DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
38,696 stories from The New York Times

Zawe Ashton: On Broadway and Off Broadway, All at Once by Julie Bloom

Suddenly all seems to be going the British actress's way: A first book, an Off Broadway production of her play and a starring role opposite Tom Hiddleston in "Betrayal." If only it were that…

SOURCE: The New York Times Subscription at 10:48am on October 23, 2019☆⚑

'For Colored Girls' Review: Ntozake Shange's Women Endure by Ben Brantley

The director Leah C. Gardiner delivers a warm and inspiriting revival of the landmark poetic drama, with a gloriously interdependent cast.

SOURCE: The New York Times Subscription at 11:24pm on October 22, 2019☆⚑

Review: Abzug and Fierstein, on the Same Ticket in 'Bella Bella' by Jesse Green

When the former Edna Turnblad plays the feminist firebrand of the 1970s, there's no dress but it's still a drag.

SOURCE: The New York Times Subscription at 11:24pm on October 22, 2019☆⚑

A Dark 'Oklahoma!' and a Yiddish 'Fiddler' To Close in January by Michael Paulson

The inventive revivals offered new ways to experience cherished classics of the musical theater canon.

SOURCE: The New York Times Subscription at 6:54pm on October 22, 2019☆⚑

Oscar Wao Takes His Superpowers to the Stage by Jose Solís

Presenting a version of Junot Díaz's prizewinning novel, Repertorio Español is also showing off a confident cohort of Latino actors.

SOURCE: The New York Times Subscription at 3:32pm on October 22, 2019☆⚑

Review: In 'Power Strip,' a Syrian Story Both Bleak and Striking by Laura Collins-hughes

Sylvia Khoury's insidiously sharp new play arrives as the eight-year-old conflict is making fresh headlines in the United States.

SOURCE: The New York Times Subscription at 10:48pm on October 21, 2019☆⚑

Review: 'Forbidden Broadway' Sticks It to the Great Woke Way by Ben Brantley and Jesse Green

Gerard Alessandrini's franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.

SOURCE: The New York Times Subscription at 3:48pm on October 21, 2019☆⚑

Sam Bobrick, 'Saved by the Bell' Creator, Is Dead at 87 by Daniel E. Slotnik

A television mainstay, he was also a playwright. His best-known play, "Norman, Is That You?," flopped on Broadway but went on to international success.

SOURCE: The New York Times Subscription at 1:48pm on October 21, 2019☆⚑

Review: 'American Utopia' Is David Byrne's Neighborhood by Ben Brantley

This jubilant production, choreographed by Annie-B Parson, transforms an icon of alienation into a cosmically cozy senior statesman.

SOURCE: The New York Times Subscription at 11:48pm on October 20, 2019☆⚑

For 24 Hours Onstage, Alia Shawkat Felt Great to Feel 'Shameless' by Elisabeth Vincentelli

The "Arrested Development" actress made quite the New York stage debut, repeating one fiery scene opposite about 100 different actors in "The Second Woman."

SOURCE: The New York Times Subscription at 3:12pm on October 20, 2019☆⚑

'Chasing Rainbows' Review: Judy Garland's Happy Days by Elisabeth Vincentelli

Focusing on the entertainer's early years, this Paper Mill Playhouse musical offers buoyant tap numbers but sidesteps the material's most troubling implications.

SOURCE: The New York Times Subscription at 5:48pm on October 18, 2019☆⚑

The Week in Arts: Alicia Keys, Mark Morris and an Expanded MoMA

The singer headlines Tidal's benefit concert in Brooklyn; and the Museum of Modern Art debuts its larger, more diverse collection.

SOURCE: The New York Times Subscription at 5:18am on October 18, 2019☆⚑

Female Playwrights Are on Form (for the Most Part) by Matt Wolf

Whether it's finishing what Jane Austen started, imagining the private conversations of first ladies or inserting the personal, on London stages female playwrights are mixing things up.

SOURCE: The New York Times Subscription at 4:33am on October 18, 2019☆⚑

Review: Mary-Louise Parker in the Subliminal, Sublime 'Sound Inside' by Jesse Green

Adam Rapp's play transfers to Broadway in a rivetingly dark and detailed production by David Cromer.

SOURCE: The New York Times Subscription at 10:18pm on October 17, 2019☆⚑

'Little Shop of Horrors' Review: Jonathan Groff Feeds the Beast by Ben Brantley

Michael Mayer's revitalizing revival of this genially gruesome classic becomes a sly morality tale for the age of universal celebrity.

SOURCE: The New York Times Subscription at 10:18pm on October 17, 2019☆⚑

Addiction Is the Stuff of High Drama. In These Plays, So Is Sobriety. by Jesse McKinley

With recovery no longer so secret, a new wave of plays dealing with its realities has started to emerge. Some of the playwrights have drawn from their own lives.

SOURCE: The New York Times Subscription at 11:36am on October 17, 2019☆⚑

Review: 'The Lightning Thief,' a Far Cry From Olympus by Jesse Green

A musical adaptation of the popular fantasy novel comes to Broadway and goes to Hades.

SOURCE: The New York Times Subscription at 10:12pm on October 16, 2019☆⚑

Review: A Startling 'Swan Lake' That's Hard to Recognize by Elisabeth Vincentelli

In a work opening with a goat tethered to a cinder block, the closest we get to Tchaikovsky's ballet is four dancers representing swans.

SOURCE: The New York Times Subscription at 4:48pm on October 16, 2019☆⚑

Michael Friedman Died in 2017. Now 9 Albums of His Work Are Coming. by Michael Paulson

The first three are to be released Friday by Ghostlight Records and the Civilians theater company.

SOURCE: The New York Times Subscription at 3:18pm on October 16, 2019☆⚑

After 35 Years at Playwrights Horizons, He's Ready to Seek New Ones by Michael Paulson

Tim Sanford, the longtime artistic director at the prestigious Off Broadway theater, will turn over the reins to his deputy, Adam Greenfield.

SOURCE: The New York Times Subscription at 3:18pm on October 16, 2019☆⚑

Why the Oscars, Emmys and Tonys Are Not Ready for They and Them by Cara Buckley

Asia Kate Dillon of "Billions" is calling on the Television Academy to scrap gendered categories. But the organization and others have no plans for change, for now.

SOURCE: The New York Times Subscription at 3:18pm on October 16, 2019☆⚑

Love Elaine Stritch? Thank the Parts She Didn't Get by Alexandra Jacobs

The legendary stage actress's character was shaped as much by the roles she lost as those she won. These are some of the ones that got away.

SOURCE: The New York Times Subscription at 11:12am on October 16, 2019☆⚑

'Mrs. Doubtfire' Musical Is Coming to Broadway by Nancy Coleman

The 1993 comedy has a Broadway-friendly family plot, but filling one of Robin Williams's most memorable roles could be risky.

SOURCE: The New York Times Subscription at 11:12am on October 16, 2019☆⚑

Review: In the Musical 'Soft Power,' China Whistles the Tune by Jesse Green

A complex look at democracy from an Asian perspective turns "The King and I" inside out.

SOURCE: The New York Times Subscription at 11:54pm on October 15, 2019☆⚑

Review: Marisa Tomei Braves a Typhoon in 'The Rose Tattoo' by Ben Brantley

Trip Cullman's unmoored production of this atypical comedy from Tennessee Williams presents sexual attraction as a raging force of nature.

SOURCE: The New York Times Subscription at 11:54pm on October 15, 2019☆⚑
« Previous 25   Page 299 of 1,548   Next 25 »