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38,691 stories from The New York Times

Review: 'Crave' Is a Timely Ticket for a World on Fire by Alexis Soloski

Sarah Kane's 1999 play, performed live at the Chichester Festival Theater and available to stream this week, meditates on power and powerlessness, and makes specific devastation feel univers…

SOURCE: The New York Times Subscription at 1:36pm on November 4, 2020☆⚑

Theater to Stream: Kristina Wong Runs for Office and 'Oedipus El Rey' by Elisabeth Vincentelli

Watch a theater maker's story of becoming an elected official, Greek tragedies transposed to Chicano America and Daniel Kitson's tour of the ghostly empty theaters of Britain.

SOURCE: The New York Times Subscription at 1:12pm on November 4, 2020☆⚑

'Hamilton' Was Just the Beginning. Hollywood Loves Broadway, Again. by Alexis Soloski

Theaters may be closed, but streamers and studios are flocking to the stage to meet the insatiable demand for content.

SOURCE: The New York Times Subscription at 6:42am on November 4, 2020☆⚑

From Stage to Screen: 5 Shows That Got It Right (And 5 That Didn't) by Jesse Green, Elisabeth Vincentelli, Laura Collins-hughes and Scott Heller

Our theater experts provide a guide to some of the successful (and failed) cinematic adaptations of plays and musicals " all for your streaming pleasure.

SOURCE: The New York Times Subscription at 5:36am on November 4, 2020☆⚑

Bob Dylan's First Musical Had a Devil of a Time by Adam Langer

The task: write songs for Archibald MacLeish's adaptation of a classic New England morality tale. What audiences saw (briefly): A play without music.

SOURCE: The New York Times Subscription at 3:24pm on November 3, 2020☆⚑

A 'Wicked' Challenge and Other Tough Questions for Ben Brantley by Ben Brantley

The New York Times theater critic, who stepped down after 27 years, recently responded to readers, including one hungry for a do-over on his review of a blockbuster musical.

SOURCE: The New York Times Subscription at 1:42pm on November 3, 2020☆⚑

Review: A Poet's Urgent Questions Fuel 'November' by Maya Phillips

Five Black women narrate a filmed rendition of Claudia Rankine's heady play, which was rethought after an initial version was shut down by the pandemic.

SOURCE: The New York Times Subscription at 5:42pm on November 2, 2020☆⚑

Review: 'What a Carve Up!' Is Wonderful. But Is It Theater? by Alexis Soloski

Three British companies reimagine a murder mystery for the virtual stage. Except there's no stage, and no part of it is live.

SOURCE: The New York Times Subscription at 4:18pm on November 2, 2020☆⚑

A Golden Team, a Terrible Title and a Show That Vanished by Jesse Green

Would you like to see a new musical from the people who brought you "West Side Story"? For better or worse, you probably never will.

SOURCE: The New York Times Subscription at 2:48pm on November 2, 2020☆⚑

Don't Eat the Breakfast Cereal. It's Made of Plastic. by Laura Collins-hughes

Robin Frohardt has turned a vacant space in Times Square into a colorful installation that slyly doubles as an eco-warning. Puppets have their moment, too.

SOURCE: The New York Times Subscription at 3:42pm on November 1, 2020☆⚑

David Henry Hwang's 'M. Butterfly' Followup: 'M. Turkey' by Alexis Soloski

The goal: a comedy about mistaken racial identity inspired by protests over "Miss Saigon." The result: a backstage farce that never got to opening night.

SOURCE: The New York Times Subscription at 11:03am on November 1, 2020☆⚑

The Sound in Their Ears? Black Thinkers Sharing 'Lessons in Survival' by Jennifer Schuessler

A Vineyard Theater streaming project re-enacts verbatim interviews with James Baldwin, Toni Morrison and others to explore echoes between the past and the present.

SOURCE: The New York Times Subscription at 1:48pm on October 30, 2020☆⚑

Review: 'Touch of the Poet' is a Powerful Study in Toxic Pride by Maya Phillips

Irish Repertory Theater's ambitious virtual rendition of the O'Neill drama finds a family trapped by a father's grandiose illusions.

SOURCE: The New York Times Subscription at 1:48pm on October 30, 2020☆⚑

In Avignon, Snatching Theater From the Jaws of New Lockdowns by Laura Cappelle

Delayed from the summer, France's biggest stage celebration was further curtailed as restrictions again hit the country. That made the moments of grace that were possible all the more powerf…

SOURCE: The New York Times Subscription at 1:48am on October 30, 2020☆⚑

8 Things to Do This Halloween Weekend

Our critics and writers have selected noteworthy cultural events to experience virtually or in person in New York City.

SOURCE: The New York Times Subscription at 4:24pm on October 29, 2020☆⚑

Yes, We Liked the Berkshires Shows. Here's $2 Million. by Michael Paulson

This summer, a woman went to outdoor shows at two beloved theaters in Massachusetts. She and her brother are now helping them to cover their costs and survive this winter.

SOURCE: The New York Times Subscription at 1:42pm on October 29, 2020☆⚑

A Not-So-Merry Mix: Shakespeare, Bluegrass and Randy Quaid by Lisa Birnbach

The Broadway marquee was up, but this crowd-pleasing musical never made it out of Seattle. Among the creative differences: How fat should Falstaff be?

SOURCE: The New York Times Subscription at 10:54am on October 29, 2020☆⚑

Halloween for Kids: Different This Year, but Still Delightful by Alexis Soloski

In New York, trick-or-treating has been curtailed, and parades called off. But there are plenty of ways to please and spook the little ones.

SOURCE: The New York Times Subscription at 7:42am on October 29, 2020☆⚑

'True Love Will Find You in the End' Review: Neil LaBute's Mousetrap by Jesse Green

The story of a marriage saved by the pandemic, "True Love Will Find You in the End" features a live audience but recorded actors.

SOURCE: The New York Times Subscription at 1:48pm on October 28, 2020☆⚑

Phillipa Soo's Week: Fund-Raising Videos and 'Agents of Chaos' by Kathryn Shattuck

As Broadway remains on pause, the former "Hamilton" star voices a mythical goddess in Netflix's "Over the Moon" and is lending her support to causes she believes in.

SOURCE: The New York Times Subscription at 11:18am on October 27, 2020☆⚑

Sheldon Harnick: Working From Home for 55 Years by Joanne Kaufman

The lyricist of "Fiddler on the Roof" and many other shows has always worked at home, in the Beresford apartment he shares with his wife, Margery.

SOURCE: The New York Times Subscription at 5:48am on October 27, 2020☆⚑

Ming Cho Lee, Fabled Set Designer, Is Dead at 90 by Neil Genzlinger

His work in theater, dance and opera helped redefine American stage design.

SOURCE: The New York Times Subscription at 11:24pm on October 26, 2020☆⚑

Eight Small New York Theaters Sue Cuomo Over Pandemic Restrictions by Michael Paulson

The lawsuit argues that if bowling alleys, casinos and gyms can open, why can't performance venues with fewer than 200 seats?

SOURCE: The New York Times Subscription at 5:24pm on October 26, 2020☆⚑

'It Can't Happen Here' Review: A Not-So-Subtle Slide Into Autocracy by Laura Collins-hughes

Sinclair Lewis's 1930s novel-turned-stage play about the rise of fascism in America returns as an audio drama from Berkeley Rep.

SOURCE: The New York Times Subscription at 3:24pm on October 26, 2020☆⚑

'Dear Evan Hansen' and 'Leopoldstadt' Pick Up Olivier Awards by Alex Marshall

Sam Tutty, Sharon D. Clarke and Andrew Scott are among the actors to triumph at the coronavirus-delayed awards, the British equivalent of the Tonys.

SOURCE: The New York Times Subscription at 8:42pm on October 25, 2020☆⚑
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