8,501 stories from Backstage
Actor Andrew Keenan-Bolger discusses the original Broadway production of "Ragtime."
T. Schreiber Studio's production of Stephen Adly Guirgis' play focusing on a retrial of Judas is provocative, playful, and layered but also belabored.
UnsungMusicalsCo.'s attempt to resuscitate Richard Lewine and Arnold B. Horwitt's 1948 hit musical revue, "Make Mine Manhattan," is at best painless.
What a pleasure to encounter Nina Raine's distinctive comedy-drama "Tribes," directed authoritatively by David Cromer, at the cozy Barrow Street Theatre.
"Marrying George Clooney," CAP21'S nonmusical revue based on Amy Ferris' eponymous book, doesn't even resonate strongly for its distaff target demographic.
Producers announced Thursday that Long will make his Broadway debut alongside Jeff Goldblum on April 3 for eight weeks.
Despite going through a title overhaul, ABC's new "GCB" has been shrouded in controversy over how it depicts Christians.
The Back Stage Los Angeles theater critics select the best productions from the year with the 2012 Garland Awards.
"Bring It On: The Musical," "God of Carnage," "Cabaret," and "The Crucible" were among the winners of the Back Stage Garland Awards.
Playwright/actor John Pollono earns 3 Garland Awards with his world-premiere play "Small Engine Repair," presented by Rogue Machine at L.A.'s Theatre/Theater.
The veteran actor takes on the title character in Albee's play, now running Off-Broadway at the Pershing Square Signature Center.
MCC Theater's reworking of the infamous flop Broadway musical version of Stephen King's "Carrie" recoils too far from the original over-the-top production.
John J. Ronan's 80-minute play, produced by American Storyboard at the Producers' Club, like W.B. Yeats is full of large themes, but it has small people.
The "Moneyball" star will take on the role of United States District Chief Judge Vaughn R. Walker in Saturday's Los Angeles staging of "8."
After three years at New York City Center's Stage II, the Pearl Theatre Company plans move to Signature Theatre Company's old home.
Cate Blanchett, Jan Maxwell, and Hugo Waving are among the nominees for the 28th annual Helen Hayes Awards, honoring theater in Washington, D.C.
Edward Albee, Judith Malina, and John Clancy spoke to independent theater artists at the Living Theatre in NYC to introduce "nickel" fundraising plan.
Mark Snyder's emotionally overwrought "As Wide as I Can See," produced by At Hand Theatre Company at Here Arts Center, is overstuffed and immature.
Actor Sandy Rustin, in her writing debut, clings to stale parenting scenarios in the musical revue "Rated P for Parenthood" at the Westside Theatre.
Jordan Roth, of Jujamcyn Theaters, will interview Nick Jonas at the Kaufmann Concert Hall on March 4, as part of the 92nd Street Y's Broadway Talks series.
Westfeldt brings her Toronto Film Festival hit, "Friends With Kids," starring Kristen Wiig, Adam Scott, Jon Hamm, and Maya Rudolph, to theater March 9.
Leslye Headland examines the overly ambitious New York culture in her sharp workplace satire "Assistance" at Playwrights Horizons.
The Royal Shakespeare Company announced today that its production of "Matilda the Musical," based on the book by Roald Dahl, will come to Broadway in 2013.
Katori Hall creates a vibrant community in this Signature Theatre production, but "Hurt Village" seems more of a political statement than a slice of life.
Mint Theater Company is doing a bang-up job with Githa Sowerby's flinty 1912 drama "Rutherford & Son," which is notable for its feminist perspective.
