38,694 stories from The New York Times
A jazz memoirist, a Palestinian rocketeer and Mexican myths set to music kick off the Public Theater's annual festival of adventurous work from across the globe.
This documentary show, created to teach young audiences about the experiences of refugees, focuses on optimism and hope, perhaps to a fault.
In this stark, eloquent new play, three women reflect on what remains in the aftermath of an American civil war.
Jeremy O. Harris will combine disciplines in a summer festival.
With a gown and love for old Hollywood, Busch stars in his latest zany romp, "The Confession of Lily Dare."
The 2014 play "King Charles III," in which a fictional Prince Harry wants to leave the royal family, has proved to be prophetic.
"Cartography," a multimedia work inspired by migrants' stories, presents their journeys as universal and heroic, not merely tales of suffering.
With powerfully contemporary stagings of "Betrayal" and "Cyrano," Jamie Lloyd has had an attention-grabbing year. That's not what makes him hard to miss.
She went from being "Broadway's hottest producer" to "one of the cleverest and most successful white-collar criminals in the history of this state."
In Martin Crimp's time-bending version of the Rostand "Cyrano de Bergerac," directed by Jamie Lloyd, people make love and war through glorious language.
The songwriting team behind the musical comedy "Crazy Ex-Girlfriend" will write the score.
The new musical, now wrapping up an Off Broadway run, will open at the Lyceum Theater in April.
Television is in love with musical shows, with "Zoey's Extraordinary Playlist" and "Katy Keene" joining the growing chorus this winter. But they're not easy to pull off.
His family perished in the Holocaust. He survived and came to the United States, where he worked with Ben Gazzara, George Peppard, Samuel Beckett and Arthur Miller.
New takes on beloved works by Elena Ferrante, Anton Chekhov and Neil Gaiman testify to the pleasures and perils of adaptation.
Steven Skybell was finally the right age for Tevye. Little did he know that when the time came, the show would be in Yiddish, and for a surprisingly long run that ended Sunday.
Ashlee Latimer fostered a young online community through the musical's social media. Fans know her better as Mx. Thief.
Milo Rau's latest work is inspired by a French family whose members took their own lives.
Faced with staff resignations and significant debt, the organization declared bankruptcy after 15 years.
To kick off 2020, we've compiled a month's worth of free, family-friendly and otherwise noteworthy cultural events.
E.S.P. Conjuring the dead. Speaking with them. Shows like "The Thin Place" and "Our Dear Dead Drug Lord" use the occult to put on a show.
Previews, openings and some last-chance picks.
An electrifying revival, starring a heartbreaking Wendell Pierce, reimagines Willy Loman as a black man in a white man's world.
Since its 1957 premiere, The New York Times has tracked the musical's evolution, covering its casting, its politics and its role in the Cold War along the way.
After a family tragedy, the Australian director found a home in the theater, creating harrowing updates of classics. His latest: "Medea" at the Brooklyn Academy of Music.
