Zawe Ashton: On Broadway and Off Broadway, All at Once
Suddenly all seems to be going the British actress's way: A first book, an Off Broadway production of her play and a starring role opposite Tom Hiddleston in "Betrayal." If only it were that…
Suddenly all seems to be going the British actress's way: A first book, an Off Broadway production of her play and a starring role opposite Tom Hiddleston in "Betrayal." If only it were that…
The director Leah C. Gardiner delivers a warm and inspiriting revival of the landmark poetic drama, with a gloriously interdependent cast.
When the former Edna Turnblad plays the feminist firebrand of the 1970s, there's no dress but it's still a drag.
The inventive revivals offered new ways to experience cherished classics of the musical theater canon.
Presenting a version of Junot DÃaz's prizewinning novel, Repertorio Español is also showing off a confident cohort of Latino actors.
Sylvia Khoury's insidiously sharp new play arrives as the eight-year-old conflict is making fresh headlines in the United States.
Gerard Alessandrini's franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.
A television mainstay, he was also a playwright. His best-known play, "Norman, Is That You?," flopped on Broadway but went on to international success.
This jubilant production, choreographed by Annie-B Parson, transforms an icon of alienation into a cosmically cozy senior statesman.
The "Arrested Development" actress made quite the New York stage debut, repeating one fiery scene opposite about 100 different actors in "The Second Woman."
Focusing on the entertainer's early years, this Paper Mill Playhouse musical offers buoyant tap numbers but sidesteps the material's most troubling implications.
The singer headlines Tidal's benefit concert in Brooklyn; and the Museum of Modern Art debuts its larger, more diverse collection.
Whether it's finishing what Jane Austen started, imagining the private conversations of first ladies or inserting the personal, on London stages female playwrights are mixing things up.
Adam Rapp's play transfers to Broadway in a rivetingly dark and detailed production by David Cromer.
Michael Mayer's revitalizing revival of this genially gruesome classic becomes a sly morality tale for the age of universal celebrity.
With recovery no longer so secret, a new wave of plays dealing with its realities has started to emerge. Some of the playwrights have drawn from their own lives.
A musical adaptation of the popular fantasy novel comes to Broadway and goes to Hades.
In a work opening with a goat tethered to a cinder block, the closest we get to Tchaikovsky's ballet is four dancers representing swans.
The first three are to be released Friday by Ghostlight Records and the Civilians theater company.
Tim Sanford, the longtime artistic director at the prestigious Off Broadway theater, will turn over the reins to his deputy, Adam Greenfield.
Asia Kate Dillon of "Billions" is calling on the Television Academy to scrap gendered categories. But the organization and others have no plans for change, for now.
The legendary stage actress's character was shaped as much by the roles she lost as those she won. These are some of the ones that got away.
The 1993 comedy has a Broadway-friendly family plot, but filling one of Robin Williams's most memorable roles could be risky.
A complex look at democracy from an Asian perspective turns "The King and I" inside out.
Trip Cullman's unmoored production of this atypical comedy from Tennessee Williams presents sexual attraction as a raging force of nature.