritz's play for the National Youth Theatre explores society's attitudes towards the old.
The post Review: The Fall at Southwark Playhouse appeared first on E…
Keeping quiet: no-one talks to each other in Mike Bartlett's powerful and poignant first play.
The post Review: Not Talking at the Arcola Theatre appeared first on Exeunt Magazine.
Racism, misogyny and homophobia: Golda Rosheuvel has a lot to deal with as a gender-swapped Othello in Gemma Bodinetz's production.
The post Review: Othello at the Everyman, Liverpool appear…
Angry and childishly misogynistic: Stewart Laing's new Strindberg adaptation doesn't challenge itself enough.
The post Review: Creditors at the Royal Lyceum Theatre, Edinburgh appeared first…
Pain felt through generations: Marina Carr's play explores psychological trauma and family.
The post Review: On Raftery’s Hill at Abbey Theatre, Dublin appeared first on Exeunt Magazin…
Bridget Minamore writes on Natasha Gordon's debut play, an emotive, truthful exploration of black grief.
The post Review: Nine Night at the National Theatre appeared first on Exeunt Magazine.
Between comedy and seriousness: the Manchester-based dance company celebrates its tenth birthday.
The post Review: 10 by Company Chameleon appeared first on Exeunt Magazine.
Checkmate: Benny and Bjorn's classic eighties musical is completely ridiculous
The post Review: Chess at the Coliseum appeared first on Exeunt Magazine.
Fear in the 21st century: Frances Poet's Bruntwood-shortlisted play is astute and unsettling.
The post Review: Gut at the Traverse Theatre, Edinburgh appeared first on Exeunt Magazine.
Francesca Peschier reviews Hideki Noda's "utterly bizarre gender-bending kaleidoscopic piece of work".
The post Review: One Green Bottle at the Soho Theatre appeared first on Exeunt Magazin…
Alice Saville considers questions of reputation and legacy in an industry that's in love with its own history.
The post No More Heroes appeared first on Exeunt Magazine.
The inadequacy of language: Alice Saville on Rodney Ackland's sprawling epic of post-war London nightlife.
The post Review: Absolute Hell at the National Theatre appeared first on Exeunt Mag…
"Thank you for loving me." Maddy Costa reviews Anthony Neilson's new play, which follows a couple's foundering sex life.
The post Review: The Prudes at the Royal Court appeared first on Exeu…
Hydraulic elegance: Anna Winter reviews Balletboyz and their programme of four works created in fourteen days.
The post Review: Fourteen Days at Sadler’s Wells appeared first on Exeunt…
Ramps on the Moon's Deaf and disabled-led revision of a classic doesn't go far enough, writes Amelia Cavallo.
The post Review: Our Country's Good at Theatre Royal Stratford East appeared fi…
Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels' play about sexism and pornography
The post Review: Masterpieces at the Finborough Theatre appeared first on Exeunt Magazi…
Andy Field writes on how encounters with the natural world inspired a new night-time performance, on as part of LIFT Festival 2018.
The post Nocturne appeared first on Exeunt Magazine.
An all too real horror story: Ka Bradley reviews DeNada Dance Theatre's radical rewrite of the famous fairytale
The post Review: TORO: Beauty and the Bull at Sadler’s Wells appeared fi…
