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1,623 stories from exeuntmagazine.com

Review: Ballet Black Double Bill at the Barbican by Ka Bradley

A teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night's Dream. The post Review: Ballet Black Double Bill at the Barbican appeared fir…

SOURCE: exeuntmagazine.com at 4:22am on March 20, 2018☆⚑

Review: Vivaldi's The Four Seasons: A Reimagining at the Sam Wanamaker Playhouse by Amy Borsuk

Like Fantasia - only better: Amy Borsuk reviews Gyre & Gimble interpretation of Vivaldi using puppetry The post Review: Vivaldi's The Four Seasons: A Reimagining at the Sam Wanamaker P…

SOURCE: exeuntmagazine.com at 5:21am on March 19, 2018☆⚑

Exeunt Recommends (Mar 19, 2018) by Exeunt Staff

It's snowing. Again. But here are some shows our writers think it's well worth venturing outside for. The post Exeunt Recommends (Mar 19, 2018) appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:16am on March 19, 2018☆⚑

Review: Our Country's Good at Nottingham Playhouse by Peter Kirwan

Silence and noise: Peter Kirwan reviews Ramps on the Moon's new show based on a text familiar to A-Level Theatre Studies students. The post Review: Our Country's Good at Nottingham Playhouse…

SOURCE: exeuntmagazine.com at 4:48am on March 19, 2018☆⚑

Review: Spoon Theory and Rat Boy at Live Theatre, Newcastle by Fergus Morgan

PIP and petty crime: Chris Collett reviews a moving double bill at Newcastle's Elevator Festival. The post Review: Spoon Theory and Rat Boy at Live Theatre, Newcastle appeared first on Exeun…

SOURCE: exeuntmagazine.com at 9:09am on March 15, 2018☆⚑

Review: Br'er Cotton at Theatre503 by Sally Hales

Black Lives Matter: Tearrance Arvelle Chisholm's new play sets a family drama against the backdrop of Charlottesville. The post Review: Br’er Cotton at Theatre503 appeared first on Exe…

SOURCE: exeuntmagazine.com at 8:19am on March 15, 2018☆⚑

Review: Foreign Body at Vault Festival 2018 by Rosemary Waugh

Mirrors and warriors: Rosemary Waugh reviews Imogen Butler-Cole's work about sexual violence and healing The post Review: Foreign Body at Vault Festival 2018 appeared first on Exeunt Magazin…

SOURCE: exeuntmagazine.com at 4:10pm on March 14, 2018☆⚑

Review: Buggy Baby at The Yard by Miriam Gillinson

Self-aware and triumphantly obscure: Miriam Gillinson reviews Josh Azouz's new play involving a giant talking baby. The post Review: Buggy Baby at The Yard appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:33am on March 14, 2018☆⚑

Review: Constructions of Thin Air at The Place by Rachel Elderkin

Powerful and poignant: Maresa von Stockert's return to indoor staging is a compelling study of interaction and experience. The post Review: Constructions of Thin Air at The Place appeared fi…

SOURCE: exeuntmagazine.com at 5:30am on March 14, 2018☆⚑

Review: Humble Boy at the Orange Tree Theatre by Amy Borsuk

Garden party: Paul Miller's revival of Charlotte Jones 2001 play is a leafy, laughter-filled delight. The post Review: Humble Boy at the Orange Tree Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:15am on March 14, 2018☆⚑

Review: Trap Street at the New Diorama Theatre by Brendan Macdonald

Around the block: collaborative company Kandinsky's new show is an intelligent history of housing. The post Review: Trap Street at the New Diorama Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:00am on March 14, 2018☆⚑

The Party Somewhere Else by Emily Holyoake

A collective of 12 women are challenging Nottingham's art scene to change, with a brand new festival of female-led work. The post The Party Somewhere Else appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:55am on March 14, 2018☆⚑

Review: Follow Suit at Vault Festival 2018 by Francesca Peschier

You won't look at dry cleaning bags with such ease ever again: Francesca Peschier reviews Silent Faces' office-based comedy. The post Review: Follow Suit at Vault Festival 2018 appeared fir…

SOURCE: exeuntmagazine.com at 5:07am on March 13, 2018☆⚑

Review: The Cherry Orchard at Bristol Old Vic by Lilith Wozniak

Send in the clowns: Rory Mullarkey's new Chekhov translation is staged in a thoroughly playful production. The post Review: The Cherry Orchard at Bristol Old Vic appeared first on Exeunt Mag…

SOURCE: exeuntmagazine.com at 4:58am on March 13, 2018☆⚑

Review: The Dog Beneath the Skin at Jermyn Street Theatre by Francesca Peschier

The bizarre and the nastiness in the everyday: Francesca Peschier reviews a forgotten play by Auden and Isherwood The post Review: The Dog Beneath the Skin at Jermyn Street Theatre appeared …

SOURCE: exeuntmagazine.com at 5:01am on March 12, 2018☆⚑

Review: Summer and Smoke at Almeida Theatre by Alice Saville

A vindication of female oddness: Patsy Ferran stars in Tennessee William's painful study of anxiety, passion and loneliness. The post Review: Summer and Smoke at Almeida Theatre appeared fir…

SOURCE: exeuntmagazine.com at 6:16pm on March 11, 2018☆⚑

Review: The Year of the Rooster Monk at Vault Festival by Alice Saville

Giselle LeBleu's spooky, multilayered storytelling show really is perfect for Mother's Day. The post Review: The Year of the Rooster Monk at Vault Festival appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:14am on March 11, 2018☆⚑

Review: Ballet British Columbia at Sadler's Wells by Lucian Waugh

1001 Ballets To See Before You Die: Lucian Waugh reviews three new dance works by Emily Molnar, Crystal Pite, and Sharon Eyal & Gai Behar The post Review: Ballet British Columbia at Sad…

SOURCE: exeuntmagazine.com at 6:00am on March 10, 2018☆⚑

Review: Glass Roots at the Tristan Bates Theatre by Sally Hales

Dangerously close: Alexander Matthews' social drama set in a South London Indian Restaurant just about skirts stereotyping. The post Review: Glass Roots at the Tristan Bates Theatre appeared…

SOURCE: exeuntmagazine.com at 4:48am on March 9, 2018☆⚑

Review: Good Girl at Trafalgar Studios by Nabilah Said

Rip-roaringly funny: Naomi Sheldon's Edinburgh Fringe hit makes a triumphant transfer to London. The post Review: Good Girl at Trafalgar Studios appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:11am on March 9, 2018☆⚑

The Motherf**ker With The Hat at the Tron Theatre, Glasgow by Christine Irvine

Locked and loaded: the Scottish premiere of Stephen Adly Guirgis' comedy is "blisteringly enjoyable". The post The Motherf**ker With The Hat at the Tron Theatre, Glasgow appeared first on Ex…

SOURCE: exeuntmagazine.com at 4:00am on March 9, 2018☆⚑

Review: Macbeth at the National Theatre by Rosemary Waugh

Shopping bags and parcel tape: Rosemary Waugh reviews Rufus Norris's after-the-war Shakespeare. The post Review: Macbeth at the National Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:01am on March 8, 2018☆⚑

Review: Brighton Rock at the Theatre Royal Brighton by Fergus Morgan

Going Greene: Bryony Lavery's new adaptation of Brighton Rock is unsettling and menacing. The post Review: Brighton Rock at the Theatre Royal Brighton appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:00am on March 8, 2018☆⚑

Review: Not a Funny Word at The Complex, Dublin by Chris McCormack

Mission Abort: Tara Flynn's one-woman play with songs is a surprising satire on Ireland's treatment of women. The post Review: Not a Funny Word at The Complex, Dublin appeared first on Exeun…

SOURCE: exeuntmagazine.com at 3:45am on March 8, 2018☆⚑

Review: Fanny & Alexander at the Old Vic Theatre by Rosemary Waugh

Farewell, puritanism: Rosemary Waugh reviews the stage adaptation of Ingmar Bergman's famous film. The post Review: Fanny & Alexander at the Old Vic Theatre appeared first on Exeunt Mag…

SOURCE: exeuntmagazine.com at 10:03am on March 7, 2018☆⚑
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