DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
8,501 stories from Backstage

NY Review: 'Once' by Clifford Lee Johnson III

This intimate musical adaptation of the Academy Award–winning movie of the same name makes for an offbeat but moving look at wounded lives redeemed by love and music.

SOURCE: Backstage at 7:00am on December 6, 2011☆⚑

Oysters Orgasms Obituaries by Nicole Villeneuve

In a sensuous and disturbing one-woman show that largely manages to avoid the perilous trap of self-reflectivity, Raïna von Waldenburg channels three stories that confront the taboo t…

SOURCE: Backstage at 5:16am on December 6, 2011☆⚑

The Making of Steven Spielberg's 'War Horse' by Stephen Galloway

Freezing weather, 5,800 extras and 300 horses were among the challenges handled by the director during the film's 63-day shoot.

SOURCE: Backstage at 10:12am on December 5, 2011☆⚑

NY Review: 'Happy Hour' by David Sheward

Ethan Coen offers unrelieved anger and depression in three one-acts. Aside from a funny and fascinatingly bizarre scene in a Japanese restaurant, the playlets go nowhere.

SOURCE: Backstage at 8:00am on December 5, 2011☆⚑

Fairy Tale by Lisa Jo Sagolla

This rewarding production offers five extremely well-acted short plays that are based on classic fairy tales and illuminate various aspects of the dark side of human nature.

SOURCE: Backstage at 5:46am on December 5, 2011☆⚑

Friends Don't Let Friends by Karl Levett

James Presson's would-be comedy about television's sitcom industry has a split personality, strangely trying to mix satire with Henrik Ibsen without much success.

SOURCE: Backstage at 3:57am on December 5, 2011☆⚑

The Canterbury Tales Remixed by Suzy Evans

Baba Brinkman presents a study of how language has evolved from middle English to gangster rap while maintaining the essence of Chaucer's stories in a fresh way.

SOURCE: Backstage at 3:52am on December 5, 2011☆⚑

Misterman by Clifford Lee Johnson III

In this dark but vital one-man play from Enda Walsh, Cillian Murphy is a would-be savior living in an abandoned factory who descends from divine messenger to murderous madman.

SOURCE: Backstage at 7:05am on December 4, 2011☆⚑

NY Review: 'The Cherry Orchard' by David Sheward

Director Andrei Belgrader transforms Chekhov's tender comedy-drama of a displaced Russian family into a manic one-ring circus. Even sterling performances can't save it.

SOURCE: Backstage at 7:00am on December 4, 2011☆⚑

Mad Women by David Sheward

Performance artist John Fleck combines pop culture with autobiography in a bizarre "psychological burlesque" paying tribute to the legendary Judy Garland and his mother.

SOURCE: Backstage at 5:30am on December 4, 2011☆⚑

Friends and Relations by Erik Haagensen

Marc Castle's straightforward comedy-drama about a group of gay male friends living in Manhattan from 1977 to 1987 feels like one of those interchangeable TLA Video gay indie releases.

SOURCE: Backstage at 3:20am on December 4, 2011☆⚑

The Man Who Came to Dinner by Marc Miller

Kaufman and Hart's satire of celebrity and self-reinvention still amuses, but Jim Brochu's blustery Sheridan Whiteside doesn't reverberate as fully as one would like.

SOURCE: Backstage at 2:56am on December 4, 2011☆⚑

LongShotz: Arrivals and Departures by Jonathan Mandell

Six short plays, presented over two separate evenings, offer a loosely connected and uneven glimpse at New York City.

SOURCE: Backstage at 6:47am on December 3, 2011☆⚑

Douglas Carter Beane Spills the Broadway Beans by Mark Kennedy

Douglas Carter Beane may have two musicals simultaneously playing on Broadway but that isn't enough. "Neil Simon had four. Where are my other two?"

SOURCE: Backstage at 11:48am on December 2, 2011☆⚑

NY Review: 'Elective Affinities' by Erik Haagensen

Playwright David Adjmi gives new meaning to the term "parlor trick" with this site-specifically staged 20-minute monologue, which the slyly insinuating Zoe Caldwell delivers superbly.

SOURCE: Backstage at 6:59am on December 2, 2011☆⚑

Derby Day by Karl Levett

Samuel Brett Williams' new play offers the dynamics of destructive behavior in a work that is not so much over-the-top as up the next hillside.

SOURCE: Backstage at 8:00am on December 1, 2011☆⚑

NY Review: 'Bonnie & Clyde' by Erik Haagensen

Whatever made Bonnie and Clyde special is missing from this sentimental musical, as are sufficient character development, adequate dramatic thrust, and any kind of subtext.

SOURCE: Backstage at 7:00am on December 1, 2011☆⚑

Angel Reapers by Lisa Jo Sagolla

Superbly directed and choreographed by Martha Clarke, with fascinating historically based text by Alfred Uhry, this is an enthralling dance-theater portrait of an 18th-century Shaker commu…

SOURCE: Backstage at 5:11am on December 1, 2011☆⚑

Let Lorna Luft Sing in "White Christmas: The Musical" and She's Happy by Robert Windeler

Every August, Lorna Luft calls her agents to remind them that it's time to start booking her into a year-end production of the stage version of Irving Berlin's "White Christmas."

SOURCE: Backstage at 3:38am on December 1, 2011☆⚑

Who Keeps Spider-Man Flying? Meet the Superfans by Mark Kennedy

Christine Antosca is something of a hero to the folks behind "Spider-Man: Turn Off the Dark." She has now seen it 46 times — and counting. "It draws me back every single week I see it,…

SOURCE: Backstage at 10:12am on November 30, 2011☆⚑

Investment in Broadway's 'Book of Mormon' Pays Off

Producers of the hit show said Tuesday that it has recouped its $11.4 million capitalization after just nine months.

SOURCE: Backstage at 10:08am on November 30, 2011☆⚑

NY Review: 'The Door' by Suzy Evans

Tony Earnshaw's concise drama features standout performances from its two actors and accomplishes everything that a play should in under an hour.

SOURCE: Backstage at 5:35am on November 30, 2011☆⚑

Shen Wei Dance Arts by Lisa Jo Sagolla

With this latest work, choreographer-designer Shen Wei seems to be moving—or at least looking—backward, embracing the past rather than evolving new approaches to the art of dan…

SOURCE: Backstage at 5:30am on November 30, 2011☆⚑

At 84, Barbara Cook Hardly Slowing Down by Mark Kennedy

Cook, whose buttery soprano helped define show after show on Broadway, from "Candide" and "The Music Man" to various revivals of "Carousel," will be recognized for her contribution to Amer…

SOURCE: Backstage at 11:21am on November 29, 2011☆⚑

Casting Standout: 'War Horse' by Jessica Gardner

Jina Jay felt a special connection to "War Horse" before she even started casting it. Her family has always been a fan of English novelist Michael Morpurgo, and her children have read, and…

SOURCE: Backstage at 10:00am on November 29, 2011☆⚑
« Previous 25   Page 295 of 341   Next 25 »