Imperialist History as Marxist Pageant and Brechtian Ballad by Charlotte Stoudt
Belize
Belize
Innocents
A kinder, gentler image theater sings a requiem for the barely surviving heart of the world
Mamillius
Aphrodisiac
Classic Stage Company
Stephen J. Bottoms's Playing Underground
K.I. From 'CRIME'
Dave Gorman's Googlewhack! Adventure
André Gide and Jean-Louis Barrault's The Trial
New York theater's philosopher king goes to the movies by Tom Sellar
Talking With Richard Foreman
After The Ball
Forbidden Broadway: Special Victims Unit
A musical that's not a groundbreaker can still have some fun left when it's old and gay by Michael Feingold
La Cage Aux Folles
Under the Radar provides Russell with a fitting second act by Trav S.D.
Curator Mark Russell
Frankenstein
Fat Pig
Aiming for style, director Mark Lamos can almost convince you that it equals substance by Michael Feingold
The Rivals
Lauwers conjures a personal vision of an imperialist past by Charlotte Stoudt
Isabella's Room
Shakespeare's Winter's Tale transformed into a funk dream by Alexis Soloski
The Best of Both Worlds
The saddest musical in the world: A Lloyd Webber revival that proves the show musn't go on
Charles McNulty examines the phenomenon of stars theatrically pleasuring themselves on Broadway
In the first play of August Wilson's cycle, familiar patterns take on newly articulate flesh by Michael Feingold
Gem of the Ocean
Two Jewish comedies pit romantic love against tradition by Alisa Solomon
Modern Orthodox; Di Kaprizne Kalemoyd/A Novel Romance
A Number