If you want to understand why working-class Americans voted for Donald Trump or even why people in Sunderland voted for Brexit then look no further than Lynn Nottage's complex, urgent and mo…
Director Jessica Lazar spoke to Love London Love Culture about Atticist's upcoming return to the King's Head Theatre with its production of Outlying Islands.
Nine Night is a truly fantastic, affecting and entertaining piece of theatre that deserves the space its been given plus more.
This year has been a whirlwind year full of amazing theatre. I was lucky enough to see a total of 150 shows so whittling them down to a top 10 was extremely difficult. Although this list is …
I will remember 2018 for many things, primarily as the year of courage. No, not shown by me but by all the brilliant children I have worked with over the past year on Joseph and Nativity! Th…
I wanted to record all the productions in 2018 that had had a profound impact on me, so here is the collection that will be with me for a long time.
Actress Emily Joyce spoke to Love London Love Culture about starring in The Band, now playing a limited season at the Theatre Royal Haymarket before heading back off on its UK tour.
Peter Mulligan wrote Loop in reaction to his own experiences of working in a bar, coping with depression and considering taking his own life. Here he tell us more about this time in his crea…
So many of the recommendations for shows to see next year focus on the West End. And for sure, I'm excited to catch big ticket numbers like All About Eve, Come From Away and Waitress but I w…
Proforça Theatre Company reprises its critically acclaimed collection of monologues FEEL in a new, expanded "All the Feels" season at east London's The Space in February ahead of a UK tou…
Dick Whittington & His Cat shows that the age-old tradition of pantomime is not only alive in Oxford but it's revitalised, re-energised, refreshing and stands a good chance of attractin…
Mind the Blog rounds up her favourite female performances in the theatre during 2018.
The Cane, Mark Ravenhill's latest, represents an investigation that remarkably refuses to follow today's tropes of outrage and counter-intuitively and presents a different kind of moral ethi…
It's time for Rev Stan's best plays of 2018 overall, gleaned from everything I've seen " large productions and small, commercial theatres, subsidised and fringe.
The extraordinary Caroline or Change makes the leap into the West End at the Playhouse Theatre, with a titanic Sharon D Clarke at the helm.
Yes, I know we're in a fiercely competitive industry. Everyone trying to make a living in it has to do everything possible to promote themselves and their wares. Social networking might have…
Here's Love London Love Culture's theatre picks for 2019.
Come From Away, at the Abbey Theatre, Dublin before transferring to the West End is a story of ordinary people doing extraordinary things in a time of need is truly inspirational and this in…
Olivier Award winner Sheila Atim returns to the Finborough Theatre and reunites with writer-director Ché Walker, who gave her early career breaks as both an actor and a composer. In our fea…
Mind the Blog rounds up her favourite male performances in the theatre during 2018.
Simon Russell Beale and Leo Bill shine in Joe Hill-Gibbins' perfectly reimagined The Tragedy of King Richard the Second at the Almeida Theatre.
Among the theatre performers and practitioners named in the New Year's Honours list are actors Sophie Okonedo, Jim Carter and Thandie Newton, along with set and costume designer Bunny Christ…
In much the same way that the history of Broadway is peppered with legendary performances, years from now Australian theatregoers will ask each other if they saw Tina Arena in Evita.
In my round-up of theatre in 2017, I warned 2018 that it had "big shoes to fill". Not only did 2018 not need the door to be opened, but it also didn't even need anyone to hold its coat.
Choreographer and director Craig Revel Horwood speaks to LLLC about starring in pantomimes and Christmas traditions.