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38,694 stories from The New York Times

Charles Fuller Never Expected Broadway. At 80, He's Arrived. by Salamishah Tillet

The creator of "A Soldier's Play" has largely written for black theaters. But now he has the chance to remind the biggest audiences: African-Americans served, too.

SOURCE: The New York Times Subscription at 2:24pm on February 11, 2020☆⚑

'Darling Grenadine' Review: A Retro Cocktail With Little Kick by Laura Collins-hughes

Roundabout Underground presents a flawed but tuneful musical about a young Manhattan couple challenged by addiction.

SOURCE: The New York Times Subscription at 1:24pm on February 11, 2020☆⚑

Michael Friedman Left Behind a Musical. They're Finishing It. by Alexis Soloski

"Unknown Soldier," one of the last projects the beloved composer and lyricist worked on before he died, is coming to New York.

SOURCE: The New York Times Subscription at 10:12am on February 11, 2020☆⚑

Review: In 'Hamlet,' Ruth Negga Rules as a Player Prince by Ben Brantley

Yaël Farber's stunning, Dublin-born interpretation of this eternal classic finds the dizzying layers of performance that rule all our lives.

SOURCE: The New York Times Subscription at 10:42pm on February 10, 2020☆⚑

Audra McDonald Will Star in 'Streetcar' at Williamstown Theater Festival by Gabe Cohn

Bobby Cannavale and Carla Gugino will also be in the revival of the Tennessee Williams play, which will be directed by Robert O'Hara.

SOURCE: The New York Times Subscription at 9:24pm on February 10, 2020☆⚑

Terry Hands, Director Known for Hits and 'Carrie,' Dies at 79 by Neil Genzlinger

While at the Royal Shakespeare Company, he took several shows to Broadway. One didn't go so well.

SOURCE: The New York Times Subscription at 8:24pm on February 10, 2020☆⚑

Can Puppets Save the World From Extinction? by Laurel Graeber

Two new productions use everyday materials and artistic ingenuity to gently warn young audiences of the perils of climate change.

SOURCE: The New York Times Subscription at 4:06pm on February 10, 2020☆⚑

Kevin Conway, 'Red Ryder' and 'Elephant Man' Actor, Dies at 77 by Neil Genzlinger

In a wide-ranging career, he was also the voice of Mark Twain for a Ken Burns film and of an "Outer Limits" reboot.

SOURCE: The New York Times Subscription at 6:54pm on February 7, 2020☆⚑

Review: Blood Runs Too Thick in 'Doctors Jane and Alexander' by Maya Phillips

Edward Einhorn's playful play takes on a lot: his scientist grandfather, his aging mother and his own doubts about putting their lives onstage.

SOURCE: The New York Times Subscription at 3:32pm on February 7, 2020☆⚑

What I Wanted to Say in 'The Inheritance.' And What I Didn't. by Matthew Lopez

Matthew Lopez on what inspired his two-part play about gay culture in the wake of AIDS, and the limits of "affirmative representation."

SOURCE: The New York Times Subscription at 8:48am on February 7, 2020☆⚑

Readers React to 'The Inheritance': 'We Are All Just Humans Looking for a Purpose'

Did reaction to Matthew Lopez's award-winning play about gay history vary by generation? We put that question to readers of our theater newsletter.

SOURCE: The New York Times Subscription at 8:48am on February 7, 2020☆⚑

Review: A 'Paradise Lost' More Dutiful Than Divine by Jose Solís

In Tom Dulack's take on Milton, the devils get the best lines and costumes, while Adam and Eve are a snooze.

SOURCE: The New York Times Subscription at 6:03pm on February 6, 2020☆⚑

A Hallowed French Company Takes on 'Angels in America' by Laura Cappelle

And elsewhere in Paris, smaller theaters take more radical cues from the L.G.B.T.Q. world.

SOURCE: The New York Times Subscription at 8:42am on February 6, 2020☆⚑

Edie Falco Can't Quit CNN, but Jazz and a Dog Park Keep Her Sane by Kathryn Shattuck

The actress, who has returned to television with a CBS police drama, puts CNN, ABC Carpet & Home and her father's sculptures on her list of essentials.

SOURCE: The New York Times Subscription at 11:32am on February 5, 2020☆⚑

'Bob & Carol & Ted & Alice' Review: Four on a Mattress, With Songs by Ben Brantley

The New Group's musical adaptation of Paul Mazursky's 1969 movie, featuring Suzanne Vega, doesn't smirk but it doesn't soar, either.

SOURCE: The New York Times Subscription at 12:18am on February 5, 2020☆⚑

Lucy Jarvis, Who Took TV Viewers Far and Wide, Dies at 102 by Neil Genzlinger

In an era when few if any producers were women, she got access to the Kremlin, China and more.

SOURCE: The New York Times Subscription at 6:24pm on February 4, 2020☆⚑

Carla Gugino Has Range, From 'Spy Kids' to Experimental Theater by Elisabeth Vincentelli

Hollywood has long cast her as a bombshell ("Sin City," "Karen Sisco"), but the actress has found an entirely different track onstage. Next up: "Anatomy of a Suicide."

SOURCE: The New York Times Subscription at 1:54pm on February 4, 2020☆⚑

Review: Dan Hoyle's 'Border People' Blurs Lines by Alexis Soloski

This work of documentary theater feels like a master class. But what is it meant to teach?

SOURCE: The New York Times Subscription at 1:54pm on February 4, 2020☆⚑

Review: Poets Vie for the Golden Ticket in 'Really Really Gorgeous' by Jose Solís

In this dystopian satire, "American Idol" and "60 Minutes" still reign, the White House is in Cleveland and a pair of writers compete to save the world.

SOURCE: The New York Times Subscription at 2:03pm on February 3, 2020☆⚑

'Hamilton' Movie, With Original Broadway Cast, to Hit Theaters Next Year by Michael Paulson

Performances of the show were filmed in 2016, just before Lin-Manuel Miranda left the cast. Disney said the release date would be Oct. 15, 2021.

SOURCE: The New York Times Subscription at 2:03pm on February 3, 2020☆⚑

How to Deal With the Anxieties of Immigration? Break Into Song by Rob Weinert-kendt

The actors and musicians behind "Fandango for Butterflies (and Coyotes)" see themselves in the stories they will share, and sing about, onstage.

SOURCE: The New York Times Subscription at 12:42pm on February 3, 2020☆⚑

Review: 'Eurydice,' a New Opera, Looks Back All Too Tamely by Anthony Tommasini

The composer Matthew Aucoin is deferential to Sarah Ruhl's text, in a Los Angeles production that comes to the Met Opera next year.

SOURCE: The New York Times Subscription at 12:42pm on February 3, 2020☆⚑

A Young Composer Takes On Opera's Oldest Myth by Joshua Barone

Matthew Aucoin and Sarah Ruhl have adapted "Eurydice," her play about the Orpheus story, for Los Angeles Opera. Next stop: New York.

SOURCE: The New York Times Subscription at 10:36am on February 3, 2020☆⚑

'Beyond Babel' Review: A Fence Separates Star-Crossed Lovers by Brian Seibert

Unpretentious innocence and detailed choreography fuel Keone and Mari Madrid's West Coast urban dance riff on "Romeo and Juliet."

SOURCE: The New York Times Subscription at 9:36pm on February 2, 2020☆⚑

Review: 'Stew' Takes Deeper Emotions Off the Back Burner by Elisabeth Vincentelli

In Zora Howard's new drama, the kitchen is where the characters reveal their bickering-but-loving true selves.

SOURCE: The New York Times Subscription at 11:03pm on February 1, 2020☆⚑
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