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8,501 stories from Backstage

Iron Curtain by Suzy Evans

Cara Reichel has meticulously helmed this hilarious throwback to the Golden Age of musicals, and the production and the work give hope for the fate of the American tuner.

SOURCE: Backstage at 8:00am on November 10, 2011☆⚑

NY Review: 'Hugh Jackman, Back on Broadway' by Erik Haagensen

Is there anyone else in show business today who can levitate an audience the way Hugh Jackman is doing right now in his not-exactly-one-man musical show at the Broadhurst Theatre?

SOURCE: Backstage at 7:00am on November 10, 2011☆⚑

Alex Lacamoire Brings It Together for 'Bring It On: The Musical' by Melinda Loewenstein

Alex Lacamoire, the music supervisor on the new "Bring It On: The Musical" (running Oct. 30 to Dec. 10 at the Ahmanson Theatre), describes his job as the "traffic control center of the mu…

SOURCE: Backstage at 5:00am on November 10, 2011☆⚑

NY Review: 'The Blue Flower' by Erik Haagensen

Husband-and-wife team Jim and Ruth Bauer's exhilarating experimental musical examining the lives and loves of four European bohemian friends during the first half of the 20th century bloom…

SOURCE: Backstage at 7:00am on November 9, 2011☆⚑

El Color Del Deseo (The Color of Desire) by David A. Rosenberg

Pulitzer Prize–winning playwright Nilo Cruz's take on how the Cuban Revolution affected the commercial and romantic lives of individuals caught up in its fervor doesn't quite come to…

SOURCE: Backstage at 6:34am on November 9, 2011☆⚑

Happy Hunting by Erik Haagensen

This 1956 Ethel Merman vehicle has a new star in the wonderful Elizabeth Loos, who delivers pure delight as she sturdily supports this rather flimsy, cut-rate show on her highly capable sh…

SOURCE: Backstage at 6:32am on November 9, 2011☆⚑

The Runner Stumbles by Marc Miller

Milan Stitt's dimly remembered 1970s success is historical drama, courtroom nail-biter, whodunit, and religious meditation rolled into one, and Retro Productions mostly does it proud.

SOURCE: Backstage at 6:28am on November 9, 2011☆⚑

Actors Give Generously to Their Alma Maters by Daniel Holloway

Mariska Hargitay is just one of many actors giving back—both with their dollars and with their time—to the places where they studied the craft.

SOURCE: Backstage at 4:57am on November 9, 2011☆⚑

NY Review: 'Venus in Fur' by David Sheward

Nina Arianda reignites her blazing performance from the original Off-Broadway production of this kinky two-hander in the new Main Stem version, shooting sparks and burning brightly.

SOURCE: Backstage at 8:00am on November 8, 2011☆⚑

King Lear by David Sheward

The third King Lear of this year, Sam Waterston comes up short in this muddled production. The large supporting cast of top-ranked performers is a mixed bag.

SOURCE: Backstage at 7:00am on November 8, 2011☆⚑

Taymor Sues 'Spider-Man: Turn Off the Dark' for Infringing Her Creative Input by Eriq Gardner

The most expensive production in Broadway history gets hit with a big lawsuit from the famed director, who left the production in March.

SOURCE: Backstage at 4:29am on November 8, 2011☆⚑

Equity Appoints New Assistant Executive Director by Daniel Holloway

Actors' Equity Association has named longtime employee Christine Provost its new Central Regional director/assistant executive director.

SOURCE: Backstage at 2:45am on November 8, 2011☆⚑

La Mama Cantata by Jonathan Mandell

A cast of 17 joyously celebrate the late Ellen Stewart, founder of La MaMa E.T.C., by performing her words as set to music by Elizabeth Swados.

SOURCE: Backstage at 2:18am on November 8, 2011☆⚑

All-American by David Sheward

Dramatist Julia Brownell scores a dramatic touchdown by making unexpected plays in this dramedy about a female football player and her conflicted family.

SOURCE: Backstage at 7:01am on November 7, 2011☆⚑

Hand to God by Ron Cohen

Robert Askins' comedy is a provocative stew of religiosity, teenage angst, and sex, and the solid production fully mines its comedic value if not its darker dimensions.

SOURCE: Backstage at 7:00am on November 7, 2011☆⚑

NY Review: 'Godspell' by David Sheward

Director Daniel Goldstein doesn't trust the innocent charm of John-Michael Tebelak and Stephen Schwartz's 1971 hit and relies on too many gimmicks and topical references.

SOURCE: Backstage at 7:00am on November 7, 2011☆⚑

Two-Man Kidnapping Rule by A.J. Mell

Like its central character, Joseph Gallo's comedy about a trio of buddies out on the town is companionable and easy to take but offers few surprises.

SOURCE: Backstage at 3:31am on November 7, 2011☆⚑

Perfect Catch: A Throw-Mantic Comedy by Suzy Evans

Michael Karas and Jen Slaw wrote and perform this light and fun 60-minute juggling act about an innocent office romance, which is a delight for attendees of all ages.

SOURCE: Backstage at 3:28am on November 7, 2011☆⚑

Bunny by Suzy Evans

Rosie Wyatt makes a smashing professional and New York debut in Jack Thorne's edgy, frank one-person drama about racism, classism, and sexuality in contemporary British society.

SOURCE: Backstage at 3:25am on November 7, 2011☆⚑

The Secret Death of Puppets (or) How Do Puppets Die (or) Puppets Die in Secret by Nicole Villeneuve

In three bizarre but powerful playlets, Sybil Kempson takes us on an exploration of the grotesque and the uncanny that forces us to stop thinking and start feeling.

SOURCE: Backstage at 8:11am on November 6, 2011☆⚑

NY Review: 'Queen of the Mist' by Erik Haagensen

Michael John LaChiusa has written a strong score for this musical about the first woman to go over Niagara Falls in a barrel, a role in which Mary Testa triumphs.

SOURCE: Backstage at 8:00am on November 6, 2011☆⚑

The Maddening Rain by Karl Levett

Playwright Nicholas Pierpan's moral fable of an inauthentic 21st-century man is given a compelling, authentic performance by Felix Scott in the Brits Off Broadway festival.

SOURCE: Backstage at 4:30am on November 6, 2011☆⚑

Shadow Boxing by Jonathan Mandell

James Gaddas' hourlong monologue for a boxer is made fresh by Jonny Collis-Scurll's performance and by a gay twist in this Brits Off Broadway offering.

SOURCE: Backstage at 2:30am on November 6, 2011☆⚑

Puberty Rites...Not a Bootleg Experience by Marc Miller

Elaine Jackson's two-hander about white and black disaffected youth suffers from uneven and often unclear writing, but while Yasha Jackson struts the stage, you're riveted.

SOURCE: Backstage at 2:00am on November 6, 2011☆⚑

A Hard Wall at High Speed by Mitch Montgomery

This is a masterfully executed production of Ashlin Halfnight's illuminating new play, which chronicles a Florida family's bizarre upheaval while reframing a well-known national tragedy wi…

SOURCE: Backstage at 8:00am on November 5, 2011☆⚑
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