9,641 stories from American Theatre
Foster will leave in the fall, and a search for a new managing director will begin in January.
With top positions turning over across the country, an historic sea change is possible"and so is more of the same.
With 20 major American theatres facing leadership transitions, boards and search firms have to do better than the status quo.
Children's Theatre Company took a signature work to the gathering in South Africa.
After 30 years, the longtime leader of the 50-year-old theatre will step down.
Japan's Tadashi Suzuki revisits SITI, the U.S. company he helped found 25 years ago.
The season will feature the return of two holiday favorites and stage adaptations of children's books.
Downtown theatres take the worst of Harvey's downpour, but the citywide impact runs deeper than flood water.
The new leader previously served at Shakespeare Festival St. Louis.
From thrillers to classic musicals, from California to Vermont, it is another entertaining week of theatre.
Next season at the theatre will feature the Vermont premiere of 'Fun Home' and a new Stephen Spotswood play.
The Canadian theatre will mount three Shaw plays and host Stephen Fry for Greek-myth trilogy.
What the crisis at Harvard's ART Institute says about the precarious state of theatre training in higher education.
After seven seasons of adventurous work and equitable wages, the company will close on a high note in December.
On this week's podcast, Anushka Paris-Carter and Andy Paris discuss their documentary play about autism. Plus, the hosts discuss the Stephen Adly Guirgis copyright controversy.
A drink with Stuart at Bar Centrale before curtain up was always a highlight of my time in New York.
The slate will include three world premieres, a Mickle Maher mini-festival, and an immersive show.
The season will include a world premiere, classic plays, farces, and more.
Jennifer Eve Thorn and Callie Prendiville have stepped into the top artistic roles at the San Diego company.
For all its heightened relevance and accountability, documentary theatre can't be constrained by its subject.
Stage works based on real material range so widely that about all they have in common is their makers' aversion to labels.
Some of documentary theatre's leaders discuss the art of the interview---and the deeply personal play-making that comes after.
Theatre ought to grow our moral imagination in a time of crisis. How do we get there"and who is 'we'?
Both in content and form, documentary theatre in the U.S. has always been at theatre's cutting edge.
In the digital post-truth era; theatre of the real doesn't just dramatize change---in some case it embodies it.
