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6,639 stories from HowlRound

Confessions of a Creative Producer Stephanie Ybarra by HowlRound

Seven playwrights, five directors, and four producers walk into a room… It's not so much the set-up for a joke as it is the beginning of a fifteen-month collaboration that will ultimately …

SOURCE: HowlRound at 7:39pm on November 9, 2011☆⚑

WE Are the National Aesthetic by Claudia Alick by HowlRound

If the spirit moves add rhythm, add music, add your piece This speech is a collaboration with the future of American theater. click on the title to read the full article on HowlRound.com

SOURCE: HowlRound at 7:06pm on November 6, 2011☆⚑

Specialization and Its Discontents by David F. Chapman by HowlRound

Recently I had the opportunity to write and perform a new solo play. I had mixed feelings about taking on the project. After all, I hadn't created a solo performance in more than five years,…

SOURCE: HowlRound at 7:09pm on November 2, 2011☆⚑

Artists, Institutions, and the Decline of Public Discourse by Polly Carl by HowlRound

And in what feels like an unbridgeable divide, all Haves seem smug and all Have Nots seem whiny. But the question we have to ask ourselves is are we planning to fight each other to the death…

SOURCE: HowlRound at 7:14pm on October 30, 2011☆⚑

Hybrid by Robert O'Hara by HowlRound

I am a director. I am a playwright. It has taken me many years of hard work to come to appreciate what each of those professions require and to experience them both independently and combine…

SOURCE: HowlRound at 8:35pm on October 26, 2011☆⚑

Interview with Richard Nelson by Aaron Malkin by HowlRound

  Richard Nelson Bio Page   Aaron Malkin Bio Page Aaron: I saw Sad and Sweet and I was really taken by its urgency. It often seems like something happens and four years later there…

SOURCE: HowlRound at 9:32pm on October 23, 2011☆⚑

What a "Renegade" New Play Fanatic Can Bring to the Leadership of the TCG Board by Philip Himberg by HowlRound

The men and women who feel compelled to write for our form, do not aspire to have their words reach millions of people, or make tons of money, as their film and television cohorts do. For so…

SOURCE: HowlRound at 8:12pm on October 19, 2011☆⚑

Eat, Drink, and Talk Seriously about the Theater by Mark Jackson by HowlRound

Who cares what people like or don't like? What do they understand and feel? That's the question worth grappling with. click on the title to read the full article on HowlRound.com

SOURCE: HowlRound at 8:11pm on October 16, 2011☆⚑

Interview with Jonathan Moscone by Deborah Cullinan by HowlRound

    Jonathan Moscone Bio Page  Deborah: We're in my office in San Francisco, California. Jon Moscone, I am really glad to interview you and we're going to talk about the Ghost…

SOURCE: HowlRound at 8:51pm on October 12, 2011☆⚑

Out Now! Confessions of a Reluctant Writer by Tony Taccone by HowlRound

Sometime during the throes of mid-life I started feeling the need to scare myself into doing something different. Not to simply feel something new, but to feel something deeper. A handful of…

SOURCE: HowlRound at 7:11pm on October 9, 2011☆⚑

Theater as a Collective Experience by Dominic Orlando by HowlRound

So, to start: what exactly is a collective? In the course of nurturing and producing over a dozen plays, Workhaus has become a true community of artists, but somehow just focusing on that se…

SOURCE: HowlRound at 8:22pm on October 5, 2011☆⚑

A Theater of YES! by Polly Carl by HowlRound

"Writers for their part, almost always pander to this propensity, why they share; they inflate their imaginations and swell them out of bounds, so that they achieve gigantism, missing real..…

SOURCE: HowlRound at 8:11pm on October 2, 2011☆⚑

An Interview with Beth Henley by Dan O'Brien by HowlRound

Beth Henley Bio Page   Dan O'Brien Bio Page "Whatever That Means": On Being a Southern Playwright Dan: It's the middle of August, the middle of the afternoon, and Beth Henley and I... …

SOURCE: HowlRound at 7:50pm on September 28, 2011☆⚑

One of Those People by Nan Barnett by HowlRound

I have become one of those people. After years of telling people that I was the luckiest former actor I knew, that I loved going to work every day, that I was living my childhood dream, that…

SOURCE: HowlRound at 8:36pm on September 25, 2011☆⚑

A Culture of Trust by Taylor Mac by HowlRound

If a playwright or producer is looking for a director, they do their research. They see the director's work, seek out references, and/or sit down and have tea with a number of directors to f…

SOURCE: HowlRound at 9:37pm on September 21, 2011☆⚑

Parenting and Playwriting by Catherine Trieschmann by HowlRound

For what is writing if not the chronicling of accumulated experience run through the imagination and senses? It might follow, therefore, that having children, which is one gigantic act of ac…

SOURCE: HowlRound at 10:07pm on September 17, 2011☆⚑

Adventures in Cyberturgy by Anne García-Romero by HowlRound

My own playwriting life is peripatetic. I moved to New York City after grad school, relocated to Minneapolis for a fellowship, landed in Los Angeles for a decade of writing and teaching and …

SOURCE: HowlRound at 9:32pm on September 13, 2011☆⚑

It Must Have Been Easier for Joe Papp by David Dower by Polly Carl

But when my role is producer I think I don't actually know where to stand. And I've been doing this for years! Where and how does the producer come into the creative process? When should I s…

SOURCE: HowlRound at 7:07pm on September 11, 2011☆⚑

Interview with Sean Daniels by Margot Melcon by Polly Carl

Sean Daniels dishes on the role of the associate artistic director, legendary poker player Marc Masterson, and being the sheriff / Interim Artistic Director of Actors Theatre Louisville. cl…

SOURCE: HowlRound at 8:47pm on September 6, 2011☆⚑

But What's The Audience For? by Robert Kaplowitz by Polly Carl

I could go on, but my point is that, while these pieces were elegantly made, filled with strong images, crisp performances, and precise detailing, none of them were using their design or the…

SOURCE: HowlRound at 8:42pm on September 3, 2011☆⚑

Opt In by Polly Carl by Polly Carl

My observation of how opting out manifests in a lot of theaters results in what I would call the new culture wars. The young and savvy know how to send out the message of the organization. A…

SOURCE: HowlRound at 8:30pm on August 30, 2011☆⚑

The Horton Lens by Jeni Mahoney by Polly Carl

I first started looking at theater through the lens of Horton Hears A Who! at the 2006 Seven Devils Playwrights Conference. I was sitting on stage moderating a discussion of Go Home Now by J…

SOURCE: HowlRound at 8:35pm on August 27, 2011☆⚑

How Going Local Can Revitalize American Theater by Marshall Botvinick by Polly Carl

Twenty-five hundred years ago in ancient Athens, theater shaped the body politic. It was a sacred space where commoners and leaders sat side by side and watched their most pressing national …

SOURCE: HowlRound at 12:08am on August 24, 2011☆⚑

On Theatricality by Lydia Stryk by Polly Carl

A few years back I was invited to take part in the launching of a new play development program and was paired with a fresh, young director. I was quite surprised as we talked about my play t…

SOURCE: HowlRound at 5:48pm on August 21, 2011☆⚑

#excellent2awesome (in 140 characters or less) by Aaron Malkin by Polly Carl

How can those of us in the theater move beyond "excellence" and make a commitment to "awesomeness." click on the title to read the full article on HowlRound.com

SOURCE: HowlRound at 9:40pm on August 16, 2011☆⚑
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