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1,623 stories from exeuntmagazine.com

Review: The Moderate Soprano at the Duke of York's Theatre  by Josephine Balfour-oatts

As enjoyable as a light breeze in mid- July: Josephine Balfour-Oatts reviews David Hare's play about the founding of Glyndebourne The post Review: The Moderate Soprano at the Duke of York&#…

SOURCE: exeuntmagazine.com at 2:02am on April 30, 2018☆⚑

Review: We Can Time Travel at Shoreditch Town Hall by Frey Kwa

A humanist affair: Frey Kwa Hawking reviews Dom Coyote's new solo work The post Review: We Can Time Travel at Shoreditch Town Hall appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:51am on April 29, 2018☆⚑

Review: A View from the Bridge at Tobacco Factory, Bristol by Lilith Wozniak

Timelessness: Lilith Wozniacki reviews a new production of Arthur Miller's classic play The post Review: A View from the Bridge at Tobacco Factory, Bristol appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:47am on April 29, 2018☆⚑

Review: Alleyne Dance/James Finnemore at The Place by Ka Bradley

Abstract and emotionally rich: Ka Bradley reviews a double bill of new dance works 'A Night's Game' and 'TERRA' The post Review: Alleyne Dance/James Finnemore at The Place appeared first …

SOURCE: exeuntmagazine.com at 10:50am on April 28, 2018☆⚑

Review: Moormaid at the Arcola by Lee Anderson

From death to rebirth: Lee Anderson reviews Marion Bott's new play about modern life in Berlin The post Review: Moormaid at the Arcola appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 10:36am on April 28, 2018☆⚑

Review: Broken at Old Red Lion Theatre by Hailey Bachrach

The mysteries of love: Hailey Bachrach reviews Matthew Lyons' puzzling, Shakespeare-inspired verse romance. The post Review: Broken at Old Red Lion Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 9:11am on April 28, 2018☆⚑

Have we actually broken Shakespeare? by Hailey Bachrach

In Shakespeare's birthday week, Hailey Bachrach argues that there's nothing dull about recent reinventions of his work. The post Have we actually broken Shakespeare? appeared first on Exeunt…

SOURCE: exeuntmagazine.com at 7:56am on April 27, 2018☆⚑

Review: Tumble Tuck at the King's Head Theatre by Amy Borsuk

Going for a dip: Sarah Milton's solo show dives deep into one woman's relationship with swimming. The post Review: Tumble Tuck at the King’s Head Theatre appeared first on Exeunt Magaz…

SOURCE: exeuntmagazine.com at 2:52am on April 27, 2018☆⚑

Review: 4.48 Psychosis at the Lyric Hammersmith by Sally Hales

A beautiful, polyphonic cacophany: Philip Venables' contemporary opera is an astonishing adaptation of Sarah Kane's play. The post Review: 4.48 Psychosis at the Lyric Hammersmith appeared fi…

SOURCE: exeuntmagazine.com at 2:32am on April 27, 2018☆⚑

Review: Strictly Ballroom at the Piccadilly Theatre by Francesca Peschier

A Will Young concert with a bit of story: the musical adaptation of Baz Luhrmann's 1992 doesn't sparkle as bright as its sequins. The post Review: Strictly Ballroom at the Piccadilly Theatre…

SOURCE: exeuntmagazine.com at 2:06am on April 27, 2018☆⚑

Review: Yablochkov Candle at Jacksons Lane by Anna Winter

Collective sphincters being clenched: Aino Venna and Ilona Jantti's cabaret circus doesn't have quite the desired effect. The post Review: Yablochkov Candle at Jacksons Lane appeared first o…

SOURCE: exeuntmagazine.com at 12:22pm on April 25, 2018☆⚑

Review: The Writer at the Almeida by Rosemary Waugh

Right-sized reactions to the world: Rosemary Waugh reviews Ella Hickson's The Writer The post Review: The Writer at the Almeida appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:20am on April 25, 2018☆⚑

Review: Mayfly at the Orange Tree Theatre by Miriam Gillinson

It's the little stuff that counts: Joe White's debut is another special play from a special theatre. The post Review: Mayfly at the Orange Tree Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:09am on April 24, 2018☆⚑

Breaking Bread by Katherina Radeva

A desperate need for dialogue: Katherina Radeva writes on why she's organising a day of ideas-sharing around questions of otherness and identity. The post Breaking Bread appeared first on Ex…

SOURCE: exeuntmagazine.com at 6:31am on April 24, 2018☆⚑

Review: Little Eyolf at the Print Room by Rosemary Waugh

The Ibsen-ness of Ibsen: Rosemary Waugh reviews the National Theatre of Norway's production of Little Eyolf The post Review: Little Eyolf at the Print Room appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 11:15am on April 23, 2018☆⚑

In Defence of Some Unfairly Maligned Shows by Exeunt Staff

Exeunt's writers pick some shows - from brave experiments to commercial mainstays - that they think deserved a better critical reception. The post In Defence of Some Unfairly Maligned Shows …

SOURCE: exeuntmagazine.com at 4:27am on April 23, 2018☆⚑

Review: An Evening of Meat at The Vaults by Ka Bradley

Female sensuality is silence and underwear: Ka Bradley reviews an immersive-dining experience billed as a 'feast of fierce femininity'. The post Review: An Evening of Meat at The Vaults appe…

SOURCE: exeuntmagazine.com at 3:39am on April 23, 2018☆⚑

Review: The Bekkrell Effect at Roundhouse by Francesca Peschier

If Pixar did electrons... Francesca Peschier reviews a piece of circus based on the discovery of radioactivity The post Review: The Bekkrell Effect at Roundhouse appeared first on Exeunt Mag…

SOURCE: exeuntmagazine.com at 2:50am on April 23, 2018☆⚑

Review: Faceless at the Park Theatre by Naomi Obeng

Dancing around the periphery: there's a compelling story lurking somewhere in Selina Fillinger's debut play. The post Review: Faceless at the Park Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 12:52pm on April 21, 2018☆⚑

Review: Polly at the Wardrobe Theatre, Bristol by Lilith Wozniak

Horror amid the hilarity: Marie Hamilton and Stephanie Kempson's musical John Gay adaptation hits all the right notes. The post Review: Polly at the Wardrobe Theatre, Bristol appeared first …

SOURCE: exeuntmagazine.com at 8:09am on April 21, 2018☆⚑

Review: Much Ado About Nothing at Rose Theatre Kingston by Hailey Bachrach

An uneasy mix: Simon Dormandy's production combines squirmy sexual politics with knockabout comedy. The post Review: Much Ado About Nothing at Rose Theatre Kingston appeared first on Exeunt …

SOURCE: exeuntmagazine.com at 8:05am on April 20, 2018☆⚑

Review: The Encounter at the Barbican by Ava Davies

I've seen it five times... Ava Davies reviews the return of Simon McBurney's The Encounter to the Barbican The post Review: The Encounter at the Barbican appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:11am on April 20, 2018☆⚑

Review: Assassins at the Gate Theatre  by Chris McCormack

Chris McCormack reviews Stephen Sondheim's musical about nine people who attempted to assassinate US presidents The post Review: Assassins at the Gate Theatre  appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 2:13am on April 20, 2018☆⚑

Review: The Marriage of Figaro at the Gaiety Theatre, Dublin by Fergus Morgan

Losing steam: Irish National Opera's first production runs out of ideas and invention. The post Review: The Marriage of Figaro at the Gaiety Theatre, Dublin appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 1:11pm on April 18, 2018☆⚑

Review: Frankie Vah at Soho Theatre by Hailey Bachrach

A poem about a poet: Luke Wright's second verse play dives into the political turmoil of Thatcher's Britain. The post Review: Frankie Vah at Soho Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 12:54pm on April 18, 2018☆⚑
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