1,898 stories from The New Yorker
Jon M. Chu's adaptation of Lin-Manuel Miranda's Broadway musical presents an uplifting portrait of a Dominican neighborhood in New York where political strife rarely intrud…
The defiant group of AIDS activists was itself riven by discord. What can the movement's legacy, of both ferocity and fragility, teach us?
In the latest edition of our subscriber-only event series, the actress reflected on "West Side Story," discrimination in Hollywood, and her career as she approaches ninety.
"Dylan turns eighty today"don't you think it's finally time you forgave him for going electric?"
For "Zoetrope," viewers peer into a trailer to watch two lovers on lockdown talking past each other in well-educated millennialese; Bill Gunn's "The Forbidden City" follows a Black middle…
After a meticulous face-lift, London's three-hundred-and-fifty-eight-year-old Theatre Royal Drury Lane will finally be able to present the composer's "Frozen."
Shakespeare in the Park returns with "Merry Wives," Aleshea Harris's "What to Send Up When It Goes Down" at the Brooklyn Botanic Garden, and more.
Major companies return with outdoor performances at Jacob's Pillow Dance Festival, Kaatsbaan Cultural Park, Lincoln Center, and more.
After a rehearsal for a virtual production of the play, Hawke and his co-star John Leguizamo ponder how all dialogue now sounds like Beckett.
A son, his mother, and a legacy of abuse.
The superfan behind @LiZaOutlives says, "I will always consider it my duty to look out for her."
"Once your arm stops hurting, don't get too comfortable," one G.O.P senator said. "In a few weeks, Joe Biden will make your arm hurt for a second time."
Simon Stephens's adaptation of José Saramago's dystopian novel, about a sudden epidemic of blindness, is up"in person"at the Daryl Roth Theatre.
When more than two hundred buyers of luxe sofas from ABC Carpet got a group e-mail about a delivery delay, the result was anger, frustration, commiseration, bad jokes, and matchmaking.
The magician performs bewitching illusions, even in an interview.
A voice for working-class women and an icon for all kinds of women, Parton has maintained her star power throughout life phases and political cycles.
The poet and the playwright discuss art, race, and expression with the New Yorker contributing writer Lauren Michele Jackson. At its scheduled time, click here to join the event.
The seventy-nine-year-old choreographer discusses her dogged work ethic, not falling in love with Baryshnikov, and what's lost and gained by making art as you age.
Roberto Rossellini's 1950 film exemplifies the fruitful creative tensions that can arise out of casting ordinary people alongside movie stars.
In the Kaufman Music Center's series, through the end of April, vacant retail spaces on the Upper West Side become stages for local musicians.
A new biography enables us to see beneath the intellectual dazzle of the playwright's work.
The company streams its version of the ballet, with shimmering, polychromatic music by Stravinsky and fantastical sets and costumes by Geoffrey Holder.
"If I had to write the impeachment part all over again, I'd really dumb it down," James Madison said.
An intuitive storyteller, the director perfected narratives"including his own.
Few actors rise so effortlessly above poor material, but the implausibilities of John Lee Hancock's film are a challenge for Washington and his co-stars.
