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8,501 stories from Backstage

Mekhi Phifer Tries to Get Used to Broadway Screams by Mark Kennedy

The 37-year-old actor, best known for the TV series "ER" and the film "8 Mile," is discovering that audiences aren't silent while watching him in "Stick Fly," Lydia R. Diamond's complex dr…

SOURCE: Backstage at 12:29pm on January 9, 2012☆⚑

Bridesburg by Suzy Evans

Victor Kaufold's family drama features unsympathetic characters, and though the actors attempt to fill out the roles, the choppy plot lacks believable motivation and ultimately falls flat.

SOURCE: Backstage at 7:00am on January 9, 2012☆⚑

The Ventriloquist Circle by Clifford Lee Johnson III

Named after an uncommon sexual practice, this surrealist detective story about the murder of a famous porn star explores notions of power, renegade sexuality, and love.

SOURCE: Backstage at 5:04am on January 9, 2012☆⚑

It's Always Right Now, Until It's Later by Suzy Evans

Daniel Kitson's impeccably self-aware and comic telling of two intersecting tales seems quotidian yet represents a radical paradigm shift in how we view life itself.

SOURCE: Backstage at 3:55am on January 9, 2012☆⚑

El Pasado Es un Animal Grotesco (The Past Is a Grotesque Animal) by Ron Cohen

Although there’s an abundance of straightforward narration, this Spanish-language production is smartly written and details in absorbing fashion the lives of four Argentineans over a…

SOURCE: Backstage at 2:42am on January 9, 2012☆⚑

NY Review: 'Chimera' by Mark Peikert

This new one-person show about genetics and biology is also a darkly funny, hyper-theatrical exploration of the meaning of theater that is as smart as it is riveting.

SOURCE: Backstage at 9:00am on January 8, 2012☆⚑

Cattywampus by Lisa Jo Sagolla

This riveting production of a disturbingly dirty redrafting of Strindberg's "Miss Julie" derives its lifeblood from D.J. Mendel's tour-de-force turn as a gritty blue-collar worker.

SOURCE: Backstage at 2:05am on January 8, 2012☆⚑

In the Solitude of Cotton Fields by Jonathan Mandell

This rock-concert adaptation in Polish of an abstract two-character French play is cool in a not very fresh way, despite the fine performances of Wojciech Niemczyk and Tomasz Nosinski.

SOURCE: Backstage at 1:52am on January 8, 2012☆⚑

Bunny Lake Is Missing by Marc Miller

Ken Simon's adaptation of Evelyn Piper's novel is an awkward mix of incompatible media, a long evening even at a little more than an hour.

SOURCE: Backstage at 3:51am on January 7, 2012☆⚑

'How to Succeed's' Beau Bridges on Taking Chances by Simi Horwitz

Perhaps it seems unexpected for Beau Bridges to be tackling a Broadway musical at this stage of his career, but for him it's the logical next step.

SOURCE: Backstage at 12:00pm on January 6, 2012☆⚑

The Bee by Ron Cohen

Co-writer and director Hideki Noda illustrates his misogynistic belief in man's inherent unkindness to man in this unsettling but arresting play of feverish theatricality and escalating gr…

SOURCE: Backstage at 8:41am on January 6, 2012☆⚑

Hot Pepper, Air Conditioner, and the Farewell Speech by Ron Cohen

In this quirky and surprisingly funny play, Japanese writer-director Toshiki Okada portrays the quiet malaise of his country's young office workers caught in an economic downturn.

SOURCE: Backstage at 8:33am on January 6, 2012☆⚑

Let us think of these things always. Let us speak of them never. by Jason Fitzgerald

This haunting collaboration between Croatian performance artists and former members of Goat Island is a first-rate love song to what we can't touch—in each other, in our art, and in …

SOURCE: Backstage at 7:44am on January 6, 2012☆⚑

The Table by David Sheward

A cardboard puppet questions his existence in this screamingly funny and achingly sad Beckettian piece from Britain's Blind Summit Theatre that combines whimsy with pathos.

SOURCE: Backstage at 7:17am on January 6, 2012☆⚑

Sontag: Reborn by David Sheward

Intellectual giant Susan Sontag gets the solo treatment from actor-adapter Moe Angelos and director Marianne Weems. An intense performance and imaginative video design partially rescue a s…

SOURCE: Backstage at 7:06am on January 6, 2012☆⚑

Goodbar by David Sheward

This "live concept album" based on Judith Rossner's bestselling novel has a few effective moments but fails to evoke pathos for its desperate heroine.

SOURCE: Backstage at 6:10am on January 6, 2012☆⚑

The Peony Pavilion by Lisa Jo Sagolla

This extravagant presentation of an old Chinese play told through Chinese folk dance has more in common with Western story-ballet spectaculars than with traditional Chinese opera forms.

SOURCE: Backstage at 5:06am on January 6, 2012☆⚑

NY Review: 'Alexis. A Greek Tragedy' by David Sheward

Art and politics and ancient and contemporary culture collide in this jagged and ultimately moving collage about the shooting of a young boy in Athens.

SOURCE: Backstage at 5:03am on January 6, 2012☆⚑

How the World Began by Erik Haagensen

Catherine Trieschmann's new three-person drama hides behind a smokescreen of talk about the conflict between science and religion and suffers from blankly written characters far too remini…

SOURCE: Backstage at 7:30am on January 5, 2012☆⚑

Jessica Chastain to Make Broadway Debut in 'The Heiress' by David Rooney

Nominated for a Golden Globe for her role in "The Help" and an Independent Spirit Award for "Take Shelter," the Juilliard-trained actress will star in a Broadway revival of the Henry James…

SOURCE: Backstage at 5:34am on January 5, 2012☆⚑

Patti Murin: A Back Stage Exclusive by Alison Goodman

"I loved this role!" Patti Murin squeals with delight. "I knew that everyone would love the show like I loved the show... it's snappy, it's witty, it's current, I mean it's great."

SOURCE: Backstage at 3:00am on January 5, 2012☆⚑

Darren Criss Tweets Opening Night 'Excitement' by The Hollywood Reporter

The "Glee" star took to Twitter hours before his Broadway debut in "How to Succeed in Business Without Really Trying," while receiving well wishes from co-stars and friends in Hollywood.

SOURCE: Backstage at 11:15am on January 4, 2012☆⚑

Broadway's 'Spider-Man' Musical Earns New Record by Mark Kennedy

The Broadway League reported Tuesday that "Spider-Man: Turn Off the Dark" took in a whopping $2,941,790 over nine performances last week, which is the highest single-week gross of any show…

SOURCE: Backstage at 11:08am on January 4, 2012☆⚑

'Lysistrata Jones' to End Its Broadway Run Sunday

Producers said Tuesday that they're pulling the plug on the Douglas Carter Beane-written comedy, and its last performance will be Sunday.

SOURCE: Backstage at 11:05am on January 4, 2012☆⚑

2011 Memorable New York Stage Performances

As 2012 commences, Back Stage's co–head critics in New York, David Sheward and Erik Haagensen, continue their tradition of eschewing a list of the top 10 shows of the past year in fa…

SOURCE: Backstage at 4:01am on January 4, 2012☆⚑
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