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38,694 stories from The New York Times

Claudia Rankine Looks at White Privilege From 35,000 Feet by Salamishah Tillet

How do you turn a magazine article about air travel and race relations into theater? For "Help," Rankine's new play, she started with a pile of letters.

SOURCE: The New York Times Subscription at 11:48am on February 26, 2020☆⚑

Review: In 'We're Gonna Die,' Pop Songs for the Reaper by Jesse Green

Young Jean Lee offers upbeat tunes about downbeat lives and inevitable ends.

SOURCE: The New York Times Subscription at 1:03am on February 26, 2020☆⚑

Review: 'Dana H.' Maps a Harrowing Journey Into Hell by Ben Brantley

Lucas Hnath's brilliant, boundary-melting play, starring a marvelous Deirdre O'Connell, is a first-person account of the violent kidnapping of his mother.

SOURCE: The New York Times Subscription at 1:03am on February 26, 2020☆⚑

'All the Natalie Portmans' Review: An Imaginary Friend With an Oscar by Alexis Soloski

C.A. Johnson's play stars Kara Young in a full-body, whole-heart, tensed-muscle performance.

SOURCE: The New York Times Subscription at 5:24pm on February 25, 2020☆⚑

How They Learned to Drive. And Why They're Driving Again. by Laura Collins-hughes

The writer Paula Vogel, the director Mark Brokaw, and the actors Mary-Louise Parker and David Morse on returning to a wrenching play two decades later.

SOURCE: The New York Times Subscription at 11:32am on February 25, 2020☆⚑

Bob Dylan Found Them, Whether They Knew It or Not by Elisabeth Vincentelli

"Girl From the North Country" cast members talk about the first time they heard Dylan's music.

SOURCE: The New York Times Subscription at 11:32am on February 25, 2020☆⚑

Finalists for Clive Barnes Awards Announced by Peter Libbey

Aran Bell and Roman Mejia among the nominees in the dance category. Sophia Anne Caruso and three actors new to Broadway are competing for the theater prize.

SOURCE: The New York Times Subscription at 9:42am on February 25, 2020☆⚑

Review: Partying With the Khmer Rouge in 'Cambodian Rock Band' by Ben Brantley

Lauren Yee's ambitious, tonally mixed play uses bait-and-switch tactics to approach the dark heart of a genocidal regime.

SOURCE: The New York Times Subscription at 10:03pm on February 24, 2020☆⚑

Review: 'The Headlands' Nods to San Francisco Noir by Jesse Green

A cold case. An amateur sleuth. A new clue. But sometimes the murder isn't the real mystery.

SOURCE: The New York Times Subscription at 10:03pm on February 24, 2020☆⚑

'Common Ground' Illuminated Boston. Now It's Coming to the Stage. by Michael Paulson

The new play, titled "Common Ground Revisited," will be staged at the Huntington Theater Company early next year.

SOURCE: The New York Times Subscription at 7:42pm on February 24, 2020☆⚑

How Laurie Metcalf Became the Sarah Bernhardt of Broadway by Ben Brantley

She may seem self-effacing, but it takes skill and smarts to be Nora and Hillary and, next, Martha in "Who's Afraid of Virginia Woolf?"

SOURCE: The New York Times Subscription at 4:03pm on February 24, 2020☆⚑

Is Broadway Stuck on Replay? by Jesse Green

With this season promising so many revivals and touring productions, our critic wonders whether it's possible for audiences to treat them as exciting arrivals.

SOURCE: The New York Times Subscription at 4:03pm on February 24, 2020☆⚑

Let 'West Side Story' and Its Stereotypes Die by Carina Del Valle Schorske

The latest Broadway revival can't fix the painful way it depicts Puerto Ricans.

SOURCE: The New York Times Subscription at 3:06pm on February 24, 2020☆⚑

Jerome Robbins: You're Missed in This 'West Side Story,' Daddy-o by Gia Kourlas

Anne Teresa De Keersmaeker's dances for the Broadway revival swarm and sweep, but Robbins's choreography was something more central: the libretto.

SOURCE: The New York Times Subscription at 3:06pm on February 24, 2020☆⚑

Review: 'Drowning' Is a Philip Glass Opera for Just 99 Seats by Seth Colter Walls

This adaptation of a play by María Irene Fornés, directed by JoAnne Akalaitis, is a compact but notable new work.

SOURCE: The New York Times Subscription at 7:42pm on February 23, 2020☆⚑

'She Persisted' Review: A Musical About Women Who Triumphed by Laura Collins-hughes

The feminist rallying cry inspired Chelsea Clinton's children's book about the likes of Harriet Tubman and Sally Ride. Now it's a cheerful stage adaptation.

SOURCE: The New York Times Subscription at 7:42pm on February 23, 2020☆⚑

Don't Tell, but Jane Alexander is Also a Comedian by Robin Pogrebin

Broadway audiences for "Grand Horizons" are getting a rare glimpse of this 80-year-old actor's secret weapons: levity and equanimity.

SOURCE: The New York Times Subscription at 2:42pm on February 23, 2020☆⚑

Lynn Cohen, Magda on 'Sex and the City,' Is Dead at 86 by Julia Carmel

She had a long career onstage and on film and TV. But she found her greatest fame late in life, as a stern housekeeper on a hit HBO series.

SOURCE: The New York Times Subscription at 1:12pm on February 22, 2020☆⚑

Pamela Adlon Fuels Her Hectic Life With Fosse and 'Fame' by Kathryn Shattuck

The actress, whose FX series returns on March 5, puts "All That Jazz," A Tribe Called Quest and Norman Lear's comedies on her list of must-haves.

SOURCE: The New York Times Subscription at 6:32pm on February 21, 2020☆⚑

'Sabbath Girl' Review: A Meet-Cute with Art and Knishes by Elisabeth Vincentelli

Cary Gitter's throwback romantic comedy, about an Orthodox Jew and his Italian-American neighbor, is kind of sweet and kind of clunky.

SOURCE: The New York Times Subscription at 12:54pm on February 21, 2020☆⚑

Broadway's 'The Inheritance' to Close on March 15 by Michael Paulson

Acclaimed in London, the two-part play about gay culture and the legacy of AIDS drew a chillier response in New York, where it is set.

SOURCE: The New York Times Subscription at 8:36pm on February 20, 2020☆⚑

'West Side Story' Review: Sharks vs. Jets vs. Video by Ben Brantley

Ivo van Hove's attention-splintering revival of the immortal 1957 musical features new choreography, a ravishing orchestra and smothering visual effects.

SOURCE: The New York Times Subscription at 8:36pm on February 20, 2020☆⚑

'Mack & Mabel' Review: Lights! Camera! Passion! by Laura Collins-hughes

Jerry Herman's buoyant score is the highlight of this Encores! production about a troubled silent-movie-era romance.

SOURCE: The New York Times Subscription at 3:12pm on February 20, 2020☆⚑

Star Directors Pull Back the Curtain on How They Work by Laura Cappelle

Peter Brook and Thomas Ostermeier are presenting unfinished shows in Paris, offering a rare chance to see how their productions come together.

SOURCE: The New York Times Subscription at 11:36am on February 20, 2020☆⚑

The Prophecies of Beckett and Caryl Churchill Haunt London's Stages by Ben Brantley

Compelling revivals make "Endgame" (with Alan Cumming and Daniel Radcliffe) and "Far Away" feel more unsettlingly relevant than ever.

SOURCE: The New York Times Subscription at 6:12pm on February 19, 2020☆⚑
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